This is a vocal group that moved me enough to use on my father-in-law's eulogy at his funeral.. I thought now would be a good time to share it with people from all countries, this is not me singing, although you know, it would be a good vocal exercise at some point.
We're all losing those people from the great generation, and this is a tribute to them.

America

Dedicated to my 2 fingers and 4 tendons, can't scratch my ear or play octaves on my piano or play clarinette correctly;. Thanks to this accident I learned how to compose electronic music and I love doing this more than ANYTHING.

Ode to my lost finger (instrumental)

Ode To My Lost Finger (Instrumental)

This was a song that my friend Frederick sent me that consisted of drums and a synth that spelled out the chords. I added bass, guitar, and slide. I also mixed this version. Frederick is an excellent musician, and even finer person to work with. You should check out his page which is under the name Shukran. He was very accommodating and supportive, even when I wanted to change keys and tempo. He's a true gem, and I look forward to working with him again in the future. This was quite a stylistic departure for me, and I enjoyed the challenge. Hope it excites your ears!

Transatlantic Riff (with Shukran)

pandemonium

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

No Side - Car Camel (ft Rekha)| Music by One Blind Mouse | Music/Vocal Improvs/Lyrics by REKHA - IYERN [Fe]

Vocal Improv composed & produced, recorded & performed, mixing by REKHA at IYERN [Fe] RECORDS IN CANADA | Final Mixing & Mastering by Stu of One Blind Mouse in SCOTLAND

Listen to the amazing music of ONE BLIND MOUSE HERE: https://soundcloud.com/oneblindmouse/tracks

No Side - Car Camel | Music/Vocal Improv’s by REKHA - IYERN [Fe] | (Under Editing)

Do-oh…

Daily grind
Daily grind
Makin’ me wind up
Daily grind
Makin’ me wind up
Messin’ with my mind-mind
Messin’ with my mind-mind, Oo
Oo-Ah…

Yeah…Oo-Ee-Ah…
Too-Too...much to do
Everyday too much to do
Messin’ with my mind-mind
Doom-Ticky 
Doom-Doom
Ticky-Doom
Doom-Tee

Doom-Doom 
Ticky-Ticky 
Doom-Doom
Doom-Ticky-Ticky 
Doom-Doom
Doom-Ticky 
Doom-Doom…
Doom-Doom-Doom
Doom-Doom-Doom

Daily grind
Messin’ with my mind-mind
Makin’ me wind up

Like a puppet on a
Like a puppet on a
Like a puppet on a
Like a puppet on a

Doom-Doom 
Ticky-Ticky 
Doom-Doom
Ticky-Ticky
Doom-Doom-Doom
Doo-oo…

Slam-Bam
Thank You Mam
Slam-Bam
Ya gotta keep it up
All the time
Daily grind
Messin’ with my mind-mind-mind
Make-Makin’ me
Make-Makin’ me 
Make-Makin’ me
Make-Makin’ me
Crazy
W-Oh-Oh, Oh-Oh
W-Oh-Oh, Oh-Oh

Doom Ticky-Ticky 
Doom-Doom-Doom
Doom-Doom-Doom
Ticky-Ticky

Ding-Dong
Down-Down
Down-Down
Down-Down 
Down

Ropatata-Ropatata 
Ropatata-Ropatata 
Ropatata-Ropatata
Ropatata-Ropatata

One one more time
It’s one more time
Everyday you gotta get up really early
Do it every single day-day
One more time-time
Time-Time
Doom-Ticky 
Doom-Doom
Ticky-Ticky-Ticky
Doom-Doom...

Feelin’ my, feelin’ my 
Doom…Oh…

Ow! Ow! Ow!
No! No! No!

No Side - Car Camel (ft Rekha)|Music by One Blind Mouse|Music/V-Improvs/Lyrics by REKHA-IYERN [Fe]

Original music by: Francois Pierre Morin/FPMORINSTUDIO

G Groove 98 Mix 2023

Spielberg’s famous anti-war film, Saving Private Ryan, depicts a mission by US soldiers, led by Captain John Miller, to extract James Ryan whose three brothers were killed in battle. The mission is ordered in order to spare Ryan’s family the loss of all their sons. Ryan is saved, but the captain is killed. His dying words to Ryan are ‘earn it’. The film ends, fast forwarding many decades where Ryan, now an older man, stands at John Miller’s grave, reflecting on whether he has led a good life, whether he has lived up to Miller’s beseeching words to ‘earn it’. ‘Tell me I have led a good life’, ‘Tell me I’m a good man’, he says. It's a moving scene, reflecting an intimate internal tale, one about self-doubts and moral debts. I always liked this film, and I thought the theme of moral self-reflection and doubt – doubts about who we are, really – might form the basis for a song. 
And this is that song.

Who am I?

oscillate

Before new album going, please listen a new dance track.

This is collaboration with Computart. https://on.soundcloud.com/WaAiS
He made the basic rhythm and sequence.
I added on so many arrangement tracks.
The following is his original track..https://soundcloud.com/computart/gold-planet-1?si=f76b968fc715413085b55d6a74d0753e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
"Let's get together" on the Gold Planet.

Featured on the my new album 'Code Share' on.soundcloud.com/v4P9a

'Gold Planet' Computart=Synline

port 0 140 bpm take 1 61925

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Transatlantic Riff (with Shukran)

Entheogenic Psychonaut (Josh Clary)