a collection of covers I like, from friends and musicians on SC

favorite covers

MEGA MIX   27.05.2024

Daily Drops

ONE COW BY THE TAKOYAKI POLE

Your MegaMix

Thunderstorms Highway: 21 Rumbling sounds from the SoundCloud community

RemMix

Related tracks: Dingo Ate My Baby

Entheogenic Psychonaught Playlist

Always one of my favorites from the Stones.  When I had the chance to "learn" it I jumped at the chance to get my take on it out there.  Peace!

Cover Art is a photo of B. taken by B. in Vince's Cathedral of Junk in Austin .  Thanks Vince! Yours is a masterpiece!

Sympathy For The Devil R.Stones Cover

I wrote this song the first time I was living in Australia. I'm singing lead and an accompanied by my bandmates from my bluegrass band Cornbread. 

Sugarcane

Small Town Boy (Bronski Beat Cover/Reimagined)

Kompoz Collaborative

Stefanie Kisamore - Vocal
Chris Branch - Bass
Mikael Lindh - Keys
Billy Bosco - Guitar
Chris Thomas - Drums
TSTstudio- Tom Hellsten  - Mix and Master


LICENSE NO.: 1500248705

White Rabbit - Jefferson Airplane Cover

This is one of my cover to my favorite band. It's just for fun, there is no any goal with it.

GHOSTS AGAIN - DEPECHE MODE COVER

A welcome song in celebration of the first day of Spring as if to say:

Hello to my dear old friend
I missed you waiting for winter to end
Now it is your time to begin
Yes, it is Springtime once again

Hope you enjoy! Blessings to all!

Synth pianos with echo, phaser, bass, acoustic guitar, and audio of a robin singing set to hip hop and Latin beats at a gentle 70 bpm.

Audio of robin singing recorded live in April 2023.

COVER ART: AI-generated image via the DaVinci app altered in Photoshop.
..................

.

Spring Arrival

Mother Earth feels, perceives and suffers. Let us take care of her.
Composition and production Javier Piñeira, June 2023. All rights reserved. Copyright

Mother Earth

You're Out Wasting

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

(40 DD ‎- Two Big Bazookas, Dance Floor Destruction)

Welcome to my Underground Techno Club

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

It was a time when downtempo was called Slow....spécial Thanks to Stepa.K for her a cappella….

SHADOW.   Feat Stepa.K

Lyrics 

Can’t shake the feeling 

I made my way home 
To my television 
Tried to sell my soul
But didn’t have permission

No one knows 
Im the second coming 
I’ve failed on my own 
But I’ve had the calling

Live your life in reverse
And you feel your cursed

Can’t shake the feeling 
Can’t shake the feeling 

Your demons unearthed
Hiding in the masses 
I’m shouting up first 
Sat on the second class list

Life Live in reverse
And your feel your cursed 

Can’t shake the feeling
Can’t shake the feeling 


Live your life in reverse 
Feel like your cursed 

Can’t shake the feeling
Can’t shake the feeling

V3- 
Your moneys no good 
Can’t buy your way out 
But if you act like you should 
Please Whisper don’t shout 

Live your life in reverse 
Feel like your cursed 

Cos They seek to destroy 
Your world is their toy
You stand in line 
And you nod in time 
The worlds at your feet
But it feels like a defeat 

Bridge)
Can’t take this 
It’s mayhem 
Time to take your  
Medicine 

Some Angels 
Some demons 
Deal your fate in an instant 

Can’t shake the feeling  
can’t shake the feeling 
Can’t shake the feeling

Life Live in reverse
Cant find the meaning 
Feels like you’re cursed
Can’t shake the feeling x3

Cant shake the feeling

HUGE thank you to J.J. Terrell for putting this one together with me! 

And thank you to K2 and the three for the drums! 

Contributions

Piano/Organ: J.J.Terrell 
https://on.soundcloud.com/zMRZHupDxhFSYd676

Vocals/Lyrics/Mix (Audacity): Tam Jennifer

Drums: K2 
https://on.soundcloud.com/xGewgZifWnxsEmZY7

Cover picture: Erin Jennifer
https://on.soundcloud.com/imA3NPDbnh667UtS9

Lyrics

What do I have to say
To make you stay
The world is turning now
Without me

Why do you have to keep
Just letting me retreat
This worldly learning is 
So lonely

Take my hand, dear
Help me to stand, dear
It thaws my heart, just
To have you near

Cos times are changing, so fast
Can we find the energy to last
This price we paid was it worth the cost
Or will we feel that all is lost

On the horizon
Sunset or sunrise
Facing death, or saving lives
Losing our faith 
Or finally arrive

You used to bring me
Coffee in the morning
You used to kiss me in the rain
I remember times so full of yearning
Oh will we ever feel that way again

Cos times are changing, so fast
Can we find the energy to last
This price we paid was it worth the cost
Or will we feel that all is lost

On the horizon
Sunset or sunrise
Facing death, or saving lives
Losing our faith 
Or finally arrive

© Ben -Tam Jennifer Hastings, J.J. Terrell, Ken Karasek, 2024. All rights reserved.

Echoes Of Tomorrow (with J.J.Terrell & K2 and the Three, 2024)

Dingo Ate My Baby

Epic, Cinematic and Orchestral Music
Picture by jhantares
Franck C Production
Music by Franck Charles ©
ASCAP
https://www.youtube.com/watch?v=b5vp_FXwNEg
Version 2024

Sandstorm

FVR Grooves (Dedication to Friends,Thank You) No Gatekeepers in your Vibe!!!!

I love being outside during thunderstorms. I recorded a thunderstorm and built a composition around it. One love. Thanks for listiening

Thunderstorms

DEMON IN THE WOODS

Opus82

Here is a little chilled number from my new album "Sugar Rush" 

Many thanks for all of your generous plays reposts and playlsts!!

(c) Vocalatti 2023
ASCAP

Paradise Highway

"That's What You Say"  Electronic music with vocals and guitar

That's What You Say

Wrote this little singalong many years ago for a fellow Soundclouder who was feeling a bit low. 
My daughter was in her early teens when she took the lead vocals, and my son was pre-teen.
I’m hugely indebted to the supremely talented Russ Sinfield for taking time out to mix and master this little pick-me-up - thanks a ton, mate, I’m really very grateful. (https://soundcloud.com/russell-sinfield #chaoscookhouse)
Enjoy!

Levana: Lead vox, bvs
Jehan: Bvs
Me: the rest
Russ Sinfield: Mix and mastering

Singing The Song (Brian Peters)

Looking for a brighter day
To come and wash your worries away
Hey come on now, come on

Searching for a bluer sky
And you don’t know the reason why
Hey come on now, come on

*You got to keep on holding on
You got to keep your spirit strong
You got to keep on singing the song
And it won’t be long*

Looking for that ray of hope
And finding that it’s hard to cope
Hey come on now, come on

Wishing on a shooting star
Trying to figure who you are
Hey come on now, come on

Well I ain’t walking in your shoes
And we all carry our own blues

Singing The Song

Video;
https://youtu.be/w9XqcVMl5do

Genres;
#Electronic
#Experimental

Made in #Ableton (May 2024)

Unknown Vibes

Obfuscated / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 80
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

OBFUSCATED - Open Collab Offer

Special thanks to 5Eleven for his a cappella....

ONLY MY DRUGS.  Feat 5Eleven

'your addiction' 

Scratch Kelly: beats, production, photography
Scotty: lyrics, vocals, guitars 

I loom in the subconscious of your mind.
I won't reveal myself until it's time.
Assume you're well until I come to find
your weakness. Then your ass is fucking mine.
And once I get my filthy hands on you,
you'll have no idea of the things that you will do
to get me into your blood, and when I'm through,
you'll crave my love and I'll be stuck with you. 

Finding it hard to live without my love?
Finding it hard to cope without my love?
Finding it hard to kick your need for my love?
You're stuck, babe, I'm your addiction. 

Consumed by the evils in your mind.
You're ruined by the fecal memories you find.
Your wounds that you can't forget or leave behind.
Resume with your need for my love until you die. 

Finding it hard to live without my love?
Finding it hard to cope without my love?
Finding it hard to kick your need for my love?
You're stuck, babe, I'm your addiction.

your addiction (with Scratch Kelly)

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

Just another song from my "spanish heart".

New Flamenco Improvisation II (For two guitar)

Gotta let the cow out of the barn once in a while ;) Sometimes we just need to take ourselves less seriously, and laugh at ourselves and life's predicaments.
Start the summer with a tongue-in-cheek tune to lift our spirits.

Lyrics:
                                Sell My Cow
    I’d sell my cow if I needed a drink
    I needed a drink…I needed a drink
    A nice drink of milk…ah-ha…oh yeah
    I’m so thirsty and you know what they think
    I’d sell my cow if I needed a drink
    If I needed a drink…I needed a drink
    A nice drink of milk
    My cow she’s a good old girl
    A very fine udder, with her tail a twirl…oh yeah
    And a very fat ass that drives me insane
    With the taint of methane
    I’d sell my cow if I needed a drink
    If I needed a drink…For the price of a drink
    A nice drink of milk…that’s me!    
    (INST)
    As I made my way to market
    She followed on behind
    For all that bovine intelligence
    She didn’t read perfidy in my mind…oh no
    I’d sell my cow if I needed a drink
    If I needed a drink…For the price of a drink
    A nice drink of milk…Oh Id’ sell my cow…I’d sell that cow
    I sold me cow, because I needed a drink
    I needed a drink…for the price of a drink
    A nice drink of milk…I sold my cow…I sold my cow!
    I sold my cow ‘cos I needed a drink.

Wigmore: music, production
Allen: Lyrics, vocals, guitar and bass
2024

Free download
Track 10 of the album - Shyling
https://www.terrywigmore.com/wigmore-allen-gibbons

Shyling

Pierre Bordetti productions (c) 05/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Blue in your eyes

Let's go in blue paradise,
fullness in live,
we fly up to the sky,
with peace of mind,

Blue in your eyes,
always this light,
dreams of getaways,
until the dark night,

Blue in your eyes,
Blue in your eyes...

Blue in your eyes

Blue In Your Eyes

“Trapped Keys”  by Luke


Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“Trapped Keys” by Luke

One by One

Takoyaki : Casual cuisine familiar to Japanese people
https://en.wikipedia.org/wiki/Takoyaki

たこ焼きパラダイス(Takoyaki Paradise)

Minister Messiah {Prod By Danke Noetic}

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (Eclectic Collective with Roy Roy)

Cast of Characters:

Frans Beelaard – @user-936947521 – Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine! He also composed the song
TexMex Shaman– @texmex-shaman –Stephen–  Duesneberg Starplayer TV Phonic hollow body electric guitar
Llanpsych-- @llanpsych -- Tez – Gibson Les Paul electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha workstation organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–lyrics and vocals 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – PRS semi-hollow body electric guitar


This is a song that Frans wrote, recorded, and gave to Josh to share with the Eclectic Collective. Frans is playing all the foundational instruments of the incredibly intricate yet perfectly foundational rhythm section, including Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine. As mentioned in the previous sentence, he also plays the amazing harp solo after the second verse. All of Frans's music is a dazzling display of solo work on top of a dense, rock solid rhythm section. So, in that spirit, this song is a display of all of us taking 12 bars to show what we can do.
  Tez was first to add his expert blues guitar in the section right after the opening vocals. Josh took the next slot, with the notey second guitar solo on the first chorus section. Stephen added his fiery guitar next, in the last slot, after Frans's harp solo. JJ was next in line, though, bringing his piano and organ to the mix, both in a support role throughout, and in the piano solo between Josh's solo and the second verse. Ken, then came up with some lyrics and sung the whole thing for us, very ably and in the propper spirit of the song (which was named randomly by Frans). 
  Of course, every great song needs a great producer, and we tapped Stephen to do the honors here, as he's our resident expert producer. 
  We are all honored and very grateful to Frans, whom we all respect and admire to a very high degree, for sharing this with us. On the off chance you aren't familiar with him, do yourself a favor and check out his page. He's as talented a multi-instrumentalist as you'll ever come across, with hours of astounding music on his page.
  We hope you enjoy listening to this as much as we all enjoyed creating it.
Original Lyrics by K2 and the Three:
I got a bull legged woman,
You know that’s where it’s at
Gotta bull legged woman 
You know that’s where it’s at
The devil may care, 
but he don’t know thin from fat
Well!!

I got a bull legged woman 
You know that’s what I got
I got a bull legged woman
You know that’s what I got
A dope ass Betty
5’ 4”, and she’s smoking hot
 
Hey fellas, can I get a witness?

I got a bull legged woman 
you know that’s what I have
Gotta bull legged woman 
You know that’s what I have
She’s all stacked up, she’s mine
And she’s got the Jaz

Bull Legged Woman by Frans Beelaard with Eclectic Collective

Cast of Characters:

 Cgmaness – @user-419254289-15129531 – Chris – bass, guitar, synth, main drums, percussion, composition, production and mix

TexMex Shaman– @texmex-shaman –Stephen–  electric sitar

Llanpsych-- @llanpsych -- Tez – electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- organ and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– percussion, additional drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – traditional gourd form body sitar and lap steel


 This is a song that Chris wrote on the drums, bass, and guitar and shared with the collective. We all love working on Chris's songs, and got to work on it even more enthusiastically than usual. Josh was up first with his lap steel, which he weaves throughout. He also added the sitar at the beginning and the acoustic sitar at the end. Stephen stepped in and added the gnarly electric sitar at the end. JJ also made his presence heard by adding the thrilling organ and electric piano throughout. Ken then augmented Chris's original drums with his own in expert fashion. Last, but not least, Tez added his electric guitat magic to the stew, as well. 

  Since Chris brought this song to the group, and is a fine producer, he did the honors of the mix and production. 

  This is our latest with Chris, whose music we all adore. If you dig this, you should go check out his page, as it contains lots of wonders to hear. We all hope you enjoy listening to this as much as we enjoyed making it.

New Strings Theory (Eclectic Collective)

Cast of Characters:
 
Cgmaness – @user-419254289-15129531 – Chris – foundational acoustic guitar and seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, lyrics, and vocals
Llanpsych-- @llanpsych -- Tez – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
The Eclectic Collective — composition and mix

  This is the second song in a row that The Eclectic Collective is releasing in as many weeks that was written by Chris. We love working on his songs, and all jumped at the chance to play with this one, as well. He wrote it on an acoustic guitar, onto which he also put some heavy reverb, giving it an ethereal, chordal sound. To that bare bones, Josh fist added his four-string fretless bass to a click track, of all things. Luckily, Ken swooped in soon after and gave it a proper beat with his lively percussion performance. 
  Once the rhythm section was complete, Tez added his melodic, golden-tone guiar in there. Then, it was JJ's turn. He added not only the piano and synth, but wrote the lyrics and sang it, as well. 
  This song was actually mixed by the group, as we all added our parts, although Ken did some final adjustments, too.
  JJ's lyrics tell the story of the first people to reach Easter Island, millenia ago. The wonder of the journey and the discovery of a new home, while using the materials available to survive. Here are his original lyrics.

Original Lyrics by J.J. Terrell:
 
Through the eyes of the gentle rain
Monuments raised where the Lapwings stay
All the sand, the hourglass of man sifts here
A traveling band of gypsies in this land appear
Crowd the fire as the night sets in
Listen for tales of enlightenment
Until dawn
The flowered down of a bird so true
Pure as heaven, the chosen few
It's all waiting for the night

Unabashed (Eclectic Collective)

An electro-rock cover of Indochine's l'aventurier

L'aventurier Indie Moon Indochine's cover

Hunter

Money

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me