A Song about having High Hopes for Life's Journeys !

In Scenes to Follow

Over There

Cast of Characters:

Mistermark – @user-432503709 – Mark – drums, VST upright bass, electric vibraphone, horns, high organ in the last section, percussion (shaker, hand claps), production, editing, mix, and composition

TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Tele Thinline electric guitar and mastering

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – PRS semi hollow body electric guitar


This song began its life some 20 years ago recorded on Mark's old skool keyboard workstation as a bass line and drum beat, accentuated by a synth melody playing over some electric piano. It sat as that basic version until just recently, when Mark had gotten into horn arrangements, and wanted to try some out, thus creating the impetus for reviving this old tune. Plus, he wanted to get the Eclectic Collective to play the guitar and keys parts on it for a little extra jazzy pizzazz.
  He turned it over to the rest of the EC gang with a pretty clear vision of what he wanted structurally. Stephen was first up, adding his driving guitar to the fist part of every verse. Josh deftly chimed in with the response line in every verse. JJ then came into the mix last and sprinkled his magic electric piano and other keys throughout. After all of our parts were in the can, Mark went to work dutifully editing and mixing what you hear as the final product. Stephen then did his pro mastering work on it to add a little bit more shine.
 This was a lot of fun to put together. It doesn't feature all of the EC, but the other guys will be on many upcoming creations. We hope you enjoy listening to this as much as we enjoyed creating it.



Clyde's Glide (Eclectic Collective)

Inspired by Maurice Ravel's Ma Mère l'Oye No.3 Laideronnette - Imperatrice des Pagodes 
Compare: https://youtu.be/ihRt2hmBGcQ

Imperatrice des Pagodes

Dreaming in Colour

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

But I've Got the Wings

BILL BAREK - GUITAR
GIOULI - BASS
TASOS - DRUMS
CHRISTOS - VOCALS , LYRICS

Breathing in a sea of violence,
Dealing with my fate with a consiouss eye,
Swimming by my anger to silence,
Its a stepping stone to what you shall live,
Met you in a day of weakness,
That i am alone with nothing to quest,
Give me now your only forgiveness,
Make me feel blessed that i found you now,
Swimming all my pain in your madness,
Swimming just above the thought of your hopes,
Playing all around with your sadness,
Can't you feel in this role that am not alone ,
Travelling in your sea of badness,
Shore to shore sacred by my holy oath,
Do you want to feel my godness,
Do you want to feel my breath in your core.

ONE BREATH

Liner Notes by the editors:

Little is known about the band that has created this song. Most of this little information can be gleaned from the website of FMT, whom a previous SHELLF LIFE release can be attributed to. We caution that  we do not know if any or all of this information is outdated: https://furicomusicteam.blogspot.com/p/shellf-life-interview.html Unfortunately, the Furico Team was not available for commentary, since they are launching quite a different kind of historic project on kitchen label.  

Some questionable facts regarding STRANGELOVE’S BRAIN’s release are related in quite a verbose and unreliable way tinged with judgemental interpretation and interspersed with pseudointellectual preconceptions here:   https://soundcloud.com/sonic-textures/shellf-life-paraphernalia-and-parerga-2025 (German original, as far as we can discern). According to that ‚account‘, the recording of STRANGELOVE’S BRAIN was found on a self-burnt disc (ha, that ancient Nero joke!) in a forgotten chest. The poem used in this recording is the only item that can be traced to an author (jo richter) who was kind enough to allow us to reprint here. Obviously, the references to the war-inflicted tragedies of Hiroshima and Nagasaki make it of  special importance at this moment in history, not only because of current tensions, but also because those two catastrophies happened about 80 years ago in August 1945. We therefore decided to release the two versions known thus far as a vinyl single to the general public, accompanied by an image attributed to the same author as the poem.


Strangelove's Brain

another pensive pariah
spotted on the outskirts
of Hyperbolea, Parolia
avant, avant, sempre vorwärts

keeping the obvious captive
locked in a by a reverse smirk
another dementia denier
Hiroshima, where shadows lurk

and the moon keeps rising, rising
every other day, socializing
with singed hands on bare rocks

iron out unseemly locks
to keep face, straight, straight
little boys take progress' bait

B: Strangelove's Brain (brain, blood and bone mix)

CRIME TIME 

As I come deeper in my thoughts
Pronouncing reality's dark hopes
Not just how we can live it
But as well how were doomed to believe it
Taking time just as an answer
Has it been you that has the dancer
The dancer that flies in the air
The air of thoughts to connect our fair

As i went now deeper, in my thoughts, having a sipper
Pronouncing reality's dark hopes, oh my shit i mooving backwards

Is it time that has the answer or is it you that has the dancer
The value of the thought into timefull space
The value of its meaning as it gives its brace

And now Feel, Time to Heal
And now Bow, To the Show

So come on friend don't be an amend
So come on friend don't be an amend
So come on friend don't be an amend
So come on friend don't be an amend

So come on friend don't be an amend
Cross your soul with a thought as you breathe to your goal (x2)

And now that you are in your face, forget about this tree
Smoke comes from this road, of this universal dream (x2)

CRIME TIME

Je suis venu te dire que je m'en vais
(Serge Gainsbourg)
Album "Vu de l’exterieur” (released in 1973)
Cover version

Je suis venu te dire que je m'en vais 
Et tes larmes n'y pourront rien changer 
Comm' dit si bien Verlaine au vent mauvais 
Je suis venu te dire que je m'en vais 
Tu t'souviens de jours anciens et tu pleures 
Tu suffoques, tu blêmis à présent qu'a sonné l'heure 
Des adieux à jamais 
Ouais je suis au regret 
D'te dire que je m'en vais 
Oui je t'aimais, oui mais 

Je suis venu te dire que je m'en vais 
Tes sanglots longs n'y pourront rien changer 
Comm'dit si bien Verlaine au vent mauvais 
Je suis venu te dire que je m'en vais 
Tu t'souviens des jours heureux et tu pleures 
Tu sanglotes, tu gémis à présent qu'a sonné l'heure 

Ouais je suis au regret 
D'te dire que je m'en vais
Car tu m'en as trop fait. 

Je suis venu te dire que je m'en vais 
Et tes larmes n'y pourront rien changer 
Comm' dit si bien Verlaine au vent mauvais 
Je suis venu te dire que je m'en vais 
Tu t'souviens de jours anciens et tu pleures 
Tu suffoques, tu blêmis à présent qu'a sonné l'heure 
Des adieux à jamais 
Ouais je suis au regret 
D'te dire que je m'en vais 
Oui je t'aimais, oui mais 

Je suis venu te dire que je m'en vais 
Tes sanglots longs n'y pourront rien changer 
Comm'dit si bien Verlaine au vent mauvais 
Je suis venu te dire ue je m'en vais 
Tu t'souviens des jours heureux et tu pleures 
Tu sanglotes, tu gémis à présent qu'a sonné l'heure 

Ouais je suis au regret 
D'te dire que je m'en vais 
Car tu m'en as trop fait.

Je suis venu te dire que je m'en vais

This song was composed for piano by Hitoshi Yasui, chairhouse of Tokyo, who was generous in allowing me to arrange and record it for guitars. It is a song from his "Piano Ten Thousand Leaves" project. His mission “is to create gentle, calm, peaceful, beautiful, relaxing piano music and share it with all human beings." He writes, records and posts one beautiful piano composition each day. This song is number 1990 from May 27, 2019. 

Thanks to Hitoshi for his daily musical watercolors and thanks for allowing me to adapt this. The original piano version by chairhouse can be heard here: https://soundcloud.com/chairhouse/if-she-talked-to-him-one-more-time-1990-by-chair-house-05272019

image is Jean Seberg from Godard's  "À Bout De Souffle"

if she talked to him

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Clyde's Glide (Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)