This Life Is Short (G. Di Nunno)

Wasting life and know the cost is steep
A slave to habits, sinking deep
Dust collected, dreams and plans were made
Forgot the spots they last were laid.

This life is short
Catch the solid blow
Throwing time away
Soon you come to know.
This life is short
Littered landscapes swell
What you can't get back
Drips inside a well.

Seems things are the same every day
The boring routine, all are alike
What would you do if you had your way?
Could you name them or apply them?

Sit in traffic on your way to work
Dinner, clean-up, television, sleep
Weekend catch-up, then the Sunday blues
Asking yourself is this all there is?

Spoken part:
Seneca said: "it's not that we have a short time to live,
but that we waste a lot of it."
Am I going through an existential crisis?
I feel I'm wasting time
Wasting
Life is so short
Only so much time
A crisis I must defeat
I want to go on.

Want to sit and watch the world unfold
And to do all those things that we used to do
Want to do much more before we're old
A different outlook, better view. 

This life is short
Grabbing all that's left
Sending off the stress
Clean the mental mess.
This life is short
Pull the joy from past
Place it on the now
Living all that's left.

All lyrics, composition, and performance by Gino Di Nunno
Copyright 2024.

#6. This Life Is Short

J'déprime   (Translation after the French text )

Texte      : Hedi Maindor
Chant     :  DidWilcops
Musique : Alain Illos

J’ai c’qu’on appelle du vague à l’âme
Une dérive passagère
Avec le cœur au bord des larmes
Et dans les yeux un peu d’hiver
S’il ne faut pas que je m’alarme
Me disent tant d’amies sincères
Et si mon mal n’est pas un drame
Faut pas le prendre à la légère 


Rien ne m’attire ni ne m’enflamme
Dans cette vie trop ordinaire
Où plus j’avance et plus je rame
Navigatrice solitaire
En dépression je fais mes grammes
Le chocolat les somnifères
Les bourre et bourre et ratatam
A la lumière du frigidaire

J’déprime, j’déprime
C’est pas ma vie, c’est pas mon film 
J’ai pas signé pour ce nanar
J’déprime, j’déprime
C’est pas ma vie, c’est pas mon dream
Faut pas en faire toute une histoire 


La nuit je triche avec mes charmes 
Sur un « meetic »  point fr.
Que hantent tant de jolies dames
A l’aventure d’un partenaire
Et là je suis sans état d’âme
Avec des hommes sans mystère
Leur appétit de macadam
Réveille en moi un goût pervers

 
J’ai c’qu’on appelle du vague à l’âme
Une dérive suicidaire
Avec le corps qui se désarme
Et dans le nez un petit verre
Sous les regards qui me blâment
Des conventions je me libère
Je ris je pleure et je me damne 
Toutes mes amies se désespèrent


A l’hôpital patiente et calme
Je me retrouve un soir d’hiver
Quittant la vie sans faire de drame
On m’a posé un cathéter
Bientôt la mort mais non Madame 
Me crie l’urgentiste en colère
Il vous faut un supplément d’âme
Et moi je suis célibataire



I'm depressed

I've got what's called a "vague à l'âme "
A momentary drift
With my heart on the verge of tears
And in my eyes a little winter
If I shouldn't be alarmed
So many sincere friends tell me
And if my pain is not a drama
Don't take it lightly 

Nothing attracts or inflames me
In this too ordinary life
Where the further I go the more I row
Lonely sailor
In depression I do my grams
Chocolate and sleeping pills
The stuffing and stuffing and ratatam
By the light of the fridge


I'm depressed, I'm depressed
It's not my life, it's not my movie 
I didn't sign up for this
I'm depressed, I'm depressed
It's not my life, it's not my dream
Don't make a big deal out of it 

At night I cheat with my charms 
On a “meetic” dot fr.
Haunted by so many lovely ladies
In search of a partner
And there I'm with no qualms
With men without mystery
Their appetite for tarmac
Awakens a perverse taste in me

I've got what's called a vague à l'âme
A suicidal drift
With my body disarmed
And a little drink in my nose
Under glances that blame me
I free myself from convention
I laugh I cry and I damn myself 
All my friends despair

In the hospital, patient and calm
I find myself on a winter's evening
Leaving life without drama
They put in a catheter
Soon to die, but no, Madame 
An angry emergency doctor shouts at me
You need a little extra soul
And I'm a bachelor

J'déprime avec Did Wilkops

Drive me insane

Purple Candy Smile

Cast of Characters:

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, and seed idea
Llanpsych-- @llanpsych -- Tez – electric guitar, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
The Eclectic Collective -- composition
 
This song started with JJ during one of his late Saturday night composition sessions, where he came up with the idea on his synth. He laid down some great organ and electric piano for the rest of us to play with. Ken was first up with his lively, raucous drums. He and I did our back and forth with the rhythm section until it was solid, though. Then Stephen laid in his dirty, rawkin' rhythm guitar to give it an extra foundation. Finally, Tez put the icing on the cake with his monster soloing throughout. 
  Of course, every great song needs a great producer. In this case, Tez did the honors in a very expert manner. We wanted Stephen (Texmex Shaman) on this, too, of course, but he is just now getting settled into his new abode, and was in flux while we were making this one. He'll be back with The Eclectic Collective next week, though. 
  This is an example of Eclectic Collective teamwork. It came together relatively quickly, which means we were all having fun doing it. We hope you enjoy listening to it as much as we enjoyed creating it.

Avalanche (Eclectic Collective)

The latest from Texas Tea.  Terry had come up with this sunshiney track a while ago and recently redid a few things.  I jumped in and added the counter melody guitar lines and Terry mixed and produced it all.  Static Glow


check out the Texas Tea playlist here:  https://soundcloud.com/texmex-shaman/sets/texas-tea-sea

Static Glow - w/ Tea R. Sea.  A Texas Tea Production

Composition and Sampling collage by Synline.
Photo by Fabien

The Past Is Gone

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth
TexMex Shaman -- @texmex-shaman –Stephen– sitar and mastering
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
Mistermark – @user-432503709 – Mark – talking drum, jaw harp
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved.

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections.

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections.

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege (by David Marconi, featuring Elpiverse, Ron Lewis & The Eclectic Collective)

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Vedran - The Moon's Secret Library

Free Spirit

01 - UVI - Falcon - Atmospherics
02 - UVI - Falcon - Pulsar
03 - UVI - Falcon - Pulsar

Road Trip

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me