DIA ABURRIDO

El día parece estar                               Cmaj7-G
Un poco aburrido                                 Am-Em
Pero si llega la noche 
Será divertido 
Las chicas miran en espejos 
Sus vestidos 
Algunos usan los espejos 
Para estar distintos 
Las caras después se deforman 
Fumándose el alba 
Entonces golpean el pecho 
Las sombras que matan 
Y pasan todo el tiempo                    G-Am
Sin sentir el viento                                Em
Sí son parte del fuego 
No sienten nada

E.P.-4

DIA ABURRIDO

Music: Jan Schonander & Belial Pelegrim  https://soundcloud.com/belial-pelegrim

MAGRITTE ORANGE CLOUD

Plus ça change
(The more it changes)
Plus ça reste le même 
(The more it stays the same)

Magritte Orange Cloud

You Don't Need 'Em

A song about the ultimate bond, one of unconditional love and complete surrender. 

Video: https://www.instagram.com/p/DKe2HPgoxd5/

Vocals (Composition, Arrangement & Performance): Elpiverse
Keyboards (Composition, Arrangement & Performance): @counterworlds-voltage
Mix, Mastering: Elpiverse (with valuable guidance from @counterworlds-voltage)
Production: @counterworlds-voltage, Elpiverse
Lyrics: Elpiverse
Cover Art: Elpiverse

Floating
Drifting
Soft 
And warm

Floating
Drifting
Soft 
And warm

Breathe

Dreaming of the light 
Sleeping by your side

Breathe

Breathe

Umbilical Love

This piece was inspired by a trip to Salmon River in the Ghost Town of Hyder, Alaska with my son David in 2023.
Every year thousands of salmons migrate the River of their origin for spawning. The journey can take up to a year. After spawning  the salmons  protect their eggs until death which occurs after a few days for most of the salmons. For them the circle of life comes to an end here. For the bears they are food and so you are able watch both salmons and bears if you are lucky. The place is mystical,: the beginning of new life and death at the same place.

When I send a raw edition of this to Carl from ‚The Beautiful Dark‘, he agreed to work on it and wrote some gorgeous lyrics and a vocal line in no time. I am very happy about this collaboration with a great musician and a very nice guy. Hope you enjoy!

https://soundcloud.com/thebeautifuldark

Salmons Heaven

Look! We have eggs.
In 3 months they hatch.
Feed off yolk-sac. Alevin need not beg
Eat several weeks, Let growth attach.

Curate now, fry, five to ten weeks
You're swimming. Silver. A fish so to speak.
Careful now, Downstream.. Predator meet!
Life Lives we made it. Dear Parr says we saved us
East now. Lets evade blood. Finger markings make stones of us.

Smolt. School! Strength in all yous!
Adjusting our bodies for salt water truths
Look silvery again
May an Ocean we know
Ocean as Adult
Now feed
Smolt feed grow

Hazards: Men, seals, whales
Eat, hide, sleep, repeat these days with tail
Above look dark
Viewed from below white future spark
Easy, you zipped 2000 miles plus, left no mark
Now, home time, take magnet of map. Follow the heart.

Spawning adult we sense that circle
Pure birth rivers to Salmon their temple
As rugged rapid ready redden our new
We dodged the bears. Natal stream for me and you
Now shake that tail. Fill our Redd
I'll fertilise. Let's protect till dead

Salmons Heaven

The Beautiful Dark Vocals + Lyrics
BeSinger Composition, Instruments, Back Vocals

Salmons Heaven (with The Beautiful Dark)

1. The fetus "devours" it's mother while in uterus, depriving her from numerous nutrients, causing her many discomforts through the pregnancy.
2. Each femininity is being "devoured" by her menstrual flow from it's start till it ends.
3. Each woman is being "devoured" while existing in patriarchal societies.
4. You name it...
Oh, sometimes I wish I could crawl back into my mother's womb.
Thank you Simone :)

Devour (Respect The Womb)

Just a simple song for the lonely. Old fashioned human music for this modern age.

Lyrics:
I'm bringing you my honest confessional
I'm dying out here, don't you know?
I've been walking the internet at night
I don't know why I always fall for the tawdry
I always fall for the pills
I fall for your sweetest thrills
I'm dribbling down here at the end of the bar
Falling in
(falling in and out)
Falling in and out of love
I'm in the valley of the lonely
Don't look into the corona eye
You know that I always lie

I could be anything you need
I could be that book that you've been working on...
A paperback. Dog eared and worn...
A book you put up on the shelf...
A book you read that changes your sense of self...
I'm in the valley of the lonely
Don't look into the coronas' eye
The valley of the lonely...

The Valley Of The Lonely

Cast of Characters:
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, claps, shaker, car FX, vocals, lyrics
TexMex Shaman– @texmex-shaman –Stephen– Gibson Custom Shop Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song started as a raunchy guitar composition Tez came up with while on holiday recently. Hey wrote it with Eclectic Collective in mind, inspired by ZZ Top, and shared it with the rest of us as soon as he was able to return home and record it. 
  Fist to the table was Stephen - Being from Texas, too, he's no stranger to "The Reverend" Billy Gibbons and he added some rhythm guitar and an insanely cool guitar solo around the middle. Ken then laid down his rocking drums and splashes of percussion, laying the groundwork for the groove, while Josh completed the rhythm section with a badass funky bass line. Mark rounded things out adding some synthesizer, hand claps and shaker, and the wild race car sound effects. He had suggested early on that we try to do the song in the style of ZZ Top, and took a stab at singing the gruff Billy Gibbons style vocals. We're all really happy with not only Mark's vocal performance, but also his lyrics on this one. He's been exploring different styles of singing lately, but The Eclectic Collective now has several members who can be called upon in the vocal department. 
  Once it was in the can, Tez decided to mix it, as it was his song to begin with. He did his always expert job with the task, too. 
  This is an example of Eclectic Collective getting down and dirty for a rocker that has the flavour of all of us firing on all cylinders. Special attention to both Tez and Mark for their inspiring generosity and hard work in conceptualizing this one, too. We all hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by mistermark:

I got the top down, driving around
Burnin’ down the road, no prisoners
Everybody knows that I’m on the run  
I’m gettin’ outta here do or die 
Black Jack paddy whack listen to me 
I ain’t giving no dog no bone
What’s mine is mine and what’s thine is thine
But if you want me just pick up the phone 
If you need my number I’m # 1
Mama raised me alone ‘cause I’m a son of a gun
Now I’m paying my dues but I’m almost done
So if you want a piece of me

Come and get me
Come and get me

Well, hey baby baby now what you say
You hitch a ride with me I’ll take you all the way 
She said hey there baby just step on the gas 
I got places to go I wanna get there fast
Well somewhere at around mile 103
I heard a rattling sound I had to check and see
We stopped right there on the side of the road 
Then what happened next it made my mind explode
The girl started laughing as she locked the door 
She put the pedal to the metal couldn’t push it no more 
Way off in the distance half a mile away 
My baby called out to me as I heard her say…

Come and get me
Come and get me

(-face melting guitar solo-)

My feet got draggin’ in the desert sand
But as she waved goodbye something fell from her hand
I picked up the paper it was plain to see 
My baby wrote down her number and she left it for me
I been ‘buked & scorned I been thrown some shade 
I wanted revenge 'cause I gotsta get paid
I called her up but I just got the machine 
And wattaya think that the message said…

Come and get me

Come and Get Me (The Eclectic Collective)

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — VST orchestration, vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Fender Precion four-string fretted bass, and Roland Phantom synthesizer
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson Custom T model electric guitar
Mistermark-- @user-432503709 -- Mark – VST string arrangement
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitrar, mix, and production

 This song began as a musical letter written, composed, and sung by Carl to Eclectic Collective. Carl and Josh had been sniffing around each other's pages, admiring each other's work and collaborators. So Carl reached out with this friendly, uplifting song, as a gift to the band. 
  Ken was first in line, adding his awesome, driving drums to give us a heartbeat to build upon. Josh came along next and completed the rhythm section with his trusty four-string fretless bass. Stephen was next up to bat, adding his dynamic raspy guitar, which almost sounds like an electrified fiddle. Next up, Mark added the tasteful VST strings arrangement in the second half of Carl's original composition.  
  We had it pretty much done sounding, but wanted to spice it up a bit, so we came up with the idea for a coda. Josh added his bass and synth for it, and Tez came up with the thrilling guitar part of it, as well. Tez also added the thrilling guitar intro, too. 
  Once it was in the can, we asked Tez to mix and produce it for us, which he did in his always expert fashion.
  This is the first song EC has done with Carl, but we know it won't be the last. We all admire him for his creativity, proficiency, and prolificacy. His page is worth a stroll, too, as it contains a lot of gems.
  We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark: 

Hey Collective Seeds,

Let's work things out across that water
There's a cable under sea,
We can send all sorts of...
Music/Words/Sounds - It's insane!
Look Lads,
That's life in the fastlane!

So it's ones and zeros
Mine and yours and theres
We are all heroes...

Watching the fire,
From a distance we're warm
But not from their mire,
From this musical charm.
It's a bonfire,
An inferno.
Earth got plenty to turn off...

So we can sing to love
And we can play for more dove.
Let's combine our powers. Collective!
A Paddy/Yankee toasted sandwich

Tex festival streak
Psyched for more free
K2 to peak
Mistermark chimes ' found life fought
Give, You Entheogenic Psychonaught
Collective lands
Psyched for more free

Dear Collective (Eclectic Collective with The Beautiful Dark)

Seaside Spell

MOLE PEOPLE

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me