This is the Engineering Culture Podcast, from the people behind InfoQ.com and the QCon conferences.
In this podcast Shane Hastie, Lead Editor for Culture & Methods spoke to Marcos Arribas about building and scaling engineering culture as an organisation grows, emphasizing autonomous teams, ownership mentality, progressive feature rollouts with flags, small pull requests, strategic AI adoption, and the importance of hiring junior engineers for long-term organizational growth.

Read a transcript of this interview:  https://bit.ly/46F9eZP

Subscribe to the Software Architects’ Newsletter for your monthly guide to the essential news and experience from industry peers on emerging patterns and technologies:
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Upcoming Events:

InfoQ Dev Summit Munich (October 15-16, 2025)
Essential insights on critical software development priorities.
https://devsummit.infoq.com/conference/munich2025

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Get practical inspiration and best practices on emerging software trends directly from senior software developers at early adopter companies.
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https://ai.qconferences.com/

QCon London 2026 (March 16-19, 2026)
https://qconlondon.com/

The InfoQ Podcasts: 
Weekly inspiration to drive innovation and build great teams from senior software leaders. Listen to all our podcasts and read interview transcripts:

- The InfoQ Podcast https://www.infoq.com/podcasts/ 
- Engineering Culture Podcast by InfoQ https://www.infoq.com/podcasts/#engineering_culture 
- Generally AI: https://www.infoq.com/generally-ai-podcast/ 

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Transcript

Building Engineering Culture Through Autonomy and Ownership

NOT MIKE TYSON MYSTERY TEAM #6 - JURY DUTY

“ก็แค่คำพูด” หลายคนอาจคิดแบบนั้น แต่ในโลกของการทำงาน คำพูดจากปากหัวหน้าสามารถเปลี่ยนบรรยากาศทั้งทีมได้ภายในเสี้ยววินาที บางครั้งคำพูดที่ดูเป็นเพียงการตำหนิเล็ก ๆ หรือการแซวเล่น ๆ กลับส่งผลสะเทือนต่อ ความปลอดภัยทางจิตใจ (Psychological Safety) ของพนักงานอย่างคาดไม่ถึง

EP. 1377 คำพูดเล็ก ๆ ที่ทำลาย “ความปลอดภัยทางจิตใจ” ในที่ทำงาน

Disruptive Project Leadership Podcast

Episode 8: Misplace Leadership

Host: Rene Little - The Human-Centric Project Crisis Navigator | Rescuing At-Risk Tech Projects & Fast-Tracking High-Stakes Execution—Without Burning Out Teams | PMI Published

Produced by Elite Conversations Podcast Media
https://eliteconversations.com/

Misplace Leadership

This is the Engineering Culture Podcast, from the people behind InfoQ.com and the QCon conferences.
In this podcast Shane Hastie, Lead Editor for Culture & Methods spoke to Charlotte de Jong Schouwenburg about how understanding brain science and emotional intelligence can help engineers and technical leaders improve communication, manage conflict, and build stronger teams.

Read a transcript of this interview: http://bit.ly/4pY8tnE

Subscribe to the Software Architects’ Newsletter for your monthly guide to the essential news and experience from industry peers on emerging patterns and technologies:
https://www.infoq.com/software-architects-newsletter 

Upcoming Events:

InfoQ Dev Summit Munich (October 15-16, 2025)
Essential insights on critical software development priorities.
https://devsummit.infoq.com/conference/munich2025

QCon San Francisco 2025 (November 17-21, 2025)
Get practical inspiration and best practices on emerging software trends directly from senior software developers at early adopter companies.
https://qconsf.com/ 

QCon AI New York 2025 (December 16-17, 2025)
https://ai.qconferences.com/

QCon London 2026 (March 16-19, 2026)
https://qconlondon.com/

The InfoQ Podcasts: 
Weekly inspiration to drive innovation and build great teams from senior software leaders. Listen to all our podcasts and read interview transcripts:

- The InfoQ Podcast https://www.infoq.com/podcasts/ 
- Engineering Culture Podcast by InfoQ https://www.infoq.com/podcasts/#engineering_culture 
- Generally AI: https://www.infoq.com/generally-ai-podcast/ 

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Using Brain Science to Communicate and Lead Technical Teams Effectively

Cast of Characters:

Mistermark-- @user-432503709 -- Mark –- VST Middle Eastern instruments (Duf Drum, Daire drum, Darbuka, Riq, Qanun, Zurna horn, Ney flute, strings), female vocal sample, 'ululation' (high pitch yodel), and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Custom fretless 5-string bass 
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
J.J. Terrell– @j-j-terrell – saz, shakuhachi, and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — cymbals and Chinese percussion
TexMex Shaman– @texmex-shaman –Stephen — traditional gourd-body sitar and mastering.
From me, 
 "My heart breaks for the people of Palestine, who are experiencing a genocide in real time. They had such amazing music there, too, which I fear may die out along with the population. I also love my Jewish brothers and sisters, too. And my true hope is that they all can allow their children to grow up without perpetuating the same cycle of hate that has devastated Palestine and caused so much suffering in Israel, as well." --Me
  Josh had the idea for doing a traditional Palestinian song, as he is an avid fan of their music. He wanted to raise awareness of this music and tie it to the idea it may cease to exist as a living musical tradition sooner than later. Everyone in the band was immediately on board with this idea, and set about to make it happen. 
  Mark, who is an expert percussionist, learned a basic traditional Palestinian drum pattern, in a very authentic fashion. He laid it down, along with an Arabic sounding modal melody line portrayed by the quanun, which is a kind of zither. Josh found this pattern fascinating, and added his five string fretless bass to the it shortly after. Carl jumped in very shortly thereafter, and came up with some really amazing vocal melodies, as well as wonderfully prescient lyrics. He even learned more than several phrases in Arabic, which he sang in there, too. We were all very impressed by this, of course.
  JJ was next up, adding his magical, melodic, and exotic saz, shakuhachi, and synth to the mix. Ken threw in next, adding his perfectly timed brass and Chinese percussion to the mix, too. Last, but certainly not least, Stephen recorded his subtle, exotic, traditional sitar to the piece. 
  Once we had it all recorded, we turned it over to Mark for a mix, as the whole thing is really his baby. Stephen mastered it, though, as he is our resident professional producer.
  Our hope is that this song inspires you to dig into Palestinian music, and through that, you recognize the magic and the humanity of millions of Palestinian people who are suffering unimaginably right now. But most of all, we hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark:

Sisters and brothers
Daughters and Sons
We would give you food
But the road is blocked to sun
Proud Palestine
Brave brethren
Our hearts are with you
Our souls are weeping

Inhumane blockade of bread
Pains collective minds 
We want gone this dread
Let's find our kind
Please be strong
As we right this wrong
Hope prays that day will not be long

We pine with your God
To find a normal truth
Where your kids can grow and learn good youth
Sisters and Brothers
Daughters and Sons
We are with you Palestine
Sending love through song

The eye sees but the arm is short ( العين ترى والذراع قصيرة )

We are in the same boat ( نحن في نفس القارب )

Winds do not blow as the ships wish ( لا تهب الرياح كما تشاء السفن )

Being alone is better then being with someone bad (أن تكون وحيدا أفضل من أن تكون مع شخص سيء )

What is hidden is more then what has happened ( ما هو مخفي أكثر مما حدث )

Every problem has a solution ( لكل مشكلة حل )

Good intentions count for as much as good actions ( النوايا الحسنة لها نفس أهمية الأفعال الحسنة )

All is well that ends well ( كل شيء على ما يرام إذا انتهى بشكل جيد )

Oh My Darlin Palestine (Eclectic Collective)

This is the Engineering Culture Podcast, from the people behind InfoQ.com and the QCon conferences.
In this podcast Shane Hastie, Lead Editor for Culture & Methods spoke to Luv Kapur about building composable team structures, creating trust through transparency and clarity, and enabling fluid organizational design through API-first team principles.

Read a transcript of this interview: https://bit.ly/4nVp3TQ

Subscribe to the Software Architects’ Newsletter for your monthly guide to the essential news and experience from industry peers on emerging patterns and technologies:
www.infoq.com/software-architects-newsletter

Upcoming Events:

QCon San Francisco 2025 (November 17-21, 2025)
Get practical inspiration and best practices on emerging software trends directly from senior software developers at early adopter companies.
qconsf.com/

QCon AI New York 2025 (December 16-17, 2025)
ai.qconferences.com/

QCon London 2026 (March 16-19, 2026)
qconlondon.com/

The InfoQ Podcasts:
Weekly inspiration to drive innovation and build great teams from senior software leaders. Listen to all our podcasts and read interview transcripts:

- The InfoQ Podcast www.infoq.com/podcasts/
- Engineering Culture Podcast by InfoQ www.infoq.com/podcasts/#engineering_culture
- Generally AI: www.infoq.com/generally-ai-podcast/

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Building Composable Teams: Moving Beyond Rigid Organizational Structures

Building The New World - is an invigorating corporate music track designed to inspire collaboration and drive. With its uplifting melodies and dynamic rhythm, it creates a professional atmosphere perfect for presentations, meetings, or team-building activities. This track enhances focus and motivation, fostering a sense of unity and collective purpose among colleagues.

Licensing Information

Building The New World - Royalty Free Music  / Corporate

Business Success - is an invigorating corporate track designed to inspire creativity and forward-thinking. Its dynamic beats and motivational melodies provide the perfect backdrop for presentations, team meetings, or any professional setting looking to foster innovation. This track captures the essence of modern business environments, driving productivity and energizing teams with its pulsating rhythm.

Business Success - Royalty Free Music / Corporate

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
  Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning. 
  The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
  Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
  This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid at the back of your mind

how could I have been so blind?

 

It was so long ago now it’s just you and me 

it seems I've forgotten the way you like your tea

the house becomes quiet as the guests head for home 

the garden’s been gathered and the kids are all grown 

on their own


“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play” 

our leaders assured us we’d never go poor

and nobody questions the truth anymore 

but what did we do it all for?

 

Our science sustains us like fine works of art

but are we closer together or farther apart?

we’re each on an island alone on the sea

the ocean between us expands rapidly

is this where we wanted to be?

 

It was so long ago now it’s just you and me 

it seems we’ve forgotten the way it used to be

machines tried to help us but something went wrong

the future we wanted was here all along

 

The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid…

Faded Fortunes (Eclectic Collective)

This is the Engineering Culture Podcast, from the people behind InfoQ.com and the QCon conferences.
In this podcast, Shane Hastie, Lead Editor for Culture & Methods, spoke to Frankie Berkoben about executive coaching for engineering leaders, applying iterative development to personal growth, and supporting neurodivergent team members.

Read a transcript of this interview: http://bit.ly/43ktteu

Subscribe to the Software Architects’ Newsletter for your monthly guide to the essential news and experience from industry peers on emerging patterns and technologies:
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Upcoming Events:

QCon San Francisco 2025 (November 17-21, 2025)
Get practical inspiration and best practices on emerging software trends directly from senior software developers at early adopter companies.
https://qconsf.com/ 

QCon AI New York 2025 (December 16-17, 2025)
https://ai.qconferences.com/

QCon London 2026 (March 16-19, 2026)
https://qconlondon.com/

The InfoQ Podcasts: 
Weekly inspiration to drive innovation and build great teams from senior software leaders. Listen to all our podcasts and read interview transcripts:

- The InfoQ Podcast https://www.infoq.com/podcasts/ 
- Engineering Culture Podcast by InfoQ https://www.infoq.com/podcasts/#engineering_culture 
- Generally AI: https://www.infoq.com/generally-ai-podcast/ 

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From Technical Excellence to Leadership: Understanding Yourself First

A collection of beautiful and enchanting music tracks inspired by Oriental / Far Eastern culture and cultural heritage.

For licensing, contact
https://www.LynnePublishing.com


Buy/License

John Starcluster - Shangpin Retrospective

⚠️ This isn’t fiction. It’s reflection.

Predator State: A Cybernetic Requiem is a mirror held to our world — not a fantasy of the future, but a record of the present we built.

12 tracks tell the story of power worship, female fear, digital gods, and systemic rot.
From denial to rebellion, from fear to rebirth, this album exposes what happens when humanity replaces empathy with efficiency — when safety is branded, sold, and denied.

💿 It’s industrial. It’s cyberpunk. It’s political. It’s human.

🔊 Expect distorted bass, metallic percussion, broken choirs, and voices that sound like sirens in the ruins of civilization.

🩸 For the women who walk alone. For the truth we scroll past. For the ghosts still coded in the machine.

🎧 Listen loud. Feel the weight.

✴️ This is not background noise — it’s a requiem for the modern world.

✊ “Chrome Cathedral (Unity)” is a monument built from ruin.
Every kick drum feels like marching feet — every synth, a spark of rebuilding light.

The lyrics celebrate unity without pretending victory: “We don’t pray anymore — we build.”

The “cathedral” isn’t a temple of faith, but of human will — skyscrapers turned to sanctuaries, steel reborn as resolve.

💥 The tone is militarized, rhythmic, and anthemic — this is the sound of an uprising organized.

The chorus transforms rebellion into solidarity:
“One voice can scream — a thousand can shatter walls.”

Every verse reinforces that resistance isn’t destruction anymore — it’s construction.

This track stands as the emotional backbone of the second half —
the turning point where grief and rage finally synchronize into movement.

Faith has a new face now — and it’s made of chrome.

Chrome Cathedral (Unity)

Dieses Special bei Carl-Auer Sounds of Science fokussiert in der vierten Staffel auf Organisation und Leadership respektive Führung. Mag.a Dr.in Maria Spindler, Gastgeberin dieses Podcasts, hat gemeinsam mit Mag.a Dr.in Ruth E. Lerchster ein Buch herausgegeben, das dieser Special-Serie ihren Namen gibt: Gruppen:Dynamik – Die Gestaltung dynamischer Prozesse für Leadership, Beratung, Teams und Organisationen im 21. Jahrhundert.

Im ersten Gespräch der vierten Staffel sprachen wir mit Torsten Groth, Herausgeber der Carl-Auer Reihe Management / Organisationsberatung.

Heute, im zweiten Teil, zu Gast ist Matthias Csar, zu dessen Spezialgebieten als Gruppendynamiker Psychologische Sicherheit gehört. Wie kann in Trainingsgruppen, aber besonders im Kontext von Organisationen das gruppendynamische Prinzip Psychologische Sicherheit etabliert werden? Was bedeutet das für größere Change-Prozesse? Wie können wir uns optimales Zusammenwirken von Teams und Organisation für gelingende psychologische Sicherheit vorstellen?

Diese und andere Fragen im Gespräch von Maria Spindler und Matthias Csar. Viel Spaß!

_____________
Folgt auch den anderen Podcasts von Carl-Auer:
autobahnuniversität
www.carl-auer.de/magazin/autobahnuniversitat

Blackout, Bauchweh und kein` Bock
www.carl-auer.de/magazin/blackout…eh-und-kein-bock

Cybernetics of Cybernetics
www.carl-auer.de/magazin/cybernet…s-of-cybernetics

Genau Geschaut:
www.carl-auer.de/magazin/genau-geschaut

Frauen führen besser
www.carl-auer.de/magazin/frauen-fuhren-besser

Formen (reloaded) Podcast
www.carl-auer.de/magazin/formen-reloaded-podcast

Heidelberger Systemische Interviews
www.carl-auer.de/magazin/heidelbe…ische-interviews

Zum Wachstum inspirieren
www.carl-auer.de/magazin/zum-wachstum-inspirieren

Zusammen entscheiden
www.carl-auer.de/magazin/zusammen-entscheiden-2

Jetzt kaufen

S4 #2 Gruppen:Dynamik | Matthias Csar – Psychologische Sicherheit in Organisationen?

A determined and sophisticated track built around a steady, professional piano and a driving bassline. Clean drums and pulsing synths create a feeling of focused teamwork and forward progress. It perfectly fit to the scenes of corporate strategy, intelligent problem-solving, or the moment a team finds a determined solution. Ideal for modern business presentations and technology branding.

11_W12 Forward Momentum

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
At least now about grass there’s no fight
Light a joint on up the hill and feel at home

Some spun wook is always tripping
Looking for profundity in all the songs
Every now and then they have to just stop spinning 
Stare at the lights, and sing along

So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese, 
Suck on a balloon, then drive on home

Trading Mics for Fish Pages (Eclectic Collective with SunnyBeck)

A funny Ghostbusters country style parody made for BINOUTLAWS the trash bin cleaning duo that tackles the stink in your neighborhood. Lyrics written by Corie Dahlke. Music generated using Suno.ai.

DIRT DON’T STAND A CHANCE

Cast of characters:

Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, lyrics, and composition
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four-string fretless bass
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson custom T guitar
J.J. Terrell– @j-j-terrell – organ and piano
Llanpsych–@llanpsych –Tez– mix, production, and mastering

This song began by Gaz composing it and on his acoustic guitar, and singing his original lyrics over it. Gaz is a brilliant songwriter, lyricist, and singer, with whom we've worked before. However, this is the first song he's shared with us. He gave it to Ken first, who started the project and invited the rest of us to it.
  Ken, who was the originator of the project, was actually the second person to lay down a part, which he did to Josh's bass, instead of the other way around, as they usually do it. Stephen then came in and replaced Gaz's acoustic guitar with his silky smooth electric guitar. JJ got down on his magical piano and organ parts not long after Stephen added his guitar. 
  This was a somewhat uncomplicated process, as Gaz gave us a fully realized song to work with right from the start. Tez sealed the deal with his expert production to cap it off, too.
  As mentioned, this is our second song starring Gaz, and we're very grateful to him for sharing his magic with us. We're all looking forward to working together again in the future, too. We hope you enjoy listening to this as much as we enjoyed creating it. 
Original lyrics by Gaz Brownie:
V1
Im drawing the conclusion that 
Im just being polite 
And questioning myself is it me our are they right
I’m feeling a little angry hope it’s not out of spite 
Is just a reaction to this uncomfortable night 

Chorus 
When did the world stop listening 
When did the world stop listening 


V2
As we compete for space to try & speak
Everyone’s on journey on a bus to shit creek
With condescending story’s of their bad & awesome week
And I’m working on finding just a better style of technique 

Chorus 

V3
I avoid catching that struggle bus 
Don’t wanna be part of my problem and be misunderstood 
What are you looking at is there something you wanna discuss 
I push his   face up the window cause I’ve had enough 

Finish on a chorus

When Did The World Stop Listening (Eclectic Collective with Gaz Brownie)

Cast of Characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar delayed, foundational rhythm guitar
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and PRS EG semi-hollow body electric guitar

First of all, we wish the happiest Thanksgiving to all our wonderful SoundCloud friends and family. This song began as a twinkle in Artur's eye a couple months ago. Hey composed it with his Jaguar, as that is the premium surf guitar out there, and shared it with Tez, who invited the rest of us onto the project. 
   Tez, being the first on the boat, added his thrilling guitar fills and solos first. It was kind of odd the way we did this one, in fact, with the melodic/chordal instruments first, followed by the rhythm section. That said, JJ was next up to bat, adding his magical electric piano and soaring organ. Ken was first up for the backline, adding his driving drums. Josh then finally added his fretless bass to the stew. But before he was done, Josh also added the guitar solo you hear from 1:30-1:55. 
  After it was all said and done, we asked Tez to mix it for us, as he is a master producer and mixer. 
  This is the latest in a long line of surf rock songs of Artur's we've been fortunate enough to get to play with. He is the surfingest Polish fellow you will ever come across, and a wonderful, familiar collaborator with Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Surf Vibe (Eclectic Collective with Surfers Like Us)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

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