@juswel: Original Bed composition, bass, drums and guitars
@elephantpr: Vocals, lyrics and Backing vocals
@gotchi Orchestration and Horn Section
Concept, production and Mix by conover
© 2018 Conover/Labarca/Welin
Mastered at Abbey Road Studio by Alex Gordon
www.abbeyroad.com/engineer/alex-gordon
Play ☑ like ☑ repσst ↺ ☑ share with yσur frieиds ☑

Hazy mornings with you
Everything’s gone downhill

We’ll cruise through the stars
Just making up together
This beautiful collision

I know you know I’d do anything
Cause you care and I do
You and I so beautifully collide
This beautiful collision
This beautiful collision

Just a last time then I’ll disappear
All of our tainted years

We’ll cruise through the stars
Just making up together
This beautiful collision

I know you know I’d do anything
You care and I do
You and I so beautifully collide
This beautiful collision
This beautiful collision
This beautiful collision
This beautiful collision

Mastered at Abbey Road Studio by Alex Gordon
www.abbeyroad.com/engineer/alex-gordon

The Conover

Beautiful Collision Conover/Labarca/Welin/Gotchi

Happy Friday The 13th and all things Halloween.

Let’s dance our cares away at the Masquerade

There, at the stroke of midnight
Time, without asking, begins unmasking
the power of its nameless might
The clock is tick-tocking
When the raven comes knocking
Rapping thrice at the door
Nevermore
Nevermore
Nevermore.

Masquerade

When Tom approached me with this piano melody, the initial arrangement and the title to which he hoped I’d add lyrics and vocals, I thought it was almost unnecessary as the piece already said everything required. Shortly afterwards, Jussi had added sublime guitar which offered a hopeful balance in the mood. Knowing what Tom was referring to without discussing it openly I wrote these words from a similar position of experience. I contrasted the first verse of a woman at her peak with the second verse of a woman in decline to heighten the emotion. I found that the spoken word approach allowed more emotion to flow from both the music and the words. Tom had the great idea to ask Hidefumi to complete the song with a phenomenal solo. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - https://soundcloud.com/tom-r-gnier
First guitar and guitar arrangement - https://soundcloud.com/juswel
Lyrics and vocals - https://soundcloud.com/markjbennett
Final guitar and guitar arrangement - https://soundcloud.com/boon-suzuki

Image of a painted door in Funchal, Madeira - Douglas Corrance (https://www.facebook.com/DouglasCorrancePhotographer)

She knows just what it feels like now.
I think she’s losing it, I think she’s losing it. 
When she is almost ready, 
She will lose her reserve 
And her inhibition too.
Then she’ll lose herself in herself and then she’ll be free,
To be what she wants, what she wants to be.

She knows not who she feels like now.
I know she’s losing it, I know she’s losing it. 
As if she's gone already, 
She has lost her reserve 
And her inhibition too.
Already lost herself in herself and now she’s elsewhere,
Knows not what she wants, nor who she used to be.

She's Losing It - Tom Régnier/Jussi Welin/Mark J Bennett/Boon-Suzuki

Cast of Characters:
cgmaness-- @user-419254289-15129531 – Chris – acoustic guitar, bass, acoustic slide guitar, drums, vocals, lyrics, mix, production, and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –-mandolin, vocal harmony

This is a song that Chris wrote and shared with me last spring. We worked on it for several months. Originally, it was just Chris's acoustic guitar and some vocals. To that, I added some mandolin, thinking it would stay that way. However, he was pleasantly surprised when Chris added the entire rhythm section after the fact. I also came up with the high harmony towards the end, too. We always have a lot of fun playing together as our tastes and references are very much aligned. We have been making music together almost since we both joined SoundCloud and found each other there about two years ago. We hope you enjoy listening to this song as much as we enjoyed making it. 
Lyrics by Chris Maness:

In Time don't you think it might be time for you to rise?
In Time lost and found sleeping soundly by her side.
I know you by now, and it's not too late to come around.
In Time thinking, missing, drinking, wishing you were here.
In Time aging, watching, turning pages yester-year.
Well, I know you by now and it's not too late to come on out.
In Time don't you think it might be time for you to fly?
In Time don't you think it might be time for you to try?
In Time lost and found sleeping soundly by her side.

In Time (with cgmaness)

From time to time I am ending up with doing a total new mix on songs I have posted before.
This is one of those, its just a part of the continuing process in the making of music. Always something new to learn.
Thank you very much Oddvar for your great contribution on guitar

Oddvar Solheim: Guitar
Torbjørn Vagle: Vocal, instruments and the photo (my"blue"aquarium)

As The Years Goes Passing By (Vagle & Solheim)

Der Abendstern (Composer: Robert Schumann, Lyricist: Hoffmann von Fallersleben)

A Song For The Dreamers

Goombah Jam

One Day Soon

When It's All Said And Done

"Robot Dance" composed by LINIR OR

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me