2020_05_27

Best of SoundCloud 2

Summer 4

THE HYPERSONIC FACTOR 
Danny Handler - Drums 
Mirko Borach - Bass 
Jason Rubenstein - Piano, Synthesizers, Samplers 
Dan van den Berg - Acoustic & Electric Guitars, Samplers

Recorded in San Francisco, Rotterdam, Dinslaken, Austin

Recorded 2017-2018 
Producers: Jason Rubenstein, Dan van den Berg, Mirko Borach, Danny Handler 
Mixing and mastering: Jason Rubenstein, Danny Handler 
copyright 2018 
Danny Handler proudly endorses Vic Firth and Aquarian Drumheads.
license
all rights reserved

Inventions of Diffusion

SadHappy

Download

Olores y Colores

Painting a vivid picture in music.
In this track I explore the link between the flamenco style or palo of Tangos and the more Argeninian Tango. Although being linked in name they are very different. A Tango flamenco is more closely linked to the rumba flamenca. Its rhythm is the same as farruca and very lively. The Argentine tango shares a common ancestor, but went its own way. However, it was fun developing the transition between styles. I do that by a dramatic interruption in a Solea por Buleria. It repeats three times with the outro slightly different from the intro and interlude. 
I play three guitar parts here, one in flamenco finger picking style, the others more like the guitar trio with an alternate picking style.

I hope you will enjoy this one and as always greatly appreciate your likes, shares and comments.
-Dan

Data:
All music, arranging, composition, percussion programming and guitar by Daniël van den Berg, September 30, 2018
Guitar: Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015
Recorded using an Apogee MiC.
Percussion arranged with samples from Sampletank and Flamenco Loops.
Mixed in Auria, masterered in Auria and Final Touch.

Olores y Colores

Olores y Colores | Dan van den Berg

The music for the end scene of the film Cicatrix directed by Rory Wilson

Connection (from the film Cicatrix)

Music, lyrics and vocals by Irina

When the stars are out
And the night is new
I can see no stars
All I see is you
I can see no moon
Gliding through the skies
I'm forever lost
In your magic eyes

If you just say
I'd run away with you
I'd give my heart
I'd risk my life for you
But I'd stay away my love
If you only say my love

When the sun is up
And the day is due
I can see no sun
All I see is you
I can see no clouds
Gliding through the skies
I'm forever drowned
In your magic eyes

If you just say
I'd run away with you
I'd give my heart
I'd risk my life for you
But I'd stay away my love
If you only say my love

Magic Eyes

Midnight Lullaby

REX MEUS

Proud to present my new collaboration with my friends 
IPG1 and Paploviante "NOW OR NEVER"
Vocals and Verses : IPG1 - Ian Greaves
https://soundcloud.com/ipg1
Bass : Paploviante - Paul Racle
https://soundcloud.com/paul-racle
Music : Paploviante and Lillithe
Production and Arrangement : Lillithe - Dominique Amaudruz
Verses :
------------Still me——(Smile!!) always data mining Crafting and designing Breaking all the rules with the styles I'm combining bending words round bars with impeccable timing Beats getting lit by the rhythm and the rhyming If it all out---I'm in----ain't no declining Polish off another beat and leave the track shining  Feel the vibe on the cloud another silver-lining  Time out mother fuckers it's my time I've been grinding Day to day hustle now the stars are aligning
like its meant to be cosmic energy Time's changing Destiny yeah! that's the real key Climbing to the next level totally free Cutting straight to the chase skip the pleasantries A force to be recon with you can't ignore me Staying true to myself-----Staying true to myself -------game's locked but still free-------game's locked but still free ------got game but still me------got game but still me
This is pure heat a pen---a page---a beat Engraving these lyrics so they penetrate deep  gimme the mic pull up a chair go ahead and have a seat Recognize technique that makes you wanna move your feet Verse after verse hitting like concrete  spitting these cadres so they reck another beat Flavor on the mic makes it sound so sweet that lines so dope let me just repeat  Flavor on the mic makes it sound so sweet  I'm bouncing off the rhymes eat it up it's a treat  I can't be beat Boss on the street Elevated status known as elite haters obsolete they can't compete  when I touch the mic they defecate and excrete
reborn hard corp vicious yeah!!! even rougher  Can't get enough of this style Don't suffer----------- smoother than butter---But a lethal as a motherfucker Traversing these barzzz not a cookie cutter Crush another track murder that's right slaughtered  It's IPG1 Aight!! way to clever step to my mic Don't think so never Switch it up now different style and technique  Double time double down Bet it up sweet Conceive a new melody before I even speak Verses seem to bend around the bar and drum beat  Flow on point neat and unique  Cadres that got you rocking out of your seat All respect due to the Class elite  ones gone before but Who'd expect not just open up but also held the door
Much respect!!!
Peace!!!✌🏽

Now Or Never -  IPG1 / Paploviante / Lillithe

Such silly things come to my mind
The way I smile to myself
When I’m feeling sentimental

And cloudy thoughts make way for daydreams
Oh cloudy thoughts can go...
Oh they go....

Such funny thoughts
Well they go through my mind
The way I laugh to myself
When I’m feeling sentimental...

Chorus

Such silly things
Come to my mind
The way I smile to myself 
When I’m feeling sentimental...
Ooh

SENTIMENTAL

For those moments when mixed emotions come across and you can experience this kind of "happy sadness" feeling...

Mixed Feelings

Sunrise

Recorded July 2019

1. Meinen Jesum laf ich nicht
2. Jesu, meiner Seelen Wonne
3. Was frag' ich nach der Welt

3 Chorales of J.S. Bach

ELECTRON WAVES

Costa Mee - Rising In(Desusino Boys, Larissa Jay Remix) Out now

Tsili - Forbidden Love Snippet (Desusino Boys, Larissa Jay Remix) COMING SOON

Exactly 50 years ago, humanity stepped foot on the surface of the Moon for the first time. It was a miracle, and one made so powerful because it was so very unlikely.

It was hailed as an incredible success. But the chance of failure was such that authorities had to prepare for the possibility of losing the astronauts.

Those preparations offer a humbling insight into how risky that mission was, and how high the stakes were.

Probably the most potent document from those preparations is the speech that would have been used to hail the bravery of the astronauts as they were left to their death on the Moon.

It was written to announce to the world that the astronauts had been lost, and that the Moon mission was a failure. After it was read, the two astronauts would be given a ceremony something like the burial at sea, but one entirely without precedent.

The document was hidden for many years – unused, it was "quietly tucked away into the record" after the astronauts returned home, as the National Archive that now holds it notes. But over time it became public, after being revealed by the man who wrote it, and is now available for the public to read.

It was prepared in the case that the astronauts and their moon lander failed to get back to the main craft that was floating around in the Moon's orbit ready to bring them home, and contained Neil Armstrong and Buzz Aldrin's colleague Michael Collins.

Everything you need to know about the Apollo 11 Moon landing
In that case, it was most likely that those pioneering explorers would not lose their lives in a single spectacular moment. Instead, they would most likely be stranded, stuck 250,000 miles from Earth with no way of getting back home.

"If they couldn't [get back safely], they'd have to be abandoned on the moon, left to die there," speechwriter William Safire​ said in 1999. "The men would either have to starve to death or commit suicide."

In the end, and despite some very anxious moments, the crew would explore the lunar surface and come back down safely. That meant that, instead of announcing their loss, Nixon could instead share in the astronaut's success.

In one of the most famous moments of the mission, he spoke to them in a phone call that was beamed around the world. He recognised the triumph of their achievement, and wished them safety for their return.

"Hello, Neil and Buzz," he said during that phone call. "I'm talking to you by telephone from the Oval Room at the White House.

"And this certainly has to be the most historic telephone call ever made. I just can't tell you how proud we all are of what you've done. For every American, this has to be the proudest day of our lives. And for people all over the world, I am sure they too join with Americans in recognising what an immense feat this is. Because of what you have done, the heavens have become a part of man's world.

"And as you talk to us from the Sea of Tranquility, it inspires us to redouble our efforts to bring peace and tranquility to Earth. For one priceless moment in the whole history of man, all the people on this Earth are truly one: one in their pride in what you have done, and one in our prayers that you will return safely to Earth."

Apollo 50 (Moon And Sun)

Anyone interested in performing/recording any of the works posted here please send me a message.

Joe

3 Chorales of J.S. Bach

Joseph Haspel