Musique composée par O#D Composer le 12 octobre 2024 de 17h46 à 17h48 (Composition N°3066)
Cette musique me tient particulièrement à coeur car je l'ai composée, comme indiqué, le 12 octobre 2024, dès que j'ai appris que j'allais être grand-père d'une petite fille : ce morceau t'est dédié Giulia <3
https://youtu.be/kMT1A1YytFY
Production par O#D Composer
Arrangements par O#D Composer
Photo par O#D Composer
Tous droits réservés

Princesse Giulia

'Nuff Said

Free Eye Atlas

85_ Lost Art Inspirations from Brüder Selke - released on 14 September 2025

I was at the Lost Art Festival Vol. 3 in Berlin on 13 September 2025. Light and sound installations and performances were shown in a soon-to-be-abandoned industrial facility. Music acts were also there, of course. 
The first gig I attended by "Brüder Selke" blew me away. The mix of classical & pulsating sounds is exactly my thing! #ambient #modernclassic #trance #nodrums #onlypercs #liverecording

(produced with BlocsWave & LaunchPad)

Lost Art Inspirations from Brüder Selke

Video: https://youtu.be/G8Ngh-gRgO8
A brief intermission from the present—this is a restored moment from six years ago, when I first touched the Pocket Operators and felt something shift. The PO-35 Speak and PO-14 Sub opened a new line of creation for me, and this short jam was one of the first sparks.
Now remastered in 4K with a new sound mix, it returns not as a statement, but as a breath between movements. A reminder of where things began, and how playfulness still finds its way into the process.
Not a full release. Not a throwback. Just a small interlude between deeper lines.
Peace, Mark

Intermission: PO Speak/Sub (2019)

Lyrics :
Naked darkness, you want to top
My scarlet lips sure won’t say stop
My soul drowns in your fragrance
Your burning gaze puts me in trance.

I look clumsy in my flip-flops
You suck my dreams like lollipops
Lady, we’re going to dance
Be sure it’s sex, not romance.

Chorus :
I’m your mount, your wild mare,
Our sweats mixed in the summer air.
I’m your bottom, you’re my top.
I’ll drink your desire to the last drop.

You’re so sexy in your high heels
A dominant stance that appeals
My mini short is far too tight
But I won’t keep it long tonight

You strip-me and start to tease
I surrender, begging for ease
Your tongue slither in my ear
As I sparkle like a cold beer.

Chorus :
I’m your pony, ride me bareback,
Our pleasure is well on track.
I’m your bottom, you’re my top.
Be sure to bring your riding crop.

I’ll yield to you, but make it sweet
Your devilish smile is my defeat
When our warm bodies collide
I’m soaking wet, no need to hide.

You’re the top. I’m on the ground
So horny, we’re upside down.
My pussy’s ticking like a clock.
Turn me inside out like a sock

Chorus :
I’m your mount, your wild mare,
Our sweats mixed in the summer air.
I’m your bottom, you’re my top.
I’ll drink your desire to the last drop.

Chorus :
I’m your pony, ride me bareback,
Our pleasure is well on track.
I’m your bottom, you’re my top.
Be sure to bring your riding crop.

Top & Bottom

Cast of Characters:
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision Bass
J.J. Terrell– @j-j-terrell – synth and organ
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals, whistling, and lyrics
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T model electric guitar, production, mix, and mastering
This song began at the end of last summer, August of '24, when Tez sat down and composed it on his guitar. He shared it with us right away, and while everyone jumped on it immediately, it sat on the shelf for so long because we all felt we needed a singer for it. Fast forward a year, and lo and behold, we picked up Carl, who is down for whatever vocals a song needs. 
  We began construction on this by creating the rhythm section. Ken first adding his explosive drums, followed by Josh completing the rhythm section with his four string, fretted bass, which he used a plectrum to play.  JJ entered the fray next, adding his otherworldly synth and thickening organ. 
  Then it sat. And sat. And sat some more, until Carl found us, or we found him, and he was finally able to add the missing puzzle piece. He also did something that none of us had ever heard before. He added the whistling at the end, too. But before we put it to bed, Stephen added some thrilling solo work with his axe, too, also towards the end. 
  Now that it was a completed song, we asked Stephen to mix it, even though it's really Tez's song, and that honor would usually go to him. However Tez was experiencing some technical difficulty, so the honor went to Stephen, who did his always professional production work on it. 
  This is a straight rocker from Eclectic Collective, being in all of our wheelhouses. This one was all made in house, too, so it's a great representation of our rocking skills as a band. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by The Beautiful Dark:

Curing core
Great lucid lore
Ore of iron dreaming
Alluring more
Grace lucid door
Assuring new real scening

Iron dreaming
Earth's core revealing

Tick tock that hope
Dream that design
Tick tock that goal
Aspiration in mind
Love locked to luscious
Living for time
New rules got rhyme
The future is fine

Iron dreaming
Earths core revealing

We need not fists
We need no guns
Just words and wist
Dreams for daughters and sons
You get the jist
A felt future is on
We'll clear the mist
Open those fists
It's a hug and a handshake
Then let's all move on

Iron Dreaming (Eclectic Collective)

Club Remixes

Artist with no name (Club Version 2025)

Back To Wonderland

Composer: Negative XP

Can you see what's written on my face
I don't think it's something you can place
I don't want you to read my open book
Can you see what's written on my face

Shut my mouth
When I talk
Wet as dirt
Baby, soft as rock
Kiss the ground
When I fall
And it hurts
My face falls off
Do you know
What I mean
When you feel
Like you wanna scream
Shut my mouth
When I talk
Wet as dirt
Baby, soft as rock

Can you hear the words that are left unsaid
Can you speak with a broken mouth and head
I don't want to understand your wrath
Can you hear the words that are left unsaid

Shut my mouth
When I talk
Wet as dirt
Baby, soft as rock
Kiss the ground
When I fall
And it hurts
My face falls off
Do you know
What I mean
When you feel
Like you wanna scream
Shut my mouth
When I talk
Wet as dirt
Baby, soft as rock

Can you feel the Earth beneath your feet
Can you taste the creatures that you eat
Do you want to live after you die
Can you feel the Earth beneath your feet

Shut my mouth
When I talk
Wet as dirt
Baby, soft as rock
Kiss the ground
When I fall
And it hurts
My face falls off
Do you know
What I mean
When you feel
Like you wanna scream
Shut my mouth
When I talk
Wet as dirt
Baby, soft as rock

I Have No Mouth and I Must Scream

one million kisses

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Iron Dreaming (Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)