Friends,

On behalf of my son Jeffrey Husted and myself we present a song called:
93 Million Miles. Jeff is the featured vocalist. He is my all-time favorite rock/pop star; Thank You Jeff! I Love You.

The lyrics were written well over a year ago but several lines in separate verses are resonating with me with greater charge today given the state of our world.

"You could just turn-away and let them have their way
Tell us all the reasons why it's too late
Fall into that rage
A burning star of pain 
and you may believe your crazy
You're not alone, we're all afraid"

"…I know it ain't been easy 
To be that change, to be that peace today"

 "Stand-up; gotta Stand-up
they'll be a sweet sunrise in the morning"
 

The phrase “Close your eyes and see” is reflected in my original lyrics as the final line but not sung in the final mix of the song. You will have to imagine them.

Please subscribe to my YouTube Channel and follow my Artist Profile on Spotify and Facebook just because because!!
David Husted Music Youtube Channel
David Husted Music Spotify Artist Profile
David Husted Music Facebook Page

Thank You Again for giving this song a spin!
May there be a sweet sunrise in the morning 
Close your eyes and see.

I continue to love creating music and I continue to be honored that you share a bit of your time with me.Thank You.

Sincerely
Dave
davidhusted.com

Full Lyrics
93 Million Miles  
David Husted  
Feat. Jeffrey Husted
 

You could just turn-away and let them have their way
Tell us all the reasons why it's too late
Fall into that rage
A burning star of pain 
and you may believe your crazy
You're not alone, we're all afraid

That heat, 93 million miles
That peace, come on home
That heat, 93 million miles
That peace, come on home

Can you take me to that refuge that feel's like a mother's grace
Can you burn away the madness in the light of day
Can you take me too that place?
I know it ain't been easy  
To be that change, to be that peace today  

That heat, 93 million miles
That peace, come on home
That heat, 93 million miles
That peace, come on home

Stand-up; gotta Stand-up
they'll be a sweet sunrise in the morning  
Close your eyes and see

That heat, 93 million miles
That peace, come on home
That heat, 93 million miles
That peace, come on home

93 Million Miles

This is a remix of STONERJAZZ's (@user-911083679) open collaboration, A Strong Cupa Joe. The original song is no longer available on his SoundCloud page, but you can give it a listen on his BandCamp where it is featured on the album 'Half-Life'. 

Jeff had already included that trippy repeating synthy thing going on throughout the background. I added the melodic thread that evolves throughout, the chords that chime in here and there, and the experimental sound collage at the end. I've had this one ready to go for a bit, and figured it would be fun to release this week, along with our new Smoking Trout song, Assimilation, as kind of like a fun little B-side to that track. Thanks for listening friends!

 	
A STRONG CUPPA JOE
Theres a funny looking little spot on the early morning floor
it wasn't there yesterday or the day before
contemplated quietly with a coffee
it's a door made of mist
it's the middle of a kiss
it's a line in a poem
A bone and a stone and a Belt
The abyss on tthe edge
With Steps to the Sun
while dreams still fresh dance just out of reach
Fresh from the bed, angry and Red
it's a welt and a strong cuppa joe
that sits on the table
while the cat and the kitten hiss and cavort
as the darkness expires, while the coals from those fires still glow

Strong Cupa Joe (The Cupa Tea Mix)

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

LYRIC VIDEO :  https://www.youtube.com/watch?v=Wlcw1ud7BXo
This is a song that came to me quite in Full on the evening of Christmas Day 2024 which was also the First Nite of Hanukkah 2024 at just around 11pm, Just like Magic. 
~ I do believe my beautiful late Mom may have had something to do with it ~ I've never had a song write itself practically in entirety so easily ~ Hope It Brings Hope ~~ & Yes ~ Magic !  
© 2025

The City of Magically

Planet Confusionn is a Jazz Fusion track and collaboration between myself and good friend John Corsaro. John sent me the track played as a single take, I then added everything else and mixed it, eventually producing what we have here. 
John is an incredible drummer and percussionist and it is my great honour to be able to join with him again on this track. The track was originally recorded around ten years ago.
Thanks for listening and hopefully get some enjoyment from doing so.
Alan

Planet Confusion

Planet ConFusion (Hamilton/Corsaro)

Saturnian Song

Version live à la Barraque auprès du feu ^^
youtu.be/fP69ovvmteU

Saturnian song - Live version video in description

“ Colpi Dritti “  by Luke 

During Medieval & Renaissance days the fencing word..
“Colpi Dritti”…means: “Vadi blows from the right side used to defend one self” as the warriors had to do…

Just a fun experimental piece …

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Colpi Dritti”  by Luke

Dust Elements

Chagrin d'amour hors taxes 68 ( Duty-Free Heartache remastered 18 08 25)

Chagrin d'amour hors taxes 67 ( Duty-Free Heartache remastered 18 08 25)

Chagrin d'amour hors taxes 65 ( Duty-Free Heartache remastered 18 08 25)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me