Humpty Dumpty

ESCAPE TOWN
Backing Track: Paploviante
https://soundcloud.com/paul-racle/funk-rock-town-paploviante
Vocals: Emily Coy - Escape / Fire
https://soundcloud.com/freevocals
Lillithe: Synth, Wah Wah Guitar, Effects, Arrangement, Production and Mix

Escape Town - Lillithe & Paploviante

Une Comptine Romantique

This is a song that Frans wrote and was kind enough to share with me. He's playing everything except the mandolin and guitar, which includes bass, banjo, fiddle, and dobro. I'm always so very impressed with Frans, and honored that he would allow me to play with his songs. He also mixed and edited this song in a most professional way, as well. We hope you enjoy the final product.

Grass Lullaby (with Frans Beelaard [!])

Esophagus Metamorphosis

Be healed by the blue sky... That's how I composed the song！
thank you for listening！！

DAW: Cubase pro 12

healing blue

Space Development

Pierre Bordetti productions (c) 07/2023.
Composed, arranged, performed, produced and Jacket by:
Pierre Bordetti

This photo I took recently inspired me a lot for this new Jazz-Fusion title.

Instrumental

Upright

Rainy Holidy

Recorded in Modesto, Ca. Featuring Flute solo. Soprano Saxophone solo. Steinway Acoustic Piano solo. Vibraphone solo. Acoustic Bass. Trap Drum kit full set 22" Zildjen Ride & crash Cymbal.

Swinging

Smooth Swing

Smooth Swing.WAV

SOUNDS GOOD PLAYED LOUD

Tea R Sea (Terry) composer on syth and percussion-Producer
Stonerjazz (Jeff) lyrics and vocals
Terry also created the Artwork :)
Smoke  

What was lt ln that day
That turned away so arrogantly
While leaves twisted and glared
obviously Angry
and repulsed by the very Air
lt;s not the way my Mother said that Trees would be

Sitting ln the garden ln the early morning hours
while the cows are sleeping soundly ln the meadow cross the roadway


Against his leg, his dog Moon ls leaning
While he's waiting, all aquiver, for the whistle
that signifies the starting of the workday

Drinking Coffee, Thick black and steaming
contemplating nothing but the quiet swirling
of the smoke that's curling
ln the stillness of the moment
from the cigarette that's burning brightly
ln the darkness that he's smoking

Even as l think lt
knowing that lt's futile
hoping for a resurrection
of the love that left me
ln the labyrinth of the brokenhearted
while the monster slumbers ln the featherbed
savoring lt's self inflicted wounds
and dreaming of Revenge

Digital Molasses  wlth Tea R Sea

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Grass Lullaby (with Frans Beelaard [!])

Entheogenic Psychonaught (Josh Clary)