Brood

Jose Macabra Soundtrack 3d video Kimatica Transcendence National Gallery

taken from the forthcoming 5LP / 5CD box set "Electroacoustic Works" celebrating Iannis Xenakis' 100th anniversay on May 29th, 2022. 

Newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest, mastered by Rashad Becker.

Out in January 2022

IANNIS XENAKIS - Mycenae Alpha

Don’t Hate Me

Don't Hate Me

Not A Dream

Golden Apples of the Sun

Golden Apples Of The Sun

Compiled and curated by Luca Venezia, aka Curses, Next Wave Acid Punx DEUX is a celebration of the darker side of electronic club music. Featuring 49 tracks the compilation connects 5 decades of music as embodied here by a track from Berlin club mainstays Soft Crash.

A collaboration between two of today's leading industrial techno and EBM artists, Imperial Black Unit's Pablo Bozzi & Berghain resident Phase Fatale, Soft Crash sees the duo explore the increasingly blurred line between technology and humanity. On Dolce Morte, their exclusive contribution to Next Wave Acid Punx DEUX, that remit translates to an exhilarating rush of relentless kick drums, pulsating synths and chant like vocals sure to get anyone dancing, man or machine.

BUY HERE: 
https://cursesforever.bandcamp.com/album/next-wave-acid-punx-deux-2

@eskimorecordings @softcrash-music @phasefatale

PREMIERE: Soft Crash - Dolce Morte [ Eskimo Recordings ]

Conceited

Watch Me Now (Queen of the night)

#BKLA is my new project where I will release remixes, edits, and blends of classic #bakalao anthems.

Download available at blastto.bandcamp.com

BKLA 9 - Es imposible, no puede ser (It is indeed Blastto Mix)

vinyl:   https://honestjons.com/shop/label/Mana      
digital: https://manarecs.bandcamp.com/album/de-leon     
info:     http://manarecords.com/004 

Gamelan and capoeira in dub. The collective behind this doesn’t like to talk much but their music is beautifully conversational. De Leon is the most organic and percussive of their shifting identities, developed on their Aught project in small-run, clear-shell cassette tape releases over the last few years.

They've appreciated a cult interest for their takes on outernational rhythm, field recording, and the tension and relief on the knife-edge of dance music; all delivered with an impressive commitment to anonymity and clarity of vision through cut-and-dried aesthetic minimalism.

These six pieces of music seem formed from wood, metal, air. Dramatic, balletic flourishes and tightly woven interlocking patterns are embedded in slowly changing and "live" atmospheres. The shadow of a hand over the mixing desk makes gradual adjustments to alter the pressure and dimension of the space.

A number of tracks first appeared on De Leon's set for Blowing Up The Workshop in February 2016.

Mastered and cut at D&M.
Distributed by Honest Jon's, London.

Art by Gustavo Eandi

De Leon

De Leon - B1

Site specific piece recorded in Teufelsberg (The Devil's Mountain). 
Minimal editing, recorded inside the largest radar reflexion beacon situated in Grunewald (West Berlin) for future 8.1 piece.
This piece is  Brood's sonic representation of the history of this man made mountain and N.S.A. spy base.

2010

The Devil's Mountain

The Ministry of Defence in the UK has developed mind control methods using a sonic weapon.  The Department of Science Technology lab influence thoughts and control dreams of their adversaries.  The sound waves infiltrate the brain to disrupt normal thought patterns and lead the victim to execute actions decided by the government.

the largest organization in the world that openly research mind control weapons and torture methods is the United States of America government. http://www.bbc.co.uk/news/world-us-canada-41077339

My question is, if you were dealing with a government that developed mind control and used this technology to engineer behavior in a subject, would you not disclose this openly to the public to save the millions of innocent lives that are at stake? How could you possibly control and use mind control


Aural mind control is known to be effective for espionage campaigns against ally and adversarial states.  The sound waves operate at a frequency which uses alpha and gamma waves.  Espionage operations using speakers and audio are known to have existed since the 1980s.

Voice impersonation has become a technology of surveillance and cybercrime. There are many video files on YouTube of apparent online video tutorials in regards to voice synthesis. Other software, such as smsMachine have been used to create new voices and sound alike.

These people were no expert in voice synthesis. But if you watched the video of them saying “hey”, you could hear what sounded like them saying “hey”. Their voice quality wasn’t perfect.

Sonic Mind Control Weapon Conspiracy Theory [keto432]

Brood is the sound worship duo formed by Jose Macabra and Sammie Joplin (Mothax). 
Brood started its journey when they met at London College of Communication whilst both were studying B.A. Sound Arts and Design. 
It is a noise/industrial music project that explores the subconscious and hypnotic trance state in sound form. Hypnagogic exploration draws themes from innate contradiction within the worlds society expressed through a mix of soundscapes and improvised sonics. The band started in 2008 when they decided to unite forces to create a collaborative improvisation group that would generate a new concept in music and performing arts, mixing old and new techniques to deliver a melodramatic and aggressive journey that would immerse the public in an unforgettable experience.
Their first single “Filth Me Tonite” and first album “Your Mother” are now available.


Jose Macabra, is an artist, sound designer, producer, video director, radio DJ/podcast maker and curator. 

Jose teaches Sound Arts and Music Production at the London College of Communications, UAL and other educational establishments. His work nourishes many influences, from the industrial and noise panoramas, together with a legion of related genres such as ritual and the darker flavours of techno, blended with sound art, soundscape, art brut and experimental music.
 
Jose has worked with and for Kimatica Studio, Persona Collective, Ernesto Tomasini, Ron Athey, HR. Giger, Sally Mann, J. Milo Taylor, Nicola Serra, Christian Duka, Martin Delaney, Eraldo Bernocchi, FFIN DANCE Company, Rum Luck Theatre Company, Persona Collective, UCL, UAL, SAE Institute, HMPPS Belmarsh and Unite the Union, to name a few.
 
Jose Macabra has performed in art establishment venues, including Barbican, Tate Modern, National Gallery X, Oxford University, Tate Liverpool, BFI, The Photographer's Gallery, Waterman's Centre, The Museum of Consciousness, Camberwell College of Arts, London College of Communication and Kent University. Works involving Jose's music and sound design have toured significant festivals in London, Madrid, Barcelona, Berlin, Hamburg, Athens, Brussels, Milan, Barcelona, Lisbon, Manchester, Liverpool and other cultural centres.
 
Jose's research interests include Electronic Music, Field Recording, Noise Music, Industrial Music, Improvisation, Sound Art, Performance Art, Queer Studies, Ritual Art Practice, Collaborative Practice, Altered States of Consciousness through Sound, Horror, Darkness, Film, Surrealism, Automatic Writing and  Spatial Audio.

Jose Macabra Soundtrack 3d video Kimatica Transcendence National Gallery

Jose Macabra

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