One of my favourite parts in this, even though its a subtle detail, is when that bass first dive-bombs in with its first note. Very tasteful timing there. Good call from you & JJ re: the angel voices too... such  nice touch. As you often say, Chris is a fantastic composer, and I latched onto this the moment I first heard it. So amazed how everybuddy gave shape to this, and every single part seems vital! bravo sir  :)

lovely, endearing and built with beautiful instruments ! Great job Man 👏🏻👏🏻👏🏻

nice new track. am amaze every Friday when I hop up here

Hey Josh man! I’m absolutely impressed with this amazing song! What a wonderful composition from Chris! Really great vocals & lyrics by Mark and awesome performances by all of you, gentlemen! 😎 Love the melancholy and meditative atmosphere of this song! Of course, your bass playing is deeply emotional and outstanding, as always! A very special and inspiring journey: back to the 1970s and into the future, too! Love it 🌟 Biggest Congrats, my friends !!!🍀

ooooh... very fun to go back to chris' original instrumental track and 1) admire the gorgeous stuff he's doing in there, and 2) hear in your head all the stuff we layered onto it. Really fun evolution.

Josh man, I just wanted to say... I'm blown away at how you guys elevate these ideas. We are getting better and better at this process, and this one is a f@#$in 💎 for the EC... regardless of the seed idea. It's all about what everyone else has done here. Beautiful, poignant and very well realized. Also considering the amount of time we all spent on it in comparison to others... this one just fell into place. TY Brother for all the musical feeling and encouragement. 🙏❤️

What a great tune! I love every last one of Chris's songs. You guys really made this a monster!! especially Mark's contributions deserve a trophy. And then we have the genius bass player, genius drummer, genius audio engineer and a genius guitarist heavily influenced by one David Gilmour. The only person I forgot was it's always a hoot, right?  🎤 👯‍♀️👯‍♀️🎙️<--- That thar are J.J.'s Angels! LOL.

so good! so psychedelic  - brilliant work!

Full Service

YouTube link: https://youtu.be/aHypdOdJb5I 

A summer rain can be associated with cleansing – just as it washes dust off the streets, it may symbolize moments of renewal and emotional release in life. It can also evoke unexpected changes that, although initially seen as obstacles, bring freshness and new perspective. Finally, its gentleness and fleeting nature may remind us of the beauty of moments worth cherishing before they pass. 

Letni deszcz może kojarzyć się z oczyszczeniem – tak jak deszcz zmywa kurz z ulic, tak w życiu może symbolizować momenty odnowy i uwolnienia od emocjonalnego ciężaru. Może też przywodzić na myśl niespodziewane zmiany, które choć początkowo wydają się przeszkodą, przynoszą świeżość i nowe spojrzenie. Wreszcie, jego delikatność i ulotność mogą przypominać o pięknie chwil, które warto doceniać, zanim przeminą. 

La lluvia de verano puede asociarse con la purificación: así como limpia el polvo de las calles, puede simbolizar momentos de renovación y liberación emocional en la vida. También puede evocar cambios inesperados que, aunque al principio parezcan obstáculos, aportan frescura y una nueva perspectiva. Por último, su suavidad y fugacidad pueden recordarnos la belleza de los momentos que vale la pena apreciar antes de que se desvanezcan.

Summer Rain

All rights reserved 9/25/2025

We used to know how to read a room
Knew exactly what to say…
Now we’re divin in too deep
Never losing any sleep
in the bed we made

We used to take the time 
To see another point of view 
Now we toe another line
Like a party to a crime
In the bed we made…

Driving home
so alone
the streets on fire
Winding down
to the sound
it seems so dire

Why did you have to come around
as if you’ve made some kind of grade
My ears don't want to hear 
Now would you please just disappear
in the bed we made

Driving home
so alone
the streets on fire
Winding down
to the sound
it seems so dire

The Bed We Made

Composition and Sampling collage by Synline.
Photo by yaicinsonat1.

Baleen

Mutant Space Donkey

lyrics

You talk about me yeah
You said that I was the problem
You told your friends that
You said that I wouldn't holla
We texted everyday
We talked whenever
You talk about me yeah
You talk about me
They believe the words you say
They believe I'm not here to stay
They believe the words you say
I'm packing my bags today

I thought you loved me
I really thought
I thought you loved me

When I can't sleep at night
It's you I'm yearning for
Why can't we get this right
I'm trying to not walk out that door
Stop talkin bout me
Stop saying the bad things that you say
Stop talkin bout me
Stop saying that things won't go our way
Let's try one more time

I thought you loved me
I really thought
I thought you loved me

I Thought Wrong

Coffee Shop

Original music, arrangement, piano, organ, bass guitar, drums, J.J. Terrell on.soundcloud.com/ErEWw3bHuvBBFXuw7
E. Guitar (Yamaha SG) and final mix by Neno J.

Eruption (Collab with J.J. Terrell)

Void Miasma

Ethera

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
  Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning. 
  The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
  Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
  This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid at the back of your mind

how could I have been so blind?

 

It was so long ago now it’s just you and me 

it seems I've forgotten the way you like your tea

the house becomes quiet as the guests head for home 

the garden’s been gathered and the kids are all grown 

on their own


“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play” 

our leaders assured us we’d never go poor

and nobody questions the truth anymore 

but what did we do it all for?

 

Our science sustains us like fine works of art

but are we closer together or farther apart?

we’re each on an island alone on the sea

the ocean between us expands rapidly

is this where we wanted to be?

 

It was so long ago now it’s just you and me 

it seems we’ve forgotten the way it used to be

machines tried to help us but something went wrong

the future we wanted was here all along

 

The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid…

Faded Fortunes (Eclectic Collective)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Faded Fortunes (Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)

Recent comments

ct burcham

J.J. Terrell

cgmaness

mistermark

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