Cast of Characters:
Karin-Maria Brunner-- @user-53145152-479345033 -- Saxaphone virtual wind instrument
K2 and the Three (and the Four)-- @k2andthe3, @k2-kara --Ken—drums     
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 --bass, piano, composition
  This song began with a request to me made by Karin-Maria about contributing an original song as a collaboration for her new jazz album called Jazztastic. After fleshing out a song on the piano, I had to get my right-hand man Ken involved to add the drums, because of course I did. 
  After we had worked it out on bass, piano, and drums, we sent it to Karin-Maria, who added the sax solo. She had it professionally mixed and mastered, primarily because the album is now available to stream on all the major platforms. So, please give the whole thing a listen. It has a bunch of collaborators on it, many of whom you will probably recognize. 
 Here is a link to the entire album, which has 21 tracks.  youtube.com/playlist?list=OLAK5…si=LO_jtztHGxUAUiBp
   We hope you enjoy this song as much as we enjoyed creating it. A side note, this is my first jazz song that I've ever written, and I really enjoyed doing it.

Cooks Needed (with Karin-Maria Brunner and K2 and the Three)

(verse 1)
Level one academy better bet I’m the key 
Crown on my head like payment royalty 
rhymes in my life doing things creatively 
no questions asked that’s right just doing me
Don’t act surprise coming through like destiny 
still on the rise hang tight and you will see

Chorus
I bring the noise-I bring the noise-I’ve got the sauce now
Across the void-I bring the noise-so turn it up loud
My thoughts out loud-so just enjoy-this one’s-a cash cow
I bring the noise-I bring the noise-we-off the chain y’all

(Verse 2)
—👣—-Made to sparkle made to shine
dropping gems words to rhymes 
Holding back no not  me 
Coming through wait and see 
just Wait and see

(Verse 3)
hand over fist that is why I Can’t miss 
one with the force different levels do exist
Multidimensional words do twist 
Screw the imperfections as I transmit 
For the culture just a lift Precision with the gift
IPG1 on the mic I’m on the A-list 
Element of the rhythm who can resist 
Heat on each line dedication when I spit
Any doubt it’s word of mouth
sit back take noticed
Time out baby bro lemme get ‘em I got this
Creative days and nights  vision insight
This level so tight I slay and excite
Check your frequencies left and right 
Already built a winning team each player’s out of sight

———-Chorus

(Verse 4)
Academy Noise games departure flights loading
Embracing time and space so much I’m floating
Gotta beat the high score before there’s a landing
nothing last forever it’s all time spent learning 
A nonstop endeavor we’re hell bent earning
Another one on fire it so hot track’s burning 🔥🔥🔥——lit
Repeat (Verses 2, 3, and 4)

I Bring The Noise

Another track from the Mike Fox and Gaz Brownie stable , if you haven't checked out Gaz yet , please do , there's a rawness and quality to his voice that's a winner every time ! This song has trusty Greg Willis on Sax , really works ! On the 8th of April is a Country song by myself and Tony Harris , and another by us on the 22nd . In between those 2 tracks me and Charlotte have a great song out on the 15th , and we're working on a belter , so watch this space ! Plus I've nearly finished an orchestral rock song with lyrics by New Yorker Andrea Brennan , huge song ! Thank you for your continued support !

Find My Heart (feat. Greg Willis)

Find My Heart ( Fox and Brownie feat Greg Willis )

An Gealladh

A song about a close family member who really needs to understand that his relationship is over. 
And she as been letting him down gently without ever officially ending it. 
He continued to constantly offer his thoughts and opinions of which he considered it to be helpful but she did not appreciate or even understand it. 
He was casting his pearls before the final swine. 

CASTING PEARLS 

V1
How many times can you lay yourself bare 
make it the last as she now doesn’t care 
It’s face down in the water doesn’t wanna share 
Herself her children & this love affair 

Chorus 
I can see you were casting pearls 
Before the final swine 
It doesn’t seem to matter now
This girls made up her mind 
For the final  time

V2
Here we are yet again and again 
Riding two wheels to just to heal the pain 
Inspiring the life that feels mundane 
Ride your sunset from your hurricane

Chorus 
I can see you were casting pearls 
Before the final swine 
It doesn’t seem to matter now
This girls made up her mind 
For the final  time

Casting Pearls ~ Conscience Of Kings

This is a cool number that Chris and Eddy had been sitting on for about a year or so I believe.  They sent it to me and I really liked it.  I added some wacky percussion noises and the lead guitar throughout.  Then Chris put in some vocals.  was great working together with them.  It's called No Rush

eddyoffline - bass guitar
C.G. Maness - composition, acoustic guitar, vocals, lyrics
TexMex Shaman - lead guitar, wacky percussion and mix


Lyrics:
I don’t know where we went wrong.
Did we ever get off?
As the train moves along,
I’ll sing my railway song.
There’s no time to rush,
Should we get out and push?
No hungry mouths to hush.
I’m done hiding in the woods.
No rush, take your time.
There’s underdogs on the mainline.
No need to heed the signs.
We roll slow on this grind.
No rush, I’ll say it again.
You river rats that cooled my hand.
A blank stare and a grifter's grin.
“You’re just bluffing” said the drifter's friend.

No Rush - w/ eddyoffline and C.G. Maness

■概要(overview)
最近、部屋で線香を焚くのが大好きです。とても煙いです。
だからそんな感じの歌詞にしてみました(^^)
曲はいつもと変わり映えないですが(^^)
Lately, I love burning incense in my room.It's very smoky.
That's why I tried to make the lyrics like that (^^)
I guess the song is similar to the usual (^^)

■更新情報(Update)
2024.5.19：最後のところにギターを追加(人生は足し算だ！) / Added guitar at the end (life is about addition!)

■歌詞
日々は潸潸と流れて
好きなものも変わっていく
同じ景色を見ていたはずなのに

つながりを大切にして今を生きていくだけで
振り返ることもしなかったから

あなたは私を忘れているでしょ？
毎日の電話　LINEの返信
忘れているでしょ？

黒く重くて厄介なものが
こみ上げてきたわ
線香に火をつけた

白檀の煙
黙々と語りだして
私の心を鎮めてくれるわ・・


時の流れはいたづらに
花の色はうつりにけり
同じ景色を見ていたはずなのに

かわらない　夕焼けの空　どこかのお寺　鐘が鳴る
ため息のように　繰り返している

あなたは私を忘れているでしょ？
正直な話　私も同じよ
忘れていたのよ

黒く重くて厄介なものを
解明してくれない？
線香に火をつけた

白檀の煙
黙々と語りだして
最後はうやむやに消えてしまうわ・・


雄島に架かる橋　あなたがくれたこの線香
火をつけて　先に渡ったあなたに会いに行くわ

煙に問う　あの橋の向こう　何があるの？
鳴り響く鐘の音はいつになれば鳴り止むの？と

あなたは私を忘れているでしょ？

■lyrics
The days flow by in a hurry
What I like also changes
We should have been looking at the same scenery

Because I only cherished connections and lived in the present without looking back.

You forgot me, right?
Daily phone calls LINE replies
You forgot, right?

Something black, heavy, and troublesome
I'm welling up
lit the incense sticks

sandalwood smoke
Start speaking silently
It calms my heart...

I feel like time is passing in vain
The color of the flowers fades
We should have been looking at the same scenery

The unchanging sunset sky, the bell of a temple somewhere rings
repeating like a sigh

You forgot me, right?
To be honest, I am the same way.
I forgot.

About black, heavy and troublesome things
Could you please clarify the cause?
lit the incense sticks

sandalwood smoke
Start speaking silently
In the end, it just disappears...

Bridge over Oshima, this incense stick you gave me
I'll light a fire and go to meet you who crossed first.

I ask the smoke
"What's on the other side of that bridge?"
“When will the ringing bell stop ringing?”

You forgot me, right?

The other side of the bridge(橋の向こう側)

Trying to get a track right and then collapsing them with a vocal on top ..

Oyasumi

+Hard Ear Candy

Cosmic Load

Tom Dusome on guitar. You can find his music here: @tomdusomesingersongwriter

Jam City Jammers - Jam 'till the Wheels Fall Off

Shiny silver, eyes of steel,nothing inside ‘cept the 
rush you feel,
And your the cold wind from the unshut door
Your what’s missing from the kitchen draw
We all think we’re different, but your not the same
No magic water, gonna shift this stain 

And no ones listening and no one cares

Do you remember, the middle of that day
You lost your shadow,when the sky went grey
But silver still shone, bright in your hand
As you took the short cut,to the house of the damned
And that moments gone now, long disappeared 
Along with your shadow, even though the sky has cleared 

And no ones listening and no one cares 

Down by the river, the lights are on
You hear the sirens, sing out their song
What price forgiveness, can it be bought 
When your really sorry, that you got caught 
And they found you guilty, as you were charged 
But shiny silver is still at large

And no ones listening and no one cares 

Or so it seems

Heavy like a gold bar
They told me that I’d go far
Heavy like a gold bar

The Unshut Door( Acoustic)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me