Obscure Classics  - Part 1

Pour cette troisième émission, Musiques de chambres vous propose d'écouter des brouillons musicaux : démos, essais, répéts et autres résidus créatifs qui échappent au produit fini. Nous avons invité Leoni Leoni (00'27''), Heta Bilaletdin (2'37'') et Diles que no me maten (32'18'') à partager des pièces sonores qui s'inscrivent dans leurs processus de création musicale.
Vous écouterez également des sons d'archives de Laurie Spiegel (0'27'') et de Suzanne Ciani (53'56'').

Musiques De Chambres #3 w/ Leoni Leoni, Heta Bilaletdin et Diles Que No Me Maten

Our Home

Our Home (feat. Tim O'Brien)

The 'Noise Print' project began from a desire to create deep, earthy textures. I had an image of walking along a narrow forest path and being very present in the moment. For this album I changed my usual approach by setting a one-hour time limit for each studio session. As soon as I set this limitation my ‘chattery brain’ started stirring up doubts about my ability to work under these confines- an hour wasn’t long enough to create ‘amazing music’ and that setting such restraints would be stopping me from producing quality work. However, once I started working, a diﬀerent, more grounded version of myself emerged-more sure footed and less neurotic and anxious, focused on the present moment rather than getting anxious over future outcomes. And the outcomes were good, I was really happy with the material I was creating and the whole of Noise Print was made in these sessions.  

While I made the album I started to think about identity, shadow selves, unconscious selves, versions of ourselves that are quite diﬀerent from the everyday person we think we are. In many ways this was quite comforting, the thought that my everyday self could take it’s hands of the wheel and let a grown up much more capable person could get on with the work. On reflection I realise that making music is one situation in my life where I’m able to tap into this state without too much diﬃculty (most of the time) but it was during the making of Noise Print that I actually noticed it was happening.  

This led me to think about the concept of shadow selves-alternate versions of our subconscious selves that operate beyond our everyday distractions and influences. Like the image of the forest track-a space where the noisy mental clutter fades, and a deeper, older self takes over.  

To sum this one up-it’s like a walk along a narrow forest path and the present moment is very much alive-your mind is right in ‘the now’ with past and future losing any meaning. The ‘Noise Print’ title came about by me thinking if you could print to tape the sound of your psyche/consciousness when your are in this present focused, deep state.  

- Phil Tomsett - April 2024

Noise Print

Phil Tomsett - Noise Print (Preview)

...the right to shout 'theatre' in a crowded fire.

Ambient Dreams For Anti-Fascist Teens

Nice little relaxing head bobbing track. I crafted it in the style of one of my favorite downtempo artists Bent. If you are into their stuff, then perhaps you will enjoy this as well. Hope you find the same peace listening to it as I did creating it.

Omniverses

Written, Recorded, Produced and Mixed by Beth Gladen and Jenneifer Gelinas

Spotify Link: https://open.spotify.com/artist/6IofIOoZbCZSZ7K2IvymJz?si=zv_4LxowS5GpmYVrmyrlQg

Youtube Link: https://youtu.be/8rSFznKOjGs?si=6ToTE7lCRtkYuxQ_



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