impressive work, what a psychedelic track, top guitar playing

Magnificent production..marvelous soundtrack..passionate execution.. brilliant percussion! captivating & mesmerizing..perfectly executed synthesizer work..brilliant effects..sumptuously infectious guitar work..excellent mix & recording production!

sounds amazing, what time signature is it?

fantastic prog rock, quite trippy too, love it 🔥

Voix/vocals : Dominique Briand
Mix :  Peter Stevens (soundcloud.com/pwstevens)

Une île est une chanson française écrite par Serge Lama
Musique: Yves Gilbert
(C) 1969 by Sidonie et Éditions Serge Lama 

Refrain / chorus
 Une île entre le ciel et l'eau
Une île sans hommes ni bateaux,
Inculte, un peu comme une insulte,
Sauvage, sans espoir de voyage,
Une île, une île
Entre le ciel et l'eau.
1 Ce serait là, face à la mer immense
Là, sans espoir d'espérance,
Tout seul face à ma destinée,
Plus seul qu'au coeur d'une forêt,
Ce serait là dans ma propre défaite
Tout seul sans espoir de conquête
Que je saurais enfin pourquoi
Je t'ai quittée, moi qui n'aime que toi.
R Une île comme une cible d'or
Tranquille comme un enfant qui dort,
Fidèle à en mourir pour elle,
Cruelle à force d'être belle;
Une île, une île
Comme un enfant qui dort.
2 Ce serait là, face à la mer immense
Là, pour venger mes vengeances,
Tout seul avec mes souvenirs,
Plus seul qu'au moment de mourir.
Ce serait là, au coeur de Sainte-Hélène,
Sans joie, sans amour et sans haine
Que je saurais enfin pourquoi
Je t'ai quittée, moi qui n'aime que toi.
R Une île entre le ciel et l'eau.
Une île sans hommes ni bateaux,
Inculte un peu comme une insulte,
Sauvage, sans espoir de voyage.
Une île, cette île, mon île
C'est toi.

Une île (Serge Lama) par Dominique Briand

This song was written in Nov 2021 during a composition challenge, in a limited time (4 hours). At this time, it was obviously a very small part of it, blurred in reverb, not mixed and sung in only one shot. 
After some digging and mixing, I'm pleased to show you here the entire song. As usual, my voice is not supposed to be definitive here. I just want to show the intention. Any collaboration proposal with a singer is welcome.

* Richard Gonfrier* copyright ©. 2023

Never Say Goodbye

"Lord Lead Me Home"

Cast of Characters:
One Man Verity Show-- @one-man-verity-show – Scotty -- guitar
mistermark-- @user-432503709 -- Mark – percussion and triangle 
cgmaness-- @user-419254289-15129531 – Chris – guitar
TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- five string fretless bass, seed idea

Composition-- The Eclectic Collective

This song started with me coming up with a bassline and the arrangement. I started it as a project for the Eclectic Collective, so they were all immediately involved. Ken first laid down his rock solid groove of a drum beat to complete the rhythm section. Scotty was first after that, adding some melodic/rhythmic guitar magic to the mix. Stephen then blew the doors off of it when he added his melodic, dirty guitar to it. JJ was up next with his funky electric piano to fill it in. Chris then came in and added the trippy, swirling, psychedelic guitars. Mark also came along towards the end and added some really cool, but subtle percussion, and if you listen for it, a triangle in there, too.
  Of course every good song needs a good producer. Stephen was able to wrangle this into a good mix, thankfully. He also very cleverly came up with and added the psychedelic break in there between the first and second verses. Chris also added some really cool vocals to that part, too.
  This one was a lot of fun to make, and was our second song with Scotty, with whom we really enjoy making music. I named it such because I wanted the spirit of welcoming lots of musicians to come through. We hope you enjoy listening to this song as much as we enjoyed making it.

Come on in (Eclectic Collective)

Cast of characters:
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth, seed idea
Mistermark-- @user-432503709 -- Mark –  vocals, lyrics, mix, and production
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen–banjo, guitar, sitar, and final mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, seed idea
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four-string fretless bass
Composition – The Eclectic Collective
This song started in probably the most effective way our group writes them. Ken had a spectacular drum beat that was unused in a previous project, so JJ composed and recorded with his magical keys a chord structure and arrangement. Once we had a beat and a chord structure, I came along and added my foundational bass. 
  Now that the rhythm section was complete and the chord structure was in place, Stephen added his unique melody line that you hear at the beginning and every other verse on his magic banjo. He also plays all the initial guitar until about the 1:40 mark, when Tez takes over. In addition, Stephen also laid down some really trippy sitar in the break section. Then it was time for Tez to add some spice to the mix with his fiery guitar solos, which you hear from about 1:40 on, eventually building up to a crescendo towards the end. 
  Once we had all the music down, we realized that we had a big gap in the bridge without much going on in it. So, Mark came through and recorded a cool poem he had written on his refrigerator with word magnets more than a decade ago, captured with a picture, and added to for the this song. The poem is loosely based on the idea that our dreams exist in a digital environment/universe. The girl's voice you hear echoing him is his daughter, for whom he originally composed it, in her first appearance with the EC. 
  The song was now finished, except for Mark using his masterful production skills to trim and move a few things. After he made those adjustments on, he threw a mix on it. While we usually defer to Tez or Stephen for the mix, Mark did such a great job, we decided to keep his mix. Stephen did, however master and EQ it to make it a finished product. 
  This is a song written truly as a whole band effort, showcasing what the Eclectic Collective can do. I hope you enjoy listening to is as much as we enjoyed creating it.  

Original lyrics by Mistermark:  

The moon flickers on
and rises and dances
across a celestial stage
as dreamers paint the pixels of their mind 
like an infinite canvas 

Sleep away tiny egg
and leave a delicate thread 
of memory behind 
but never log out 
you are in the elaborate web
always

Dancing Moon (Eclectic Collective)

A fascinating story that inspired me to write the lyrics to this track.
Who’s Next !

THE 27 CLUB has become one of the most elusive and remarkably tragic coincidences in rock & roll history. The term became widely known after Kurt Cobain’s death in 1994, with rock fans connecting his age to that of Jim Morrison, Janis Joplin, Brian Jones and Jimi Hendrix – though it was notable to fans in the early 1970s when those four visionaries died within just two years of each other. When Amy Winehouse passed away at age 27 in 2011, it attracted even more attention to the significance of the age. While the club has been largely connected to musicians, it has expanded since, as many young actors and artists have lost their lives due to everything from addiction to suicide to freak accidents. The unfortunate and untimely losses are connected to the 27club.

Club27

V1
We are just a product of our Own
Environment
From where we go  to who we invent 
Mother told him  please don’t join that stupid club 
Don’t wanna be a casualty and end up misunderstood
He said no I wanna be were  the spotlight on me 
I’ve got the minerals and a top grade degree 

Chorus 
Oh my god it’s so Absurd
Oh my god haven’t you heard 
Of the Club 27
It’s a personal heaven x2
We’re you share the same number 
And forever stay younger 
Avoid club 27
Its your personal heaven 

V2
There is an investment in self car crash tv 
And expressions in our very own working Graffiti
Unlimited energy when we spray the white line 
But that’s as boring as breathing air in time 
And watching you in your very sad demise 
And waiting in club 27 for the next big surprise 

Chorus to end

Club 27 ~ Conscience Of Kings

DESILLUSION     (translation after the French text)
Chant : Karine 
Paroles et musique : Alain Illos 

ON SE LAISSAIT GUIDER PAR LE VENT
AU MONDE PERDU DES REVES D'ENFANT
ON REVAIT
QUE L'ARRIVÉE D'UN PERSONNAGE
QUI PARTAGERAIT SES PRINTEMPS
POURRAIT BRISER TOUS LES SERMENTS
ET QU'ON NE VERRAIT PLUS SOUVENT
LES NUAGES

ON SE LAISSAIT PORTER PAR DES ERREURS
DES MESSAGES FLOUS DE NOS RANCOEURS
ON SENTAIT
QUE LA ROUTE SERAIT COURTE MAIS BELLE
A CONDITION D'Y ACCEDER
NE FAIRE QUE DES CHOIX PERSONNEL
MONTER LES MARCHES POUR ACCEDER  
AUX NUAGES

DES FLOTS DE SENTIMENTS
DES DESILLUSIONS DES PEINES
PARFOIS UNE LUEUR SOUDAINE
NOUS PROMENE
D'UN BOUT À L'AUTRE D'UNE VIE.

Desillusion

WE LET OURSELVES BE GUIDED BY THE WIND
TO THE LOST WORLD OF CHILDHOOD DREAMS
WE REVEALED
THAT THE ARRIVAL OF A CHARACTER
WHO WOULD SHARE HER SPRINGS
COULD BREAK ALL OATHS
AND WE'D NEVER SEE
THE CLOUDS


WE'D LET OURSELVES BE CARRIED ALONG BY MISTAKES
BLURRED MESSAGES OF OUR RESENTMENTS
WE FELT
THAT THE ROAD WOULD BE SHORT BUT BEAUTIFUL
AS LONG AS WE GOT THERE
MAKING ONLY PERSONAL CHOICES
CLIMB THE STEPS TO REACH  
TO THE CLOUDS

FLOODS OF FEELINGS
DESILLUSIONS SORROWS
SOMETIMES A SUDDEN GLOW
PROMISES US
FROM ONE END OF A LIFE TO THE OTHER.

Désillusion  avec Karine

It’s been a while since Terry and I have released a Texas Tea collaboration, but we finally got hold of one.  This is called ‘Overflow’.  Terry started this one off, as is the case with most Texas Tea tracks and I went in with a flashlight to find all the cool spots that were primed for some twangy ambience. Terry did the mix and production honors and this one was out the door !  Enjoy the mellow 🍄‍🟫🧘‍♂️👽

Overflow

Overflow - w/ Tea R Sea - a Texas Tea Production

A World At War

requiem for my beloved mother2

Cold Man(Version 2)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Dancing Moon (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

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