R        o        X        X
Hi everyone, I hope the world is treating you well. I’ve got a new track for you I call Duck Walk. It’s an upbeat boogie rock
song. I first demoed this song over 20 years ago, it was always in the back of mind to have another go at it. Crank it up and enjoy! Please leave a comment if you get the chance.
Music is life,
Tom


Duck Walk© ℗  
by Tom Roxx
Copyright 2022
Recorded at Roxx Studios
All Instruments played by me.

Duck Walk

Nakedverse and me have been meaning to do a Motown inspired track for a while now , and here it is , the last in a 5 track EP we have been writing together now for about a year , details to follow . Please go and visit him https://soundcloud.com/nakedverse
Lyrics :-
There's nothing like the sweet revenge of
Time and patience as the karma
Catches up with everything they've done
Can't you see it in the news now
The veils are lifted from your eyes now
If you look away it does no good

Dominoes fall
One by one and
Knock each-other down

Perhaps its in my love of justice
Or my twisted sense of humour
But my smile gets bigger everyday
To know that we can turn the tables
Maybe to rewrite the fables
That they forced on us , here comes that day

Dominoes fall
One by one and
Knock each-other down

Oh Oh woah 
Just like dominoes

There's nothing like the sweet revenge of
Time and patience as the karma
Catches up with everything they've done

Dominoes fall
One by one and
Knock each-other down

Oh Oh woah
Just like dominoes
Goodbye bad times
Just like dominoes

Nakedverse/winkandwoo 2023

Just Like Dominoes

Just Like Dominoes - Nakedverse & winkandwoo

Flightless Wings

The Mysterious Decibel - Spiders, Phantoms, and Lost Miracles

Lyrics, instrumental, Vocals, Sounds, mix, song structure - The Mysterious Decibel

Vocals mastered by: Mark McClellan

https://themysteriousdecibel.bandcamp.com/track/spiders-phantoms-and-lost-miracles

Lyrics:

The silk from all the spiders pulling me in all directions
Grueling... phantoms... 
Carry me into the void where nothing matters

I can't believe in miracles
Because miracles are unfair

If we all have one chance to cheat life,
I'm waiting on my share!

Spiders, Phantoms, and Lost Miracles

By Your Side

Lyrics:-
What matters to you
Doesn't matter to me
What matters to me
Doesn't matter to you

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

From the girl in her room
To the man on the street
From the man in the moon
To Police on the beat

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

From the Farmers who toil
To the City bank boys
From the kettles that boil
To the kids with their toys

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

From the media pundits
To the teachers at school
From alternative trumpets
To the stubborn old mule

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

winkandwoo 2023

Agree To Disagree

Original music by : FPMORINSTUDIO/Francois Pierre Morin composer

2 Line 3 Time 2023 Theme Soundtrack

Youtube Video Link of Pilgrim: https://youtu.be/8AN6Y_lshh8

Lyrics:
Pilgrim
By David Husted

V1
And there's a moment of reason you see
Hidden behind days and days of misery
PreVs
V2
A kind of freedom that's greeting pain
There's a season to face that long, long tale of love and hate
Ch
Pilgrim 
you still crawling on your belly?
Soothing Moon hold back the tide tonight
Post Ch
PreVs
V3 
Still Dancing on tea Leaves I see
Going home with that laughing Buddha remembering
Aiming high beyond that saffron robe there billowing
Broken open, the road twists, that's when the Crone and the Shaman give
Ch
Pilgrim 
you still crawling on your belly?
Soothing Moon hold back the tide tonight
Post Ch
Ch
{Instrumental}
Ch
Pilgrim 
you still crawling on your belly?
Soothing Moon hold back the tide tonight
Post Ch

Song Background and More Detail for the Deep Divers:
I have recently been enjoying a podcast called This Jungian Life. I am not a rabid listener but the episodes I do hit I find interesting enough to stay tuned in. Three good friends, who are Jungian analysts, talk about the world and its many issues as seen through the lens of Carl Jung. I am sure this is not for everyone but it hits the spot for me. They also breakdown a dream of the day at the end of the show which is always entertaining. 

Why do I bring this up? Well, my song lyrics often tend toward a sort of introspective explorative flavoring. My soon to be released song called Pilgrim is no exception. In addition to the word Pilgrim, the words Shaman, Crone and Buddha turn up which seem to conjure up archetypes that resonate with me. Figures that embody strength, resilience and wisdom. I reference winding roads and tides in the song that perhaps point to how we move towards or against life's gifts, challenges and hidden truths with grace and authenticity. I have said this often before, I never really know what my lyrics are about, but this description feels right for me today so I am going with it. 

My premiere team of graphic designers just completed the cover art for Pilgrim and it is provided in this blog photo.  I take part of the chorus section to the very limits of my vocal range which is not very wide. Looking back, it always seems there is some pain and beauty going on at the same time. The reflections do not often provide pointers to specific content. I have no problem with this. 

I remember the guitar rhythm borrowed heavily from a Stones pattern. See if you can guess which one when the song is released. Songwriting and production have enabled me to meet, interact and network with so many music loving folks whether it is through other music/social platforms, other bands, songwriters, good friends and/or family. I am very grateful for these connections and the opportunities they have opened up. 

I have a soft place in my heart for new music from relatively unknown artists (I wonder why?).  I tend to like/lean toward the “indie” rock genre more than others but really I like them all if the music is creative and well produced. There are so many talented artists and songwriters out there (published and unpublished). The music industry tends to funnel only the smallest 1% of good music to us but, rest assured, if you look more carefully there are many more gold nuggets out there. Deep Bow to those music forums and platforms that continue to help discover them. Panning for the gold never gets old for me. 

Thank You for your support. I appreciate. 
thx....Dave

Pilgrim

The Waypoint

This is a song that began as a bass line I came up with on my four string fretless over a looper. I shared it with Ken (K2 and the Three [and Four], Stephen (Tex Mex Shaman), and Tez (Llanpsych) through BandLan, which we're all on. Ken came up with some perfect drums, as always, to prop up the whole thing. Tez added some killer guitar solos, which you can hear more towards the end, with the ripping tone. Stephen then came in and added the talk box guitar and wah guitar that you hear playing the hook more towards the beginning. It's my first song ever featuring a talk box, and I'm amazed with the part he came up with. It's a major line against my minor bass line. I love how it sounds! Stephen also was kind enough to mix the beast for us, which turned out to be a herculean task. But he was up to it, and a fine job he did, too. It was an honor and a pleasure to work with these guys. We all hope you enjoy it as much as we did making it.

High Noon (Eclectic Collective)

Recorded in Modesto, Ca. Featuring Flute solo. Soprano Saxophone solo. Steinway Acoustic Piano solo. Vibraphone solo. Acoustic Bass. Trap Drum kit full set 22" Zildjen Ride & crash Cymbal.

Swinging

Smooth Swing

Smooth Swing.WAV

Grooving a little over some of the great changes of Freddie Hubbard's immortal Red Clay


And thanks as always for your generous time listening, for you comments and shares

Red Clay - Jamie Rhind

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

High Noon (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)