Here is the piano solo of "Goodbye" from my collaborative album SOURCE you can find here: ariad.bandcamp.com/album/source

Goodbye

Goodbye - piano solo

A darkwave soundtrack inspired by the Thylacine, also commonly known as the Tasmanian tiger, a supposedly extinct carnivorous marsupial 🖤

Watch the video here 
https://www.youtube.com/watch?v=gdTK_oi4QEo

Thylacine

The DRUMAX PROJECT present track number 30 ! ... funky time machine :-)
https://soundcloud.com/joerxworx > Composition, Instruments, Arrangement, Sax Solo, Production
https://soundcloud.com/docfritz > Rhythm Design, Drums, Artwork
© 2023 by joerxworx and docfritz / DRUMAX PROJECT
---------------------------- all DRUMAX tracks playlist: https://on.soundcloud.com/vYq6C

DRUMAX No. 30 TIME MACHINE

Will that be an extra portion of mushrooms with your breakast?

Psychedelic Breakfast

Minimal, yet very present (./things.)
It annoyed me, but also intrigued me. Music is weird.

Little Loud

Cast of characters:
Steve's Planet--@steve-vervaet—Steve—acustic guitar, vocals, lyrics, composition/arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–production and mix 

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, mandolin, organ, and strings orchestration 

This is a song that Steve wrote, and has released on his page. He sings it brilliantly, and plays guitar, too. He sent it to Josh to work on with him. Josh added the bass, strings, and organ. But it needed drums. And luckily he knows a great drummer named Ken, who added exactly what it needed. Then we sent it to Tez for a bit of his production and mixing wizardry. It's a totally different sound than we're all used to, but it was a lot of fun to put together. We hope you enjoy it, too.

Crazy About You (Steve's Planet with Eclectic Collective)

The Mysterious Decibel-- @themysteriousdecibel  - lyrics and vocals
TexMex Shaman– @texmex-shaman –Stephen–foundational guitar in first half, solo in the coda, mix, and production
J.J. Terrell–  @j-j-terrell  – piano and composition
K2 and the Three [and the Four]-- @k2andthe3 , @k2-kara–Ken–drums and percussion, help with mix, bg vocals
Llanpsych– @llanpsych –Tez–guitar solo and fills in the main section
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –mandolin, four string fretless bass guitar


This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 
  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 
  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 

Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar


It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night - (Eclectic Collective w/ The Mysterious Decibel)

It was time again for a beat a little more raw, but still with a relaxed vibe and flow. Let me know what you think of this combination, enjoy!

Consistency (Stellar Sound Instrumental)

Dispel

Lest we forget
We need to remember
We see the signs
And we act upon it
Why does the system
Where is the mind
Where is the world gonna be
When we are all left behind

Do we care?

What are you thinking
In that mind of yours
Do you think you could get away
From it all

Lest we forget
The crimes of the system
We never forget 
We're never in them

Do we care?

Children blown to bits
We're all in fits
What can we do?
So many miles away
Thousands of miles away
What can we do?

Do we care?

There's people 
Who will pay for these crimes
Little children blown to smithereens

It's on the news
Do we care?
I'd like to think we care...enough

To do something about it
Do we laugh at those marchers
Those marching people

Do we care?

360. lest we forget (harding).mp3

Chapter 171 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 11 is now available on Bandcamp. TAFFETA albums are always free to download. https://belialpelegrim.bandcamp.com/album/taffeta-vol-11

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 171

TAFFETA | 171

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Crazy About You (Steve's Planet with Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)