https://soundcloud.com/paco-ray: chord set, guitars, drums.
https://soundcloud.com/ruizzoidman21centurions: bass, lyrics, vocals, pocket sax, production.

Letra  /  Lyrics (Adaptation from a poem I wrote around my 15thBD)

SIEMPRE QUE TE VEO  /  WHENEVER I SEE YOU

Pasma al mirar tu serena  /  Astounds looking at your serene
faz y tu largo cabello,  /  face and your long hair,
y observar rostro tan bello,  /  and observe such a beautiful complexion,
más que asombrar, me enajena.  /  more than astonishing, it alienates me.
Cuando en mi oído resuena  /  When in my ear resonates
tu cálida voz, espero  /  your warm voice, I hope
girarme y verte, pues quiero  /  to turn around and see you, because I want
hacerte saber, mi amor  /  to let you know, my love
que te amo, y mi calor  /  that I love you, and my warmth
ofrecerte por entero.  /  offer to you completely.

Siempre que te veo, intento,  /  Whenever I see you, I try,
con mi mirada, expresarte  /  with my gaze, to express to you
que te quiero. Mi sustento  /  that I love you. My livelihood
es tu sonrisa, son tus ojos  /  is your smile, are your eyes
y tu cara de indecisa.  /  and your indecisive grin.
Si te miro, sonriendo,  /  If I look at you, smiling,
si te sigo, pues queriendo  /  if I follow you, as wanting
poseerte, tengo prisa.  /  to possess you, I’m in a hurry.

Quisiera mirarte, grácil,  /  I’d like to look at you, graceful,
bella y extraña cual hada.  /  beautiful and strange like a fairy.
Cual si no pasara nada,  /  As if nothing was happening,
mirarte, pero no es fácil.  /  to look at you, but it’s not easy.
Quisiera hacerlo con casi,  /  I’d like to do it with almost,
casi inhumano ardor,  /  almost inhuman ardour,
y contemplar con fervor  /  and watch with fervour
tus excitantes y sabios  /  your exciting and wise
pasos, y encender tus labios  /  steps, and turn on your lips
con tiernos besos de amor.  /  with tender kisses of love.

Siempre que te veo…  /  Whenever I see you...

Siempre Que Te Veo (with Paco Ray)

Cast of characters:
mistermark--@user-432503709--Mark---Piano, drums, production and composition
Llanpsych--@llanpsych--Tez—electric guitar, production, and mix
Entheogenic Psychonaught (Josh Clary)--@josh-clary-1—four string fretless bass and electric guitar
This is a song that originated with Mark, and existed as a song he wrote on the piano after, like many of us, getting back into playing following an extended hiatus. He sent it to me, who added the fretless bass and some delay-heavy electric guitar. After that, Mark added the catchy, powerful drums and made a couple of key editorial changes. Then we got Tez involved, who added not only the screaming guitar parts in the meat of the song, but also the entire coda at the end. Tez also produced and mixed this for us, expertly. This is the first of hopefully many songs Tez and I do with Mark. We hope you enjoy listening to it as much as we enjoyed making it.

Heavy Steps (with Llanpsych and mistermark)

I Got A Bone To Pick With You

rumbustious 'demo' (with Falsestart)

Je suis décivilisation 
Je suis l'ensauvagement
Je suis renarde dans votre Eden
Je suis la loi du ventre
Je suis ces invincibles amarantes
Je suis chasseresse de chasseurs
Je suis tétanisation
Je suis alors fulgurance rebelle
Je suis une murmuration féerique à l'heure dorée.
Je suis endêvée par votre passivité
Je suis l'improbable qui te guette
Je suis ainsi l'assise substantielle
Je suis mycorhizes 
Je suis ces sentiers prompts à vous faire saliver
Je suis la spirale de fuites
Je suis aussi incendie désiré
Je suis violette tel l'aconit 
Je suis sagesse car sans sang
Je suis l'évolution par tous ignorée
Je suis la badass à la hache et au cœur de glace
Je suis syntropie
Je suis notre sourire stellaire

Decivilization

Words and Music by Stefan van Walsum
All Instruments by Stefan van Walsum
Drums with Toontrack´s EzDrummer-3
Copyright by  Stefan Biermann, Germany 
Mix and Master by Stefan Biermann, Nandi´s Cavern Studio, Kerpen

NICE GIRL ON A BIKE (Lyrics)
(Not a love song, but a song about mindfulness.)
Intro
V1
Again one of these days.
I had to get out into the light.
To escape the darkness.
V2
So I took a walk around the block.
Sun on my face.
Fresh air in my lungs.
PRE-CHORUS
Lost in thoughts and totally relaxed.
My walk became longer and longer.
V3
I found myslef sitting on a park bench.
I sat there, thoughtful and alone.
But I´m not going home.
V4
People walked past me.
Alone, in pairs or with their dog.
I didn`t want to look at the clock.
PRE-CHORUS
I was lost in thoughts and completely relaxed.
My day was getting better and better.
CHORUS
I saw a girl on a bike.
She came from the right.
Still very far away. 
She will never know.
That she made my day.
V5
Now she drove past me.
She greeted me kindly.
She looked pretty in her summer dress.
V6
That brief moment felt so good.
Somehow I felt good again.
I will hang onto it as long as I can.
BIDGE
That special moment.
She greeted so kindly!
Just like that.
I didnt´t know I was missing – 
something like that. (Something like that.)
CHORUS
I saw a girl on a bike.
She came from the right.
I thank you for this moment.
Nice girl on a bike.
CHORUS
That brief moment.
Felt so good.
Somehow I felt fine.
I will hang onto it -
as long as I can.
OUTRO
I thank you for this moment.
Nice girl on a bike!
Nice girl on a bike!

Nice Girl on a bike

Nice Girl On A Bike

Ecstasy O2' By LucyScrew

© 2024 Pantomime Riot

Almond eyes look through the floor
Toxic vapours slip the door 
Inebriated mind entrenched 
Consciousness cannot be wrenched
Is my soul entirely mine 
Appropriated any time 
Eyes are open is it real 
Fingers numb now cannot feel 

Floating right out through the sheet 
Walking streets without my feet
Scarlet purple sleeping bruise 
Mind devoid of any clues 
Did you see my fucking trance 
Make a merry little dance 
Puncture pricks in every vein 
Never gonna feel the same 

Do those greys come when I rest 
Keep me under house arrest 
Bounce me down a silver beam 
Intoxicated in a dream 
Distant pictures in my head
Waking legs now full of lead
Penetrate and splice the gene
No one hears the vacuum scream 

Floating right out through the sheet 
Walking streets without my feet
Scarlet purple sleeping bruise 
Mind devoid of any clues 
Did you see my fucking trance 
Make a merry little dance 
Puncture pricks in every vein 
Never gonna feel the same 

Grey metallic bleeper chips 
Distant sound of water drips 
Leaving base reality 
Lost all sense of gravity  
Stretching through the layer seams
Colder textured alloy gleams 
Motor-senses all in flight  
Please return me to the night

Floating right out through the sheet 
Walking streets without my feet
Scarlet purple sleeping bruise 
Mind devoid of any clues 
Did you see my fucking trance 
Make a merry little dance 
Puncture pricks in every vein 
Never gonna feel the same

BRUISE

Un medley d'une partie de mes chansons sur nos amis félins, les chats !

Cat Medley

#acoustic

Acoustic Guitar. One of my many interpretations of Plush by Stone Temple Pilots

Plush (Ruined By SU&R)

I Want you to Hate me (Sped up) prod. Qazers

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Heavy Steps (with Llanpsych and mistermark)

Entheogenic Psychonaut (Josh Clary)