It was 1995, I had already acquired my trusty Alesis SR-16 "Dr No" but not hooked it up in stereo yet on my 4-track cassette recorder.

This track is one of the more fun I made in those days, thought I'd share it here. For the occasion, I properly mixed and mastered it in such a way to keep it's original character intact as much as possible. I did put *some* fancy effect to stereoize the vocals a little, and there is a subtle stereo reverb on the drums.. Things like that, but that's just to make it palatable for the modern crowd. This is after all an original recording, no edits, no overdubs.

Thinking about putting an entire 'legacies' album together. Would anyone be interested in that?

The very mature lyrics:

Salvation song
Connect me if I'm wrong
Me I am cracked, broken and torn
Haven't been clean ever since I was born

But I don't bear much pain
I'm not gonna jump no train
Every single hour every single day
Guess life is just a game

Some say I am insane
Some say I am just the same
As all them youth rebel rabble rebel rabble
Well I know better but you won't hear me tell
Everyone lives his own little hell
Let them turn around in their own smell
I let them feel bad if they let me feel well
It be alright with me

I know I only live to be
I know this is all you can see
I live to be just like the trees
And the flowers and the bees

Some say I am insane
Some say I am just the same
As all them you rebel rabble rebel rabble
Let live through their own hell
Let them live with their own smell

Salvation

Salvation song
Connect me if I'm wrong
Me I am cracked broken and torn
Haven't been clean ever since I was born

Some say salvation
Everyone, everyone...
Rebel rabble rebel rabble
Loser! Loser!

noitavlaS

Salvation Song

Ambient Track. With all that going on in Ukraine and two and a half years of pandemic decided to watch Blue Planet to chillout. These deep ocean vents took me away to a different place. Started early this morning locked in my bedroom studio , came up with this Ambient track  bit rough around the edges hope it chills you out for a short time.

Deep Ocean Vents

Released in 1989 3th april
Song: DAEHZUM
DAW: Sound Tracker on Amiga 500
- 8 bit samples
- 4 tracks
- no vst or other plugins

Credits: 
Graphics by Polo (Poolo) https://soundcloud.com/poolotronix
Code: CSA
_____________________________
I loaded the old 1989 module into renoise and render to wav and yes this is 4 channels no vst, except eq on base and slight echo on master channel, its 4tracks and 8bit samples only.

its the same as the one I created in beginning of 1989, i remember that
trick with having only one channel to do echo to have another same note but lowering the volume with C20 command, 2 steps down and 4 steps down with C10. C40 . . C20 . . C10...8bit samples the string is looping so you hear that like a bit unusual sound, but the cool up and down tone slide is done with D02 and D01 commands. I remember this like yesterday, so hooked on creating music and back in the days nobody used digital daws in music production to make a whole song like we do today, all electronic music was using synths and drum machines. So it was a bit like magic to be able to make something like this on just a home computer. 

I started with coding in 1985 when I was 12 years did some wavetable code on a c64, making just a sound was fantastic white noise and such. Then I used Rockmonitor 2 on c64 in 1987, I tried out the worlds first daw which was released in October 1986 Chris Huelsbeck but i think i just skipped it but then came ultimate sound monitor in 1987 on amiga 500 and it was magic to have 4 channels and samples. 

Trackers were world firsts fully digital daws with no need of additional midi equipment or being just a sequencer, just use a computer.

Steinbergs cubase came out in 1989 but it was only a MIDI sequencer and ran on the Atari ST computer.

____I got bored since DAW development didnt happen, it took 10 years before first VST came out !! ______

1998 FL fruity loops Its official launch was in early 1998, when it was still a four-channel MIDI drum machine.

1999 august Steinberg had VST Instruments to act as standalone software synthesizers, in cubase 3.7 august 1999

I tried FL and using vst in 2000++ something i didnt like it so much, when I heard about RENOISE (tracker)  jumped in 2008 something it was like back to 80s again to the mother of daws.  Also a great thing with renoise is that i can load my old amiga song from 1989 into it, looks the same and sounds the same.

DAEHZUM 1989

This is a collaboration between me and Tez (aka @Llanpsych on SoundCloud) from the UK. He sent me a really amazing dub riddim, drum and bass, and I added the rest. I love dub and feel lucky to have collaborated with him in this one. 

MAF Riddim (with Llanpsych)

Night's of Anatolia

Guitar & Vocals - JensJoel
Drums & Synth - Magnus https://open.spotify.com/track/2QRfWrgtL6dxqWvxaKyy5G?si=35645ff0dcb84e10

Gimme A Reason

Song by Tony Harrell and Leland Scott. This version recorded at Buck's Place studio.

I Love You Waltz

No Earthly Business in a Maine Hayfield

Mixing it up again here with Friendly Reminder

Friendly Reminder - Jamie Rhind

Made a dance version of the classic Axel F, some inspiration from the Axel F but has some other elements too.

The instrumental title tune, "Axel F", composed and performed by Harold Faltermeyer in the movie. 

Beverly Hills Cop is a 1984 American buddy cop action comedy film directed by Martin Brest, written by Daniel Petrie Jr. and starring Eddie Murphy as Axel Foley.

BEVERLY HILLS CAT

Overdubbed guitar duet arrangement dedicated to my wife of 20 years.
Recorded 1998
Remix version
Artwork by Joshua Lasky

Soon

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

MAF Riddim (with Llanpsych)

Entheogenic Psychonaught (Josh Clary)