https://dominiquelebars1.bandcamp.com/track/pas-glop

Pas glop, 
J' t' aimais bien mon petit humain 
Pas glop,
 On dirait bien que c' est la fin 
Papillons éphémères dans un ciel d'été lointain

Pas Glop - Guit Solo

Quartet For 2 Pianos ( after String Quartet 2 )

Slamming track with a killer signature Day Afters outro.

"Lament" is the latest release by The Day Afters. Dark, emotional tones transport the listener to neon-lit alleyways full of adventure of lost loves, betrayal, and quests for redemption.

Check out our YouTube channel for the music video, which pays homage to minimalist animae style and classic noir films, blending old Hollywood charm with futuristic elements.

Void Century

Lament

℗© Copyright Ian Stokes. All Rights Reserved
Recorded, mixed and mastered in Logic.
Guitar played: Taylor 714CE in standard tuning 
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
Song Notes and Lyrics:
This song imagines one of those occasions when you by chance find yourself in a place where there is some great live music that somehow just seems right.....
Lyrics:
Somewhere in New York City
Or was it down in New Orleans 
Could have been in San Francisco
Or maybe it was all a dream
I was walking by an old blues bar-room 
When I heard somebody playing with some style
So I bought myself an ice cold beer
And listened for a while

Looked like he’d lived a whole life-time
Beard gone silver grey
The people in the place seemed spellbound
Happy just to hear him play
At home on stage under the spotlight 
Keeping time with his heel on the floor
I bought myself another beer
I stayed and Iistened some more 

He wore a fine silk waistcoat
Jacket on the back of his seat
Hat pulled down to his cheekbone
Boots tapping out that beat

He played until the bar-room closed
Right sound right time right place
He walked off into the night
With his old leather guitar case
Never knew his name
Don’t even know if he still plays
But I’ll picture that stage and hear that sound
For the rest…of my days

He wore a fine silk waistcoat
Jacket on the back of his seat
Hat pulled down to his cheekbone
Boots tapping out that beat

Fine Silk Waistcoat

Our instrumental cover of "Fallin'", as originally performed and recorded in 1958 by Connie Francis under the direction of Morty Kraft. Written by Neil Sedaka and Howard Greenfield.

Fallin'

random gossip

Gossip

Musique inspirée des belles lectures de sons du synthétiseur workstation Roland D-20.
Music inspired by the beautiful sound textures of the Roland D-20 workstation synthesizer.

Flâme éternelle

Flâme Éternelle

Opera : « En la Daunia »  - Act II  - (This is an excerpt of my new piece in work...)
Here's the update on Sunday, August 18, 2024
Franck Douvin © 2024 Contemporary Orchestral Music 
Thanks for listening & sharing
I hope you'll enjoy !

Opera : « En la Daunia »  - Act II  - (This is an excerpt of my new piece in work...)

Cast of Characters:

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, synth sax, synth bass, composition, and arrangement 
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, synth sax, ands synth bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed Asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout. 
  Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
  This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it. 
  If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

Sly Willy Blues (Eclectic Collective)

IPG1's open collab rap 'Untapped' with Llanpsych guitars and bass.
Beats are 'Old School Hip-Hop' by @Chrisbeat33 from Looperman - many thanks!

Ian’s open collab rap is here

https://on.soundcloud.com/QqgybTvn4EBFQxrd9

Untapped - with IPG1

Here is a demo with added vocals recorded today 4 Sep 2024 by myself, of my song LOST IN THE LIGHT.
 I used to sing and play the piano many ages ago jazz standards and Evergreens at my gigs and events, Hey! I even had some concerts!

     However, this is after 40 minutes of rehearsing only, and I recorded sitting with my laptop on my lap with my Airpods :) 

Here's a challenge! Because I know I like a good challenge! 😉

I have a list of people who want to sing this song,

So here's your chance to send me your demo. You can forward it here on SoundCloud. (You can find the track of the piano from this recording here on SoundCloud)

And then we will see what's going to happen.

Thanks 

Enjoy!  😊


( I've done some mastering on the vocal track, I am currently a rookie but I am a fast learner But for the 4th, or 5th time in my life doing that, it doesn't sound the worst I guess. 😁😁😁

Lost In The Light Piano + Voice Demo.

Anyone interested in performing/recording any of the works posted here please send me a message.

Joe

Quartet For 2 Pianos ( after String Quartet 2 )

Joseph Haspel