Under the alias Daedelus, Alfred Darlington has been an instigator of electronic music culture for the past 25+ years. A fore-figure of Los Angeles' Beat Scene, they have released 20+ LPs, countless EPs, remixes, and additional productions on labels such as Ninja Tune, WARP, and Brainfeeder. As a performer they're synonymous with controllers, from the grid Monome to computer-free modular, and have played over 1,000+ shows on 6 continents at events ranging from Boilerroom to festival mainstages such as Coachella.

Dj at Dublab, founding faculty member for the Berklee College of Music's EDI (Electronic Digital Instrument) program, and S.E.T.I. artist in residence.

Daedelus has begun to live up to their Greek mythological namesake.

bio (fr) :

Musiques expérimentales et traditionnelles, composition et improvisation, archaïsmes rétrofuturistes.

François Dumeaux (Rodez, 1978) a obtenu en 2006 un D.E.M. et le prix SACEM, dans la classe de composition électroacoustique de Christian Eloy et Christophe Havel, au C.N.R. de Bordeaux.
Finaliste du concours de composition acousmatique Métamorphoses 2008, il a été à cette occasion édité sur la compilation éponyme.
Pour le 80ème anniversaire de Bernard Parmegiani, il a composé « SRA » à la demande de Annette Vande Gorne.
De 2011 à 2016, il a enseigné la composition électroacoustique au C.R.R. de Bordeaux, aux côtés de Christophe Havel.

Pratiquant l’improvisation libre et l’interprétation électronique en live, il a joué avec Joan Francés Tisnèr, Alain Cadeillan, Jakes Aymonino, Christian Vieussens, Peìre Boissière et dans Crypto Tropic, familha Artús, Shapeless, etc.

Il réalise par ailleurs des créations radiophoniques, des documentaires sonores, de la sonographie pour les musées et des bandes-son pour le théâtre la danse et le cinéma.


bio (en) :

Experimental and traditionnal music, composition and improvisation, retrofuturistic arcaisms.

François Dumeaux  (Rodez, 1978) won the SACEM prize and have been graduated by the Bordeaux Music Academy (C.N.R.) in the Christian Eloy and Christophe Havel’s electroacoustic composition class.
Finalist for the acousmatic composition competition Métamorphoses 2008, his piece have been released on the eponym V.A.
Annette Vande Gorne invited him to compose « SRA » for the Bernard Parmegiani‘s 80th anniversary.
Between 2011 and 2016 he teached in the Bordeaux Music Academy (C.R.R.) electroacoustic composition class.

In the free improvisation and the live electronic fields, he played with  Joan Francés Tisnèr, Alain Cadeillan, Jakes Aymonino, Christian Vieussens, Peìre Boissière and in a few bands : Crypto Tropic, familha Artús, Shapeless, etc.

He also realises radio art, documentaries, sonography for museums and soundtracks for plays, choreographies and movies.

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

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A life long lover of nature and constantly intrigued by the natural world and the invisible world of sounds that surround us. This has taken me on a journey of trying to combine my love of exploring and documenting nature with my passion for recording and understanding sound. The idea has since manifested into a number of interesting projects and is in a constant state of evolution. I like the idea of using art as a way to understand the world of science, using imagination to explore scientific ideas beyond the limits of traditional scientific methodology.

I have built up the gear to record and capture sounds for use in films, interviews and music projects or you can check out the library of sounds. I have worked on a number of film projects in a number of different roles and enjoy working behind the camera, which has helped how I work with sound. I like being able to provide a different point of view and unique service for people who like the idea of thinking outside the box, because I live outside the box. 

The most profound sound you will ever hear, is the sound when your heart breaks open

If you like these recordings and would like more information please feel free to contact me on Tai.inoue@my.jcu.edu.au

Thanks Tai 

“Everyone wants to understand painting. Why is there no attempt to understand the song of the birds?”
Pablo Picasso




Releases:

https://stephenvitiello.bandcamp.com/

https://12kmusic.bandcamp.com/album/fridman-variations

http://geographic-north.com/cassette/nuvole/

http://emporium.room40.org/products/535746-steve-roden-stephen-vitiello-the-spaces-contained-in-each



http://www.12k.com/index.php/site/releases/captiva/

// The tying of two (or more) things together //

Drummer-Producer from Sydney's Inner-West.
MIZU EP out now thru Touch of Loft Records.

BOOKINGS: tomcorben@hotmail.com
FB: https://www.facebook.com/musubisydney/
Insta: https://www.instagram.com/__musubi__/

Joseph Whyte is following