Pour tous ceux qui sont nostalgique du combi Volkswagen des années 70 , le fameux Bulli , et qui ont voyagé avec lui dans leur jeunesse 😃
For all those who travelled in a Volkswagen combi in their youth 

Compositeur : Philippe SEGUINARD  Auteur : Guillaume DULER

J'ai roulé ma bosse 
Quand j'étais un gosse
Dans un combi couleur de l'arc en ciel
Une fenêtre sur le monde
Pour moi petite tête blonde
Avec mon père , ma mère et l'essentiel

Bulli ma maison on the road
Bulli ma maison d'évasion
Bulli ma jeunesse on the road
Bulli ma jeunesse d'horizon

J'ai traversé des frontières
Croisé des sœurs et des frères
Qui m'adoptaient en jouant simplement
Des amitiés sans ombre
Et qu'importe la langue et le nombre
Y'a de la place dans le cœur des enfants

REFRAIN

J'ai grandi sur les routes
Passé entre les gouttes
De rivières sauvages en océans
Une vie sous tous les temps
Partir où nous portaient les vents
Et s'endormir autour d'un feu de camp

REFRAIN

Je voudrais tant retrouver
Ces années de liberté
Kerouac tes pages s’effacent doucement
Mon vieux Bulli est parti
Roule t'il encore aujourd'hui
Au petit bonheur la chance comme avant !

© Philippe SEGUINARD/Guillaume DULER Février 2024

I've lived through a lot of things
When I was a kid
In a rainbow-colored van
A window on the world
For me little blonde head
With my father, my mother and the essentials

Bulli my home on the road
Bulli my escape house
Bulli my youth on the road
Bulli my youth on the horizon

I crossed borders
Crossed paths with sisters and brothers
Who adopted me simply by playing
Friendships without shadow
And no matter the language or the number
There's room in every child's heart

CHORUS

I grew up on the road
Passed between the drops
From wild rivers to oceans
A life in all weathers
Wherever the winds took us
And fall asleep around a campfire

CHORUS

I would so much like to return
Those years of freedom
Kerouac your pages are slowly fading
My old Bulli is gone
Is it still rolling today
Just like before!

Bulli  TRANSLATED

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Emisarios   

La noche me encima queriendo desanimar.
la lluvia decide trayendo un tesoro
Es agua del cielo, me dijo prestá atención.
Sos hijo del suelo, sos savia, sos bendición.
hablan sin hablar, cuando estamos solos.
y a su corazon recibo igual.


El tiempo me envuelve, sumando me arrastra,
Mi alma y el cielo, son fuego que basta.
Son flama que grita, son guerra sin rendición,
son  furia del trueno, caida y resurrección.
Hablan sin hablar, cuando estamos solos
y a su corazon recibo igual.

Hablan sin hablar, cuando estamos locos
y a su corazon recibo igual. 

Letra y Música: Pichy Sotomayor
Picture: Princess Mononoke by Hayao Miyazaki (1997)

Emisarios

We are pleased to present track 8, the final track, from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven

Waiting For Someone

For this nice optimistic track I used, as usual, LogicPro as the main DAW and Arturia's Analog Lab Pro. I hope you will enjoy the up-lifting ambiental dance vibe of this track.
Thanks for listening and support.

All Night Long

In$ane

Cast of characters:
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition
Joseph Shenton -- @joseph-shenton -- lyrics
Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics
one man verity show – @one-man-verity-show – Scotty – electric guitar intro
TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, production, and mastering
Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar
Tea R. Sea @tea_are_sea -- Terry – low synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer


This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 
  When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 
  Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 
  This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by Joseph Stenton:
Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs

Generation X (Eclectic Collective with Gaz Brownie, One Man Verity Show, and Joseph Shenton)

Arctic Wind

Original demo recorded: 2015
Remaster: 2025

The Twists And Turns Of Youth

This song was inspired by a holiday on the coast. It starts in the style of ambient music and slowly turns into a classic piece of electronic music, inspired by the Berlin School

Have a listen to the extended version on Bandcamp:
https://lichtbildgestalter.bandcamp.com/track/vapour-island-extended-version

Video on youtube with spezial version:
https://youtu.be/QikiaW-p6_A
and on Vimeo:
https://vimeo.com/1087383281/a0aaaa4728

Vapor Island (link to video inside)

'An Epoch Of Insanity' inspired by the current plethora of ego manaics in charge of our world. I'm joined by my good friend, composer, arranger and master musician, Georg Boehme. All wind arrangements and sax solos are by Georg. Main composition and everything else by myself, including production.

Dont Smudge The Ink

An Epoch Of Insanity

An Epoch Of Insanity (Feat. Georg Boehme)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me