/// Lillithe --- UNTAPPED feat. IPG1 ///

A       129

Daily Drops

AUTUMNS ARE THE (MANY) BOOKMARKS OF LIFE

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , Entheogenic Psychonaught --- Dancing Moon

JUNZO --- Stairway to Heaven - Led Zeppelin cover , Entheogenic Psychonaught --- Dancing Moon

// Patricia Edwards&Paploviante --- Are You Ok feat. Patricia Edwards //

// IPG1&Paploviante&Lillithe --- Each Level Deeper feat. IPG1 & Paploviante //

Syntaleta 🇺🇦 - Daddy's Lullaby , Entheogenic Psychonaught --- Dancing Moon

We Ain't Here For Your Dirty Love: 34 Clean tracks from the SoundCloud community

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Samples voices : «  Who owns my Heart » (Miley Cyrus).

WHO OWNS MY HEART

New video on YouTube https://youtu.be/2aUqACWrHHs

*** RISE ***

Can you see the dawn arising
Can you see the light inside your mind
Can you feel it ?
Love will never die !

Be majestic like a phoenix 
You can be as golden as the sun
You can reach it
Nothing ever really dies !

RISE 
Shine like the sun
Make real your dreams
Realize it's all just make-believe 
Take time and take space
Shape with your hands
Your life's your own
Your master plan...

The universe it has no corners
There's no boundary 
You are not alone 
Are there edges to the oceans' waves ?

So the grass it may be greener
And the rivers may run clearer
So - How'd you know -
If you can't look to the other side ?

RISE
Shine like the sun
Wishes and dreams
And watching them all come true 
You'll see
That finding your way
Is all that it takes 
If you can wait for them to be...

RISE MAJESTIC 
RISE PHOENIX
YOU CAN BELIEVE IT !

RISE 
Shine like the sun
Make real your dreams
Realize it's all just make-believe 
Take time and take space
Shape with your hands
Your life's your own
Your master plan...

Rise

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

Antonella Eye Porcelluzzi: lyrics and voice
progettosonoro: music


The calm burns inside
This war has no words
The night brings no peace
Confusion grows
Confusion stays awake
Confusion cannot sleep
Where did your horse run

With silence
You’ll make it come back
Who is confusing the cards
In order to make your horse disappear
You should keep calm
The horse will come back

All alone

Since it’s yours
Since it’s yours
The tragedy
Is inside the next door
You cannot see
You cannot avoid it
But this tragedy is not yours
Your door was forced
And the horse was hidden
everybody’s hiding
Not you
You are silent
And wait
And think
About what is good
What is evil
What will you do
What will you do
What will you do


Parlare
Superare il limite
Questo limite è imposto
Bisogna superarlo
Quali avventure
Arriveranno a te
Senza che tu sappia
Da dove vengono
E dove vanno
Tu resisti
Ma la confusione aumenta
Eppure non c’è altra via 
che il silenzio
Il silenzio
Fa muovere le cose
Attiri a te 
Gli elementi importanti
Il mondo ti chiede di agire
Questa tragedia
Non è tua
E tu a testa alta
Vedrai tornare
Il tuo cavallo
Vedrai morire
L’uomo malvagio 
Vedrai tornare
Il tuo cavallo
Vedrai morire
L’uomo malvagio 
malvagio
malvagio

Late Night - Una Notte di Settembre

songs used:
    
   Fluff - The Trailer
       https://soundcloud.com/fluffling/the-trailer
   Fluff soundcloud:
       https://soundcloud.com/fluffling
   Fluff instagram:
       https://www.instagram.com/fluffmusic/

   𝐋𝐞𝐨𝐧 𝐋𝐞𝐞 - curse² mix -by- leon -lee-2023-11-07
       https://soundcloud.com
   𝐋𝐞𝐨𝐧 𝐋𝐞𝐞 soundcloud:
       https://soundcloud.com/durex-lee



Tiptoes on the stairs
I can hear it in the hall
Through the old curtains
And it's climbing down the wall

Where it goes I go with it
And that is that
Where it goes I go with it
And that's just that

Dusty twilight
I can feel it in my bones
Lurking in corners
Cause it knows where it belongs

Where it goes I go with it
And that is that
Where it goes I go with it
And that's just that

La la la la
La la la la
La la la la
La la la la

Where it goes I go with it
And that is that
Where it goes I go with it
And that's just that

It has a secret
No one can ever know
Out of the shadows
Always one hell of a show

And it knows I go with it
Cause that's just that
It's through me it's living it
And that is that

And it knows I go with it
Cause that's just that
It's through me it's living it
And that is that

La la la la la la la feel it in my bones
La la la la la cause it knows where it belongs

La la la la la la la feel it in my bones
La la la la la la la la la la laa

(Released by:
    Barbara Donner
P-line:
    ℗ 2015 Barbara Donner)

Fluff & Leon Lee - The Trailer (dj baubau remix)

Damnation remix

Piano composition by Anibal Seminara
Image by Many Souffan

Buy by Bandcamp

Clamores, Stridore Ac Murmuribus

This time, I played one of Led Zeppelin's signature songs, "Stairway to Heaven," on a nylon string electric acoustic guitar.
This song is included on Led Zeppelin's fourth album. The album sold over 29 million copies worldwide and was certified platinum in the United States.
Like all guitarists who consider themselves avid Led Zeppelin fans, I love this song and often play it lightly when tuning my guitar. I omitted the effect processing and simply adjusted the volume and uploaded it. I noticed that it sounded more boosted than when recording the chord strokes in the second half. Since it's a Led Zeppelin piece, I thought it might not be a bad idea to listen to it in this condition.
Personally, I hope that everyone can feel that the nylon strings (end type) that come with the two electric acoustic guitars fit perfectly into the guitar itself.
Winter is over in Japan, and we are about to enter the spring season, but I chose this piece as the final part of this winter's nylon string solo performance series. After this, I'm starting to look forward to the possibility of using a nylon string guitar to complete some of the collaborative pieces that I've been unable to complete.

===============================
Led Zeppelin - Stairway To Heaven (HQ)
https://www.youtube.com/watch?v=CPSkNFODVRE
Stairway to Heaven - Led Zeppelin (lyrics) Released: 1971【和訳】
https://www.youtube.com/watch?v=wzTLbMUYtqs&list=RDwzTLbMUYtqs&start_radio=1
===============================
Stairway To Heaven Chords by Led Zeppelin
https://tabs.ultimate-guitar.com/tab/led-zeppelin/stairway-to-heaven-chords-1088573

Stairway to Heaven - Led Zeppelin cover (SOLO) with a gut-string guitar

improvisation en 15 minutes celon mon humeur
Les larmes sont salées comme l'eau de ma chère Mer...
mon cœur et pourvu d'un petit souffle qui parfois passe du coq à l'âne..
ma vie est construite sur la bienveillance et Comme Dieu je me blesse sur le comportement Humain et navigue sur mes larmes pour entretenir mon destin.
Aime toi et continue à faire de ta vie un bouquet de plaisir.
W

Nousje

My remix of "We Ain't Here For Long" by Nathan Dawe @nathandawe

Caedmon Rigby
▶ Spotify | https://open.spotify.com/artist/1xepO1sMZXV3BECacnkLcN?si=rI1AcD-kSIWYD6KsQr-Big
▶ Apple Music | https://music.apple.com/fi/artist/caedmon-rigby/1022379075
▶ Instagram | https://www.instagram.com/caedmonrigby/
▶ Facebook | https://www.facebook.com/caedmonrigby/
▶ Youtube channel | https://www.youtube.com/c/CaedmonRigby​

Nathan Dawe - We Ain't Here For Long (Caedmon Rigby Remix)

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Queen´s Revenge

My first work recorded in Kharkiv during the war. They will never steal our peace of mind... My dear Dad was always with me when I was a child, but now we've been apart for over 2 years due to the war. My parents' home exists only in my memory. I wish all the children in Ukraine whose fathers have to defend the country peace and reunion of their families.
Remastering by Houman https://soundcloud.com/houmans. Please check his beautiful music.

Daddy's Lullaby

Such a joy to add vocals to this beautiful piece of music, gorgeous keys and sax from @cosmic-ratzzz and @joerxworx  please go over to their pages to listen to more fab music!!

Because It's You And Me  (Ft Cosmic-Ratzzz , Joerxworx /Lunatics and Vocalatti

A synth-heavy downtempo soundtrack, infused with trap beats, emotive melodies and evocative vocal elements...

Available for download here 💿
https://scratchkelly.bandcamp.com/track/ditto

To What Extent

Ditto

Download

About the song 
Since the beginning of time, the wind has always been there, a beautiful and dangerous power of nature, totally unpredictable, one that man has harnessed to power their sails and lately to generate electricity. I know the wind fairly well being a windsurfer and fair weather sailor. I know how beautiful and dangerous the wind can be. I have great respect for the wind and the Sea and always will have and this song is a tribute to her.  

I would like to thank Finn Eces,  my friend and co-writer of this song. Finn and I have been quite a number of songs under our belts now and I think it must be nearly time for the 1st Album Finn. 
Finn’s voice and production skills have really taken “ The wind “ to a new level,  fine tuning of the lyrics, adding in of that driving bass and funky guitar as well as those beautiful harmony vocals really set this song up to be a real Summer hit in all the beach bars around the world ( If Only ) 
Written by: Johnny Mc Farlane & Finn Eces 
Music and Vocals: Johnny & Finn 
Production : Finn  @finn_eces

The Wind

Collaboration

Check out Ramixjoe ♈︎ music
@josef-schweinzer

It Makes Me Believe

It Makes Me Believe -with Ramixjoe ♈︎

Untapped IPG1 & Paploviante
This is an open invitation for a collab from Ian Greaves aka (IPG1)
Vocal and Lyrics:
Ian Greaves aka (IPG1)
https://soundcloud.com/ipg1/untapped-voxes-92-bpm
Music:
Paploviante
Lyrics:
Off the top ———-is where it’s at unwrap this —————-gift RAP hitting the streets—-it’s ——pure crack Stone cold —-this trap ——TRACK! Pool of knowledge ——-untapped going —-in —-hard——we do that  Better —-tighten up —-them bootstraps  ———SAY-——-“what the hell ——did Lou snap!!!” swag baby —-The recap  no snags—nah—we stop that!!!
Break the game down--it's a new map Flow so rich--- better check that NASDAQ Eyes on the prize---go the full lap concrete jungle---stuck in the trap
[Verse] From the alleys to the skyline---watch us elevate Living large in the boroughs where we demonstrate Every word a heavy weight--- every rhyme we detonate New York state of mind---watch the Empire State
We on a mission---ain't no intermission, snap back Murals on the walls--- street art on the subway track Ambition in the air, we the kings--- claim the throne Spittin' bars like bullets--- in this zone--- we at home
Icons of the asphalt--- legends in the flesh Droppin' beats so heavy--it’s poundin' in your chest From the 5 boroughs--anthems——- on full blast Queens to the Bronx-- Brooklyn —-movin' fast Elevate the hustle---the spirit never cracks Struggle in the verses —-resilience on the—— tracks

Untapped - IPG1 and Paploviante

UNTAPPED feat. IPG1
This is an open collaboration from IPG1 / Ian Greaves
https://soundcloud.com/ipg1/untapped-voxes-92-bpm
IPG1: Lyrics and Vocals
Lillithe: Music, Arrangement and Production
Lyrics: 
Off the top ———-is where it’s at unwrap this —————-gift RAP hitting the streets—-it’s ——pure crack Stone cold —-this trap ——TRACK! Pool of knowledge ——-untapped going —-in —-hard——we do that  Better —-tighten up —-them bootstraps  ———SAY-——-“what the hell ——did Lou snap!!!” swag baby —-The recap  no snags—nah—we stop that!!!
Break the game down--it's a new map Flow so rich--- better check that NASDAQ Eyes on the prize---go the full lap concrete jungle---stuck in the trap
[Verse] From the alleys to the skyline---watch us elevate Living large in the boroughs where we demonstrate Every word a heavy weight--- every rhyme we detonate New York state of mind---watch the Empire State
We on a mission---ain't no intermission, snap back Murals on the walls--- street art on the subway track Ambition in the air, we the kings--- claim the throne Spittin' bars like bullets--- in this zone--- we at home
Icons of the asphalt--- legends in the flesh Droppin' beats so heavy--it’s poundin' in your chest From the 5 boroughs, anthems——- on full blast Queens to the Bronx-- Brooklyn —-movin' fast Elevate the hustle---the spirit never cracks Struggle in the verses —-resilience in the—— tracks

UNTAPPED feat. IPG1

Introduction in English:
For many, November is the worst month. I particularly like it because it is the month that best expresses the Buddhist mantra of "And the end is the beginning". In November, almost all the trees are bare and most plants have faded. But in this "destruction" lies the seed of new life. 
November is the month that most clearly demonstrates that we sometimes have to radically let go of beliefs and attitudes that no longer help us move forward so that we can reposition ourselves and continue to develop.
And this month also makes it clear that we must fully accept dying and death as facts in order to keep the flywheel of life, which goes far beyond us, running. 
At the age of 60, I am still in the "October of life". However, October is already knocking strongly on the door of the unstoppable transformation processes that reach their climax in November. 
The song "Autumn is here" summarises these thoughts in the form of a French chanson. I chose this form because, in my view, the French language and the genre of the chanson come closest to the basic existential themes of life.

Lyrics in English (For those, who don’t speak French)

Autumn is here

Everything falls, nothing holds
Nothing stands, it's already late
The green turns gray, the weather wet and rough
The flock of birds moves away into the warm blue

This morning I was full of energy
Tonight I'm tired
My garden of life will soon be withered
One little spark still glows
That still drives me and pulls me forward 

Autumn is here
The gray hair
Lies damp in the drain sieve

Autumn is here
The cataract
looks at me in the mirror

The fields are bare
The faces pale
The tree trunk breaks
In the middle of the poem

The clock runs down
The meadow lies fallow

The car groans
The eye runs and tears

The children look pityingly
The morning sun grins
Nothing you can gain 
Gain
The raven peeks
Around the corner, nods at you

Französischer Originaltext:

L'automne est là

Oui, tout tombe
Rien qui tienne
Il n'y a plus rien
C'est déjà tard

Le vert devient gris
Le temps humide et rude
La nuée d'oiseaux 
S'en va vers le bleu chaud

Ce matin, j'étais à fond
Ce soir, je suis fatigué
Le jardin de ma vie 
va bientôt se faner

Une dernière étincelle brille
qui me pousse et m'entraîne en avant

L'automne est là
Les cheveux gris
Se trouve dans le siphon

L'automne est là
La cataracte se rapproche
Me regarde dans le miroir
L'automne est là

Les champs sont nus
Les visages sont pâles
Le billot se brise
Au cœur du récit

L'horloge retarde
Le fond du pré est en friche
La voiture gémit
Les yeux sont pleins de pus

Les enfants regardent avec pitié
Le soleil matinal se moque de toi
Il n'y a rien d'autre que tu puisses gagner
Le corbeau regarde 
Au coin et il te fait un signe de tête

L'automne est la (Autumn is here)

Video here 👇

https://www.instagram.com/reel/C9IOx2Jo3RL/?igsh=MWRtaG1wcjB6b2h2

Automne (Link to video in description)

A pulsing signal calling out leads to a small neglected synthesizer found in a dry meadow. It is excavated and turned on. The lights miraculously shine bright and melodies start to sing. The sounds resonate across the entire valley and rejuvenate all that surrounds. 

Fertilizer

Mood Exhibit - Fertilizer

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Howling

Cast of Characters:
xian3-- @xian3 – Christian -- vocals and lyrics
Holger Engel—bass, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth
mistermark-- @user-432503709 -- Mark-- electric piano
Llanpsych-- @llanpsych -- mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – guitar and four-string fretless bass
 
This song began with Christian's friend Holger Engel coming up with a melodic bass line and sharing it with him to use as a seed stem for a project. Having collaborated successfully with him before, Christian thought of Josh and decided to pass it along to him to see what he could build with it. Josh was excited to work on another of Holger's creations. His bass line was in a high octave on the instrument, so Josh added a similar, complimentary bass line on the low octave to give it some heft. He invited Ken onto the project, and after doing their little rhythm section give and take, Ken laid down some powerful, yet tasteful drums. Mark was brought in next, and added some very fitting, wonderfully melodic electric piano, which he added in the choruses. Josh also asked JJ to add some electric piano to the verses and synth to the whole thing, which he did in a very mind-bending syncopated way. Josh then added some guitar to the high end to thicken things up a bit.
  We then sent the finished product back to Christian to add his thoughtful, inspired lyrics and signature vocals to his song. This is what Christian had to say about how the lyrics came about. 
  "[Being an avid reader], I came along the sentence, 'We write and make art to show our wounds to the world,' reading an interview with Paul Auster (1947-2024). He died earlier this year, yet his novels are legendary. There was talk about creativity, manifoldness and what the personality consists of. 
  "I can’t remember where that interview was and basically I wrote the lyrics around this sentence attributed to him. 
  "I quote another writer, Goethe (1749-1832), with a famous quotation from "Faust,“ 'Two souls, Alas, housed in my breast...' That points in the right thematic direction in my opinion.
For sure the lyrics also contain other layers of meanings, much more personal…
I am also happy about the title of the song 'We Are Many'. I think Tez came up with it. I was unsure for very long, what’s the name of that song… :)"
  After we had it in the bag, we asked mix-master Tez to produce and mix it, so what you hear is also his creative vision for the project. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original "We Are Many" lyrics by Xian:

1
To me it seems very obviously
That my I is not a unity
Rather a bunch of personalities
I got a problem with multiplicities

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“ …

2
I am no self-contained identity
Cut off by other possibilities
No border guards set up at the boundary
Enforce the claim to exclusivity

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“…
„I“ writes and makes „art“
To heal the wounds of the heart

3
„Two souls, alas, housed in my breast…“
We hope, that if we do confess
To get rid of this fallacy
And collect the splits of personality

ref
We write and make „art“ 
To show our wounds to the world
I write and make „art“
To heal the wounds of my heart

out
There is
A consolation in round things
There is
A consolation in round things 
A consolation in round things
Oh, ohh,
„I“, „I“,
Oh…

We Are Many (Eclectic Collective with Xian3 and Holger Engel)

Watch the video on Youtube:
https://youtu.be/UHIM4r-rSoo

Dreamers

Dark Sky

Sorrows Of Life

Once in a while I can coax Keith to put his talents toward  a ballad, and this is one of those infrequent endeavours.
Keith is a rocker at heart, while I tend to the contemplative and ambient slice of life and music. We compromise often. This time, Keith sensed his way through the lightness of the music. Though piano is the main source of movement and texture, there is a Native Instruments "Irish harp" VSTi in here too.
A mellow summer? Time to catch up on some summer reading? Here's a bookmark.

Available for free D/L , track 10 of Spittle and Spite found here: https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics
Bookmark
You found me in a barren land
And turned it all verdant green
I think it was page seventeen
You are the bookmark…on the page that I have lost
You are the bookmark…on the page that I have lost
Forever
Well riddles will come and riddles will go
Like the riddle of the Snark
To drive you mad…to drive you quite mad
You are the bookmark…for the page 
You are the bookmark…for the page
(INST)  …for the page
(You’re my bookmark)
This is the place
You’re my save point
You’re my bookmark
Pages that held us both together… to hold us… now…
Tears us both apart
Tears us both apart

Wigmore: Music, Production
Allen: Bass, Guitar, Vocals, Lyrics
(c) and (p) WAG @2024

Spittle and Spite

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Cast of characters:
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth, seed idea
Mistermark-- @user-432503709 -- Mark –  vocals, lyrics, mix, and production
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen–banjo, guitar, sitar, and final mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, seed idea
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four-string fretless bass
Composition – The Eclectic Collective
This song started in probably the most effective way our group writes them. Ken had a spectacular drum beat that was unused in a previous project, so JJ composed and recorded with his magical keys a chord structure and arrangement. Once we had a beat and a chord structure, I came along and added my foundational bass. 
  Now that the rhythm section was complete and the chord structure was in place, Stephen added his unique melody line that you hear at the beginning and every other verse on his magic banjo. He also plays all the initial guitar until about the 1:40 mark, when Tez takes over. In addition, Stephen also laid down some really trippy sitar in the break section. Then it was time for Tez to add some spice to the mix with his fiery guitar solos, which you hear from about 1:40 on, eventually building up to a crescendo towards the end. 
  Once we had all the music down, we realized that we had a big gap in the bridge without much going on in it. So, Mark came through and recorded a cool poem he had written on his refrigerator with word magnets more than a decade ago, captured with a picture, and added to for the this song. The poem is loosely based on the idea that our dreams exist in a digital environment/universe. The girl's voice you hear echoing him is his daughter, for whom he originally composed it, in her first appearance with the EC. 
  The song was now finished, except for Mark using his masterful production skills to trim and move a few things. After he made those adjustments on, he threw a mix on it. While we usually defer to Tez or Stephen for the mix, Mark did such a great job, we decided to keep his mix. Stephen did, however master and EQ it to make it a finished product. 
  This is a song written truly as a whole band effort, showcasing what the Eclectic Collective can do. I hope you enjoy listening to is as much as we enjoyed creating it.  

Original lyrics by Mistermark:  

The moon flickers on
and rises and dances
across a celestial stage
as dreamers paint the pixels of their mind 
like an infinite canvas 

Sleep away tiny egg
and leave a delicate thread 
of memory behind 
but never log out 
you are in the elaborate web
always

Dancing Moon (Eclectic Collective)

Trance feat. Ryder
Vocals and Lyrics:
Ryderofficial:
https://www.looperman.com/acapellas/detail/22300/trance-travis-scott-type-vocal-160bpm-trap-acapella
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

Trance feat. Ryder - Paploviante

Pierre Bordetti productions (c) 08/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Thanks to Nadège and Alain for this magnificent photo of Crete.

Indivisible by two  (Lyrics)

Once again,
I want to tell you,
that the main,
it's that i love you,
you and me,
for the life,
a single mind,
you and me,
always together,

indivisible by two,
indivisible by two,
you and me,
always together,

I would like to give you back, everything you give me,

indivisible by two,
indivisible by two,
you and me,
always together,

Indivisible by two

Indivisible by Two

EACH LEVEL DEEPER feat. IPG1 & Paploviante
Vocals and Verses: IPG1
https://soundcloud.com/ipg1/each-level-deeper-vox-08-bpm
Backing Track: 
Paploviante
https://soundcloud.com/paploviante-and-friends/olympics-2024
Lillithe: adding Trumpet, Special effects, Synths, Beat and
             Production

Each Level Deeper feat. IPG1 & Paploviante

Are You OK feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/16009/are-you-ok-by-patriciaedwards-118bpm-blues-acapella
Paploviante:
E Bass, Composing, Arrangement, Picture, Mix and Mastering

Are You Ok feat. Patricia Edwards

This is the last one of 44 songs I wrote with my mom’s Spanish guitar in my university years, songs I’ve been arranging and posting to SC for the last 6 years (I’ve skipped 4 of them which will become a conceptual album soon).

I’m so glad to have https://soundcloud.com/janinelevinson’s help on polishing the English texts and lending her vocal and painting arts to such an important song for me.

Also must credit https://soundcloud.com/user-498459842 for kindly and freely mastering the track.
 
CANCIÓN TRISTE CUANDO ESTOY SOLO (SAD SONG WHEN I’M ALONE)

Canción triste cuando estoy solo, para que sepas que yo nunca me iré.
Canción triste por todo lo que amo, último recuerdo de lo que pudo ser.

Sad song when I'm alone, so that you know I will never be gone.
Sad songs for all I love, are the last reminders of my ancient glow.

Do you think that someone somewhere else would ever care that I was here?
Do you think a future living man will give a damn for you and me?
Who could he be?

¿Piensas que a alguien a quien no conocí le importará si estuve aquí,
o no estuve yo?
¿Piensas que alguien que viva después se acordará de ti o de mí?
¿Quién podrá ser?

Canción triste…

¿Piensas que una nueva vida de amor nos bastará para creer,
para sentir?
¿Acaso te importa lo que piense la gente de mis intereses para morir por mí,
para morir por mí?

Do you think another life of love will be enough for us to see,
for us to feel?
Do you care what people really think about my pride, and will you die,
will you die with me?

Sad song…

ER44FI11 1997-2018

Canción triste cuando estoy solo (ft. Janine Levinson)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me