Name: dreaming out loud by other joe
Duration: 5 min 36 s
Description: from "one billion kisses", out now via theory therapy

vinyl and digital out 15 September 2023

https://soundcloud.com/producedbyflaty
https://soundcloud.com/olegbuyanov

1. Glare
2. Beroca
3. Contrail
4. Smart Home
5. Brize
6. Virescent
7. Technics
8. Heat Shield
9. Phoneme
10. Bloomin

SERWED - IV (OUEST086) [Preview]

@connaharaway
@theory-therapy

Pre-order: theorytherapy.bandcamp.com/album/lusidiq

Glasgow-based producer and INDEX:Records co-owner Conna Haraway unveils his debut solo release on Theory Therapy – 8 tracks of luminous electronics and restless textures too amorphous to be neatly categorised into a particular genre. Over 40+ minutes, the co:clear founder fuses dubbed-out illbient abstractions, voluminous low end and aquatic gurgles into unconventional analgesic soundscapes. The overall result is something immersive, visceral, and psychedelic – a fully-fledged sound that sits somewhere between delirium and bliss.

Lusidiq features 3 remixes by Seoul duo Salamanda, Philadelphia-based DJ and producer Opheliaxz, and Adam Dove, best known as sound artist Nexcyia.

Lusidiq

pi pi pi premiere: Conna Haraway - All (At Sea) [Theory Therapy]

first track from my new album on Theory Therapy

"Glasgow-based producer and INDEX:Records co-owner Conna Haraway unveils his debut solo release on Theory Therapy – 8 tracks of luminous electronics and restless textures too amorphous to be neatly categorised into a particular genre. Over 40+ minutes, the co:clear founder fuses dubbed-out illbient abstractions, voluminous low end and aquatic gurgles into unconventional analgesic soundscapes. The overall result is something immersive, visceral, and psychedelic – a fully-fledged sound that sits somewhere between delirium and bliss.

Lusidiq features 3 remixes by Seoul duo Salamanda, Philadelphia-based DJ and producer Opheliaxz, and Adam Dove, best known as sound artist Nexcyia."

Written and produced by Conna Haraway
Mastered by Ike Zwanikken
Artwork by Conna Haraway

tapes & digis

Fractals

from 'Transcorporal Portal', forthcoming on Somewhere Press
@slowfoam

Transcorporeal Portal

Video

Slowfoam - Like Phantom Memories in the Slinking Storm

From the compilation Artists Without Borders: https://siliconerecords.bandcamp.com/album/artists-without-borders

We kindly request your generous donations for the compilation. Every contribution will be dedicated to supporting the invaluable work of Doctors Without Borders / Médecins Sans Frontières, with a specific intention to aid those who have been injured in Gaza.

Sn*ke

JAMES K
"ELEKTRA (Scream Through the Eyes of a Statue)"
CD in jewel case w OBI strip
Edition of 250
Release 19.01.2024

“Why is female sound bad to hear?” - Anne Carson

ELEKTRA (Scream Through the Eyes of a Statue), is a multimedia performance broadly conceptualizing the female voice as an “X-ray to the bones of sound.” It was commissioned by Issue Project Room and performed April 26th, 2018 in Brooklyn, New York.  Taking poet, essayist, and Classics professor Anne Carson’s translation of Sophocles’ tragic play Elektra as a point of departure, James K monstrously externalizes the inner sonic world of female vocalization through a scored collaborative framework interpreting each of Elektra’s “screams” in the Greek tragedy.

The piece develops unique methods of screaming through musical and non-musical objects -- performed through manipulated text, videos, and live contributions from James K (voice, electronics, violin, video) Brooklyn-based musician Eve Essex (alto saxophone, various winds and electronics), electronic producer and performer Dylan Shir (electronics), composer and cellist Leila Bordreuil (cello), and poet/artist Eli V Manuscript (textual alchemy, projections).

Within this collaborative framework, James K scores “the scream” to express the various relations between hysteria and the “gender of sound” -- a blurred and overlapping feminine sound defined by its fragmentation and resistance to scripted narrative. Elektra’s presence is emblematic of a radical alienation that occurs as a standing discrepancy to tragic convention. Amongst society, she is the anti-dialogue, a symbol of protest.

‘my cries are wings, they pierce the cage’

Elektra’s vocalizations pierce through language, revealing a shattered interior of multifaceted reflections constructed against habitual linguistic or vocal expression. In tragic convention, such habitual vocalization takes the shape of the often terse, patriarchal voice of the Greek philosopher -- a didactic, conceptual container in opposition to the expressive “becoming” of Elektra’s cries that riot against fixity. As a tragic character, Elektra is radical and alien for Sophocles and his audience -- an ever-present conviction that demonstrates how female shame has constructed a life-size funeral urn around her.

Through translating a text within layers of translations, a fragmentation of the firsthand into traces, James K mirrors Elektra’s deconstruction of reality into siren shards, offering an experiencing of female sign language as a means of sabotage to the world of normal utterances. By sliding on the edge of convention to sharply abandoning rational speech and sonic construction, K’s piece aims to embody Elektra’s strained and stretching screams, as cuts against the glass; her sabotage bound within the blanket loop. In response to rigid vocalization and fixed sonic understandings, ELEKTRA (Scream Through the Eyes of a Statue) takes the scream as an unruly, emotive sonic experience projecting outwards into objects and audience: to the very bones of sound.

This is a live recording of its single performance. Recorded by Bob Bellerue at Issue Project Room in Brooklyn, NY. Mixed by James K. Mastered by Jack Callahan. Performed by James K, Eve Essex, Via App, and Leila Bordreuil. Conceived and scored by James K for four players, and written in collaborative improvisation with the performers. Textual alchemy by Eli V Manuscript. Design and layout by Nicola Tirabasso and James K.

JAMES K - ELEKTRA (iDEAL225 CD excerpt)

A teaser for the upcoming album 'Luvaphy' by @xeniareaper

Luvaphy

pre-order

XENIA REAPER — MxB

The initiatory release on the co:clear label is a stunning debut by Brooklyn-based artist, @edenaurelius. Written between Chicago and New York throughout 2023, 'Plateau' is a lacework of chiller dub-techno and ambient sparkle, crafted via recorded material, astute sampling, and live instrumentation. Rounded off with a stellar remix from your favourite ambient boyband (Purelink), this record is one for the serial unwinders.

______________________________________________

"Plateau is a collision, formed over years of change — an elevated plane where land forms an even surface.

Towering above the ground you see the scale of the earth — terrain merging with sky, enfolding on one another.

Seclusion and observation — a timeless vortex where moments stand still and find place in clarity."

— Eden Aurelius
______________________________________________

credits:

Written & Produced by Eden Aurelius
Remix by Purelink
Mastered by Ike Zwanikken
Lacquer cut by Henry Rudkins
Digital Artwork by Shy
Centre Label Design by Conna Haraway
Distribution by Rubadub

Plateau

Eden Aurelius – Want 2

from "one billion kisses", out now via theory therapy

dreaming out loud

many Illusion

Isostasie - featuring: JOERXWORX Synth Solo RMX

cups of joe
~
ceo .jpeg artefacts
mastering engineer
https://soundcloud.com/jpeg-artefacts

dreaming out loud

other joe

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