Daily Drops

Junzo Kowashi RED HOT KEYS (with Marco Turrini Band)

Slippin

Am I going to play or who is playing?（256）

Captive Of Time (Kontra Sz & Val Akey collab)

Rock The Night

April Friends

Lammbone

Just banjoing around (fiddling with a banjo). Realizing ( again and again ) lately how much tension and strife there is globally, and how I am really working to lessen that in myself and the world. This song is rough and once again, a simple freejam idea, tossed together quickly. That's OK. Pic is back when I was 18. Thanks for dropping by. 

Misty Mountain Rambler

This is another one I wrote for my old bluegrass band, Cornbread. I'm playing mandolin and singing lead, the brothers Jon and Matt Check are on the guitar and banjo, respectively, Doug Fitzsimmons is on the snare drum and vocals, and Brad Barron rounds us out on bass. Matt is still playing music, too, and you can find his stuff on BandCamp and Spotify. He's a really talented multi instrumentalist, as well, and is playing mostly guitar these days. I wrote this song when I was in love, if that isn't apparent, and it's all true.

Oh My

Ian Greaves

The Story 135 BPM

Composed in the 70s. Part III: Agitato
This sonata is called "Ornata" by me because the other instruments adorn the piano part, without performing any autonomous theme!

Sonata No.2 for Piano "Ornata" (Part III)

Sonata 2 for Piano "Ornata" (Part III) Agitato

Youtube Video of Take That Hill:  https://youtu.be/RlmJ9GWTYHI

What's this song about Dave?

This song is in the indie-electronic domain but has a certain jazz vibe with the bass. It has a not easily defined yet original flow and feel. It speaks to our societal and work related anxieties; always asking us to do a bit more, move a bit faster. We will Take That Hill the first time and maybe even the second..... but after that it's time to consider options.

I provide a more detailed peek into my lyric creation process for this song in my Blog at https://davidhusted.com/welcome Check it out!

Take That Hill

over the hill

A collaboration between :
Shane Beck, The Last American Poet (Words)
progettosonoro (Music)

Conform to the concept of an eternal love & this infinite wait
If you in fact know of the purity of love then it is never too late
Were you not consumed by the words of the Invisible Flame
By the truth of loves sorrow & the girl who called my name

Beside me breathing in the ocean air responding to my embrace
So you took on the persona of who you really are as I kissed your face
Everything inside you was at peace as the Invisible Flame spoke
This road goes on forever but who was it who left this heart broke

Shane Beck & progettosonoro - Invisible Flame

Toccata in G major for piano. 
Play as if you were on the organ!
I can't resist the temptation to explore the stanzas of various musical keys!

Toccata in Sol

Toccata In Sol

Yet another instrumental inspired by a road trip. 
Can I fit another road trip in before the summer is gone?

All the guitar parts were played on my American Telecaster with Texas pickups... I aways seem to reach for this guitar when road trips are on my mind.

Open Road

https://open.spotify.com/intl-ja/track/3A0iDF1VasIoNHj4cNinTd
Hey friends! 
I posted a new song! I would be happy if you could follow me on Spotify too!

Mad 2023

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (collab)

Collaboration
Check out AnandaTuk's music
https://soundcloud.com/user-11396379/tracks

Hard To Communicate

Hard To Communicate -with AnandaTuk

Punk Rock Zombie

Boss Fight

Here is a trio collaboration with the members of our respective duos:

Kyt of Kinsâme (Kinsâme) 
https://soundcloud.com/kiyotoyoshihara

And Mesmo (Pythyrsus)
https://soundcloud.com/mesmo1

And me^^

-------------------------------------------------

Chasse galerie chamane
Qui ensuque la camarde 

Voyez dans les cieux danser
Le festival des fous énamourés

Riront et iront rayonnant les ronrons
D'au-revoir en rêve révélant rubicond

Ces jolis geysers, joyaux de joie
Aux gentils gemmes des girons

Câline le cosmos
Connecte toi

En bouquets de Boketto
En vagues déjà-vu

---------------------------------------

Shaman gallery hunt 
Who chases the comrade 

See in the skies dancing 
The Festival of Enamored Fools 

Will laugh and go radiant purrs 
Goodbye in dream revealing rubicund 

These pretty geysers, jewels of joy 
To the kind gems of the laps 

Cuddle the cosmos 
Connect yourself 

In Boketto bouquets
In waves of déjà vu

Filesay Thimbleac Echysp ( Kinsâme & Pythyrsus)

Patmos Island - Πάτμος

Burn / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering BPM 128
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Burn / Open Collaboration Offer

I am so excited about collaborating with soprano Maribel Villarroel and arranger and pianist René Calderón. The lyrics are from the Pablo Neruda poem "Para Que Tú Me Oigas" in the book "Twenty Love Poems and a Song of Despair". Translated by W.S. Merwin. Permission has been granted by the Fundación Pablo Neruda.

Canciones para Pablo Neruda" is a book of musical scores for songs based on lyrics by Pablo Neruda and artwork from some of Chile's greatest artists: 
www.amazon.com/dp/9564163218

This song was also performed live at "La Chascona", the former home and now museum of Pablo Neruda in Bella Vista, Santiago: youtu.be/vzz8tY0CYLk?si=ZfYIat6iL69p2FW4

YouTube: https://youtu.be/r4c6Fo1UvS8?si=opQNgKjXoVPf7HgX



Para Que Tú Me Oigas (Letras de Pablo Neruda)

Para que tú me oigas mis palabras
se adelgazan a veces
como las huellas de las gaviotas en las playas.
                                                                                                                                  Y las miro lejanas mis palabras.
Más que mías son tuyas.
Van trepando en mi viejo dolor como las yedras..                                                                                                               
                                                                                                                            Ahora quiero que digan lo que quiero decirte                                                                                              para que tú me oigas cómo quiero que me oigas. 

Llanto de viejas bocas, sangre de viejas súplicas.                                                                              Ámame compañera. No me abandones. Sígueme.                                                                           Sígueme, compañera, en esa ola de angustia. 

Pero se van tiñendo con tu amor mis palabras.                                                                                       Todo lo ocupas tú, todo lo ocupas. 

So that you will hear Me (Lyrics by Pablo Neruda)                                                                                          

So that you will hear me
my words
Sometimes grow thin
As the tracks of the gulls on the beaches. 
And I watch my words from a long way off.                                                                                           They are more yours than mine.                                                                         They climb on my old suffering like ivy. 
Now I want them to say what I want to say to you to make you hear as I want you to hear me.

Lament of old mouths, blood of old supplications.                                                                                             Love me, companion. Don’t forsake me. Follow me.                                                                                      Follow me, companion, on this wave of anguish. 

But my words become stained with your love.                                                                                                     You occupy everything, you occupy everything.

Para Que Tú Me Oigas

“The Drifting Rose”  by Luke

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“The Drifting Rose”  by Luke

Roar (or Get Up On Your Hind Legs)

A dark experimental electronic soundtrack 🤍

All For You

Download

Vidéo : https://youtu.be/jckflDtyfUQ

Je sors..
Texte : Sanzen 
Chant : Julia 
Musique : Alain Illos

La nuit comme un écrin,
lendemains juvéniles.
Des lumières se devinent,
j'irai ce soir en ville.
Je sors ce soir,
retrouver ma jeunesse,
les regards qui scintillent,
ma nuit adolescente.
Je sors ce soir, en ville,
pour une célébration,
je sors me réjouir,
le brio dans leurs yeux.
Gardez moi du déclin,
lendemains juvéniles.
Je sors me réjouir,
les lumières de la ville.
Ce soir, adolescent,
ce soir, reconnaissant.
Pour ce qui est à venir,
mon coeur juvénile.
La nuit est un écrin,
les lumières,
les lendemains...

I leave

The night as a jewel box,
youthful tomorrows.
Lights can be seen,
I'm going into town tonight.
I'm going out tonight,
back to my youth,
glittering eyes,
my teenage night.
I'm going out tonight
for a celebration,
I'm going out to rejoice,
the brio in their eyes.
Save me from decline,
youthful tomorrows.
I go out to rejoice,
the lights of the city.
Tonight, adolescent,
tonight, grateful.
For what's to come,
my youthful heart.
The night is a jewel box,
lights,
the tomorrows...

Je Sors.... ( avec Julia )   translated after the French text

Alien Insects In My Garden

Cast of Characters:
xian3-- @xian3 – vocals, lyrics, and beat programming
Holger Engel—bass
Llanpsych-- @llanpsych -- guitar, mix, and production
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – lead guitar, organ, and synth
 
This song started when Xian and Holger came up with the rhythm section. Xian reached out to me about adding some guitar and keys. I happily accepted and added some electric guitar, organ, and synth. Once I was done, I sent it back to Xian, who added his excellent vocals. Tez also added some subtle, yet thrilling psychedelic guitar to it, too, before producing and mixing it for us. 
  During a little odyssey Xian recently undertook, he came across this snippet of text, from which the lyrics were drawn, in the Museum of Literature in Dublin. It's from "Ulysses" (1923) by James Joyce (1882-1941) and he liked it immediately. The passage can be found in the episode "Cyclops", in which the novel's hero, Bloom, opposes division and prejudice.
  This is the first time Xian has collaborated with Tez and me, but we hope it won't be the last. Xian is everything we could ask for in a collaborator. He presented me with a really solid, but very open song, let me do my thing, and added more greatness to finish it off. We hope you enjoy listening to this as much as we enjoyed making it.
Lyrics to Alf And Bloom:

(But it’s no use) …

(- What? says Alf) …     

But it’s no use says he
Force, hatred, history
All that
That’s not life 
For men and women,

(- What? says Alf) …

Insult and hatred
And everybody knows that
It’s the very opposite of that
That is really life.

- What? says Alf
- Love, says Bloom

(- What? says Alf)
(- Love, says Bloom)

(- Love)

Alf and Bloom (with Xian3, Llanpsych, and Holger Engel)

Halfway

Art Expressed in Music – Picasso's Brilliance
March 2024
Duration: 3:05
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Les Demoiselles d’Avignon 
John-Marc Ventimiglia: jagged shards sound effects 
Visit: @john-marc-ventimiglia
Pablo Picasso (October 25, 1881 to April 8, 1973) was a Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century.  The enormous body of Picasso’s work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre…piercing” eyes who superstitiously believed that work would keep him alive.  Picasso's output, especially in his early career, is often periodized.  The most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), Synthetic Cubism (1912–1919), Neoclassicism to Surrealism (1921-1937) and Post-War Work (1937 – 1970s).  Les Demoiselles d’Avignon, from his African–influenced period, marks a radical break from traditional composition and perspective in painting. It depicts five naked women composed of flat, splintered planes whose faces were inspired by Iberian sculpture and African masks. The compressed space they inhabit appears to project forward in jagged shards.  Picasso unveiled this monumental painting, that precursors Cubism, in his Paris studio after months of revision.  Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style”.  The Avignon of the work’s title is a reference to a street in Barcelona famed for its brothels.  Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.  Picasso died on April 8, 1973, at the age of 91, from heart failure, reportedly while he and his wife Jacqueline were entertaining friends for dinner.  Considered radical in his work, Picasso continues to garner reverence for his technical mastery, visionary creativity; paralleling the entire development of modern art in the 20th century.
For morin khuur violin, dudek, bansuri, bamboo flute, hecklephone, bassoon, kalimba, marimba, double bass, ethnic percussion and jagged shards sound effects

Art Expressed In Music - Picasso's Brilliance

It was a time when downtempo was called Slow....spécial Thanks to Stepa.K for her a cappella….

SHADOW.   Feat Stepa.K

About time Lou and I turned it up a little bit.  Such a tremendous musician in every way - listen to Lou's deep appreciation for the blues - tasty fire.  Always laying it down so well.   Check out and follow Lou's wonderful music, albums and releases:  

https://soundcloud.com/louis-taverna



Thanks as always for your generous time listening, for your  likes, comments and shares

Inner City Jive -- Lou Taverna / Jamie Rhind

rumbustious 'demo' (with Falsestart)

Had my lovely acoustic piano tuned recently so felt like it was time for some song writing there. 😊❤️

Thanks to my lovely BF Sander for this wonderful mastering job. @wane-of-summer for his fabulous music 😊🎶❤️🎵🎼🎹

Love Me And Leave Me (with acoustic piano)

I BRING THE NOISE  feat. IPG1 & Paploviante
IPG1: Vocals 
https://soundcloud.com/ipg1/i-bring-the-noise-vocals-86-bpm
Paploviante: Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Production and Arrangement

I Bring The Noise feat. IPG1 & Paploviante

The tone of the saxophone melts away. It is a world of music where humans are not involved. A complex world of melted tones and gathered tones. After I start making music, someone else has the power to make decisions on my behalf.


When Kristyn, a talented drummer (https://soundcloud.com/kristyn-burke) proposed me to «symphonize» one of her tracks, I was very exciting for this challenge. So now I’m very proud to share it with you, enjoy it!

Midnight Flight: A Charles & Ulyana (Drums) Collaboration

All music and production done by this guy....enjoy

Cerebral Supernova (Instrumental)

Cycling

Emotions for Spring flowers

Andante pastorale
Adagio cantabile
Come un carillon
Allegro

Sonata Primavera (4-hand piano)

Sonata Primavera (4-Hand Piano)

Recorded in Modesto, Ca. Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Steinway Brothers Acoustic Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Fender Electric Bass. Roland Synthesizer Bass. Drums full kit. Percussion, Cow Bell, Ago go Bells, Tambourine, 22" Zildjan Ride & Crash Cymbal. Congas, Bongos.

Cannery Row

Dashing Out

ATRIUM .

Towards Dawn

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me