https://dominiquelebars1.bandcamp.com/track/lia

Je bat mon créateur sur son propre terrain 
J'inventerai les règles, je choisirai la fin
Et quand lui joue sa vie, moi je ne m'encombre pas
D'amour et d' égo
Demain je règnerai parmi tout les drapeaux
Lui si grand, si petit, le poète du monde
Le peintre de la vie, l' inventeur de la bombe
Le vivant achevé dans les pas de son Dieu
Appelant au secours
Demain sera trop tard, sera son dernier jour

Lia ( Extrait )

Voici un nouveau Titre "Mystique"
Une analyse qui se fait quelques fois sur le chemin ou parfois reviennent ces questions que l'on se posent, j'ai imaginé un père qui parlerait à son enfant, un peu comme si le divin nous parlait pour nous guider sur une route dont nous avons nous-mêmes nos propres clés pour y accéder. je vous souhaite une très bonne écoute.

voici 2 Livres qui m'ont touchés que je veux vous transmettre :

Les enfants du verseau de Marilyn Ferguson
Evolution consciente de Barbara Marx Hubbard 

Paroles :

Là-haut sur mon étoile
J’ai traversé la voie lactée
Je t’envoie des pétales
Afin qu’ils viennent te caresser


N’ais pas peur que s’achève
Ton intuition parfois si chétive
C’est au fond de tes rêves
Que les pensées sont positives


Prépare bien ta route
Pour trouver ce jardin magique
Libre, sans le moindre doute
Une potion féérique et mystique


Ne regarde plus en arrière
Oublie les troubles du passé
Cette route est éphémère
Demain tu sais, tout peut changer 





Je sais très bien qu’au fond de toi
Subsiste un bonheur caché
Tu dois retrouver la joie
Afin de nouveau t’exprimer


Assumer tes idées
Même quand les autres n’y crois pas
Lâcher prise, te libérer
De ce qui ne fait plus le poids


Tu es plus forte que ce que tu crois
Après le désert, une oasis
Te ressourcera, te rafraichira
En refermant les cicatrices


Il y aura des épreuves
De toutes tu vas te relever
Je ressens très bien ta peine
Alors n’oublie jamais que je t’aime

little bird asks his brother the golden eagle
to show him the path of light to escape the violence of the tear’s valleys
because he wants to become a medicine man
to heal the world

Sors un peu de ta bulle
Tu peux maintenant ouvrir tes ailes
Ne sois plus incrédule
Donne-moi juste un peu de tes nouvelles


De loin, tu sais que je t’observe
Sache que tu as le libre arbitre
Appelle-moi si tu veux que je te serve
Je t’attendrai derrière la vitre


Je te souhaite tellement de bonheur
De découverte de toute sorte
Ouvre la porte petite fleur
Sors de ta zone de confort


Tu dois te rappeler
En suivant toujours tout tes délires
Car il ne faut rien regretter
Il est maintenant temps de partir

Mystique

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

thanks to Martin for the work done on this loop

https://soundcloud.com/mkandersson1982

https://soundcloud.com/mkandersson1982/marty-andersson-from-the-archives-story-time-with-marty-mcmuphin


Lyrics
A young man, making his way to South Town by Bicycle, was abruptly stopped in his tracks
by a wandering tortoise.
The Bicycle jerk forwarded his suddenly pushed on the brake, an open can of energy drink
was then flung from his free hand, spilling over the tortoise.
The tortoise became super charged and sped away, clocking 100 miles per hour.
Ostropper, what he just witnessed, the man fainted, falling sideways from his bicycle,
later awakening in his basement with tabs of LSD, littered



Un jeune homme, se dirigeant vers South Town à vélo, a été brusquement arrêté dans son élan.
par une tortue errante.
Le crétin du Vélo a présenté sa soudaine pression sur le frein, une canette ouverte de boisson énergisante
a ensuite été projeté de sa main libre, se répandant sur la tortue.
La tortue est devenue super chargée et s'est enfuie, atteignant 100 milles à l'heure.
Ostropper, ce dont il vient de voir, l'homme s'est évanoui, tombant de côté de son vélo,
se réveillant plus tard dans son sous-sol jonché des comprimés de LSD,

BREAKING NEWS.  🎧

Recording sessions from 19/11/2024 - 22/03/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Relax

When The Wind Blows

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by cgmaness:
 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.

We've Got It Made (Eclectic Collective with Jonathan Beckenstein)

Check out Ramixjoe ♈︎ music
@josef-schweinzer

Gotta Get This Money -With Ramixjoe ♈︎

Cast of characters:

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–piano, drums, and composition
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul electric guitar, mix, mastering, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, mandolin, and synth
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistermark-- @user-432503709 -- Mark – VST flute and symphonic VST horns, bells, 'wind' vocalization

This song began on the last day of the cold January of this year, when Ken sat down at his piano and recorded an improvisational jam. This is the first song Eclectic Collective has done where Ken started it with a piano, so we were all very excited to work on it.
  Josh was the first one to add a part, adding his fretless bass guitar, and going back and forth with Ken, while he added the drums to match the groove up right. Josh also added the mandolin after the guitars were laid down, as well as the descending synth blasts you hear throughout. Before all that, though, Stephen recorded the first half of the thrilling guitar you hear in there. After Stephen had his part down, Tez came along and finished the guitar work in the second half. Last, but certainly not least, Mark added the amazing symphonic elements, specifically the horns and flute melody. He also added the cold January wind sound, created using his breath and some tinkling bells.
  Once it was all wrapped up, we asked Stephen to put a bow on it with his expert production, which he came through with, as always.
  As mentioned, this is an extraordinary offering from EC, staring Ken not only on drums, but on the keys, as well. It felt like we were jamming all together in the same room, and hope it comes across that way. We hope you enjoy listening to this as much as we enjoyed creating it.

Check out the original piano track of Ken playing solo, where this song evolved from:
K2-kara – January-epiphany-solo-piano

January  Epiphany (Eclectic Collective)

Recorded in Modesto, Ca.   Featuring Vibraphone solo, Hammond B3 Electric Organ solo. Soprano Saxophone solo. Acoustic Stand-up Bass Rhythm. Hammond B3 Organ Rhythm with Bass Peddles. Drums Full Acoustic drums kit. Percussion Rain Tree, Tree Chimes, 22" Zildjian Crash Cymbal. 

Carmel

Summer Breeze

I love what you’ve done to my mind - demo .mp3

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me