very nice dreamy atmosphere and lot of style to find here, also dream pop...

What a beauty from Artur and the musical talents of the EC! 🤩 Awesome bass-ing, Josh, and congrats — another amazing collab and another amazing track 👏❤️✌️

Hey Josh man. Thanks so much for your involvement in this project. It was a very special experience and our first surf rock song with vocals! Carl fit in perfectly here, didn't he? I love your bass lines and all the other instrumental parts. Wonderful production by Stephen and your artwork, bro! We can be proud of our work! Many thanks, guys! 🍀

Great collab Josh, nice collab , rock sound symphonie👌

Well, listening to this song, I feel the same way you do. We all come from the same cradle and we all live in the same House. Let's love one another   without jealousy, without hatred, and without other petty things that pollute our lives. As for the music, you've created another gem, my friends. I love the nod to The Police.

An electro Nu Jazz atmosphere with a bit of bossa at a chill 85 bpm

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human

In ATL where I live, rainstorms have arrived for the next few days as Hurricane Erin has moved inland. Yet, even on the rainiest of days, the afterglow of music created around firelight lingers like the smoky scent of burnt hickory. In my world, that “firelight” is a computer screen, although in the past I’ve noodled an acoustic guitar around a campfire. Who hasn’t?! 😀

Today, I feel fortunate to enjoy the immense talent and camaraderie of SoundCloud friends. So a song of thanks. Pretend we’re gathered around a campfire for a toast — Here’s to humans making music 🥂🍻 To the goosebump factory! as friend @TheBeautifulDark calls it  ✨🪄And to its afterglow! 🍾 🙏

AFTERGLOW DEFINITION (Translation by DeepL)
1. A glow that remains after a light has disappeared 
1. Ein Leuchten, das nach dem Erlöschen eines Lichts zurückbleibt
1. Une lueur qui persiste après la disparition d'une lumière
1. Een gloed die blijft bestaan nadat een lichtbron is verdwenen
1. Un resplandor que permanece después de que la luz ha desaparecido
1. Un bagliore che rimane dopo che una luce è scomparsa
1. En glød, der bliver tilbage, efter at et lys er forsvundet
1. Hehku, joka säilyy valon katoamisen jälkeen
1. En glød som blir igjen etter at et lys har forsvunnet
1. poświata, która pozostaje po zniknięciu światła
1. Záře, která zůstává po zmizení světla
1. 光が消えた後に残る輝き
2. A pleasant effect or feeling that lingers after something is done, experienced, or achieved
2. Ein angenehmer Effekt oder ein angenehmes Gefühl, das nach einer Handlung, einer Erfahrung oder einer Errungenschaft zurückbleibt
2. Un effet ou une sensation agréable qui persiste après avoir fait, vécu ou accompli quelque chose
2. Een aangenaam effect of gevoel dat blijft hangen nadat iets is gedaan, ervaren of bereikt
2. Un efecto o sensación agradable que perdura después de haber hecho, experimentado o logrado algo
2. Un effetto o una sensazione piacevole che permane dopo che qualcosa è stato fatto, vissuto o raggiunto
2. En behagelig effekt eller følelse, der varer ved, efter at noget er blevet gjort, oplevet eller opnået
2. Nautinnollinen vaikutus tai tunne, joka säilyy sen jälkeen, kun jotain on tehty, koettu tai saavutettu
2. En behagelig effekt eller følelse som henger igjen etter at noe er gjort, opplevd eller oppnådd
2. Przyjemny efekt lub uczucie, które utrzymuje się po zrobieniu, doświadczeniu lub osiągnięciu czegoś
2. Příjemný účinek nebo pocit, který přetrvává poté, co je něco vykonáno, zažito nebo dosaženo
2. 何かを成し遂げた後や、何かを体験した後に残る、心地よい効果や感覚。

…………….
85 bpm
Fm, E6 with a short C7 transit in the middle 

DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard

E-INSTRUMENTS:
Concert Grand
Ambient Lead
Analog Phaser Pulse
Lunar Chords
Session Strings
Breathy Keys
Acoustic Guitar
Dark Bass Sweep FX
Studio Upright Bass
Deep Round Synth Bass
South African Singers
E-PERCUSSION:
African Kit
Latin Kit
Pop Kit
Studio Brush Kit
Drum ’N Bass Remix

LOFI AUDIO of fire igniting from a matchstick was recorded live on August, 15, 2025, and birdsong was recorded live on May 19, 2025, both via iPhone.

COVER ART is original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop.

August 21, 2025, 11:11 PM ET 
Released on SoundCloud
All Rights Reserved
………………….
.

Afterglow

I'll cut through the nonsense and offer a 3-minute song, canonical pop, based on an ancient formula from the birth of the genre. I'm deluding myself that it's in the vein of, say, Nick Lowe. I hope so.

In the Subway, you, in the Highway, I

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

Undeclared War - Ακήρυκτος Πόλεμος

Stephen TexMex Shaman–@texmex-shaman did a really nice remix on this song so I thought I'd share this version.
****
Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass, and Roland organ
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production

Hope That You’re Happy Remix (Eclectic Collective with Joe Stroffolino)

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – beats, acoustic and electric guitar, vocals, composition, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass, organ, composition, and production editing
TexMex Shaman– @texmex-shaman –Stephen– sitar, composition, and production

This was a seed that Chris came up with on his acoustic guitar, adding beats, and some subtle vocals, then shared with Josh and Stephen. They are always excited to work on Chris' songs, because he always comes up with magical tunes.
  Josh was first in line, adding his five string fretless bass, then the organ part. Stephen used Josh's chord structure to come up with his awe-inspiring, monster electric sitar part. After they both laid down their parts, Chris added the electric guitar you hear at the beginning, too. 
  The song was about twice the current length when Chris made it, but Josh chopped off the second half, as the crescendo fits right into the 2/3 slot now. This was mixed as a team effort in BandLab, too, which is a rarity, given both Stephen and Chris are expert producers. 
  This is an example of a song Chris came up with, that was taken to the next level by Josh and Stephen. We hope you enjoy listening to this as much as we enjoyed creating it.

Juxtaposed They Went (Eclectic Collective)

Karate, the Japanese martial art — now colliding with Rock! I combined a uniquely intriguing concept with the classic essence of hard rock.

Rock Meets Karate

- Picture -
Art Cover Editor. Shyntwirl
Quality. Shyntwirl
Lightning. Shyntwirl 
Colorist Editor. Shyntwirl

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Programmer. Shyntwirl
Quality. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Equalizer. Shyntwirl 
Reverb. Shyntwirl
Depth. Shyntwirl
Fx. Shyntwirl
Background. Shyntwirl
Synthesizers. Shyntwirl
Synth. Shyntwirl
Keyboard. Shyntwirl
Echoes. Shyntwirl

PROD. Shyntwirl


Shyntwirl - The Creator Thoughts

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster

J.J. Terrell– @j-j-terrell – electric piano 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics

TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 

  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 

  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 

  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom - (Eclectic Collective)

The Snow Queen – The Forest
September 2025
Duration: 2:45
Listen to more music from the Snow Queen ballet at: https://soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For strings, shakuhachi, bass flute, heckelphone, marimba, double bass, field recordings, timpani and percussion

The Snow Queen - The Forest

Cast of Characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar delayed, foundational rhythm guitar
J.J. Terrell– @j-j-terrell – Yamaha Genos 2 Synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric giutar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl -- ovation acoustic guitar, vocals, and lyrics

This song began in Artur's jam room at his house, where he creates all of his amazing music on his Fender Jaguar, which is perfect for the surf sound, at which he's a master. He shared it with Josh, who shared it with the group.
  Before Josh could lay down a bass part to it, though, JJ came up with his elegantly moody synth and laid it down. The rhythm section, Josh and Ken, then did their usual dance, dialing it in with some back and forth. Stephen was next in line, adding a subtle duet with Artur's chords. Tez then played the ethereal lead throughout most of it. Stephen, after it was pretty much laid down, came through with the ripping wah solo towards the end.
  Once the music was all taken care of, Carl came up with some great lyrics for it, and sang them, as the newest member of the group. He also laid down an accompanying acoustic rhythm guitar part, too. After Carl did his thing, we turned it over to Stephen for a mix, which he did with his professional skill set.
  This is the latest in a long line of surf rock tunes Artur has shared with Eclectic Collective. If you dig the sound, he has plenty more great ones on his page, which are worth checking out, too. We tried to do this with a little nod to The Police, the band, not the profession. We hope you enjoy listening to it as much as we enjoyed making it. Thanks for listening.
Original lyrics by The Beautiful Dark:

Who said we're different
We got our genes and our names
One human mission
Heart fused like fission
Real collective brains

Pure pine for pure
Pleased though holds hands
Reel in one love
Filter for our sands

I feel the same as you
No provocation ever making us blue
I feel the same as you
No provocation ever making us blue

I feel the same as you
Let music train our clue
No place like home we woo
I feel the same as you

I feel the same as you
Let music train our clue
No place like home we woo
I feel the same as you

I Feel the Same as You (Eclectic Collective with Surfers Like Us)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

I Feel the Same as You (Eclectic Collective with Surfers Like Us)

Entheogenic Psychonaught (Josh Clary)

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