love how the synths are woven into this great trip!

As always with a bang, fantastic pieces !!!!

What a monstrously wicked instrumental song, sort of reminiscent of The Wall. Love that big bad bass sound, and Ken's toms work, as well as that cool swing he's playing throughout. I never get tired of the nifty stuff J.J. pulls out of his hat, and the way the guitars are interplaying with the synth stuff is wild, not to mention just killer cool. So nice to hear MDs vocal trickery in there - a fab tribute to a talented feller. Impressive stuff y'all!

So like how this ascends with everyone's contribution... and great to be able to hear everyone so clearly.

Stephen did a great job getting your bass to skull rattling level 😎👍

@user-936947521: Hey Frans man, I'm so happy to hear you say those generous things about our song here. Love reading your glowing review, brother man. Means so much coming from the best musician I know. Can't thank you enough, brother man!

‘Cause there’s so many cool comments, for such a simple riff.. it means you’re a badass on that bass guitar, Josh!!!💎💎💎.. well done, fellas!! 😎😎😎🙏🙏🙏

Very nice musical work, i like the effects sound

Fall 2024

Midnight In Ashram

For Baddie

Unboxed July 2024
Original composition, performance and recording by the outstanding @gigivanstuddiford
Reimagined and embellished by Out of the Box
Cover image : Gigi Van Studdiford
More Out of the Box / Gigi Van Studdiford at @outofthebox3

OUT OF THE BOX / GIGI VAN STUDDIFORD - My Soul

An experimental soundtrack, combining dark ambience and noise with amped up synth bass and downtempo beats.
Sometimes words just get in the way 🖤 

Available for download here 💿
https://scratchkelly.bandcamp.com/track/lost-in-translation

Watch the video:
https://www.youtube.com/watch?v=HGOb4uzAv90

Speaking In Dreams

Lost In Translation

Download

une nouvelle version de ce trip hop que j'avais composé en 2022
 PAROLES
Tu restes
 Comme une parole interrompue
 
 A des années lumières
 Comme un cœur en hiver

A des années lumières
 Rien n’efface ton ombre
 Dans l’oubli rien n’est sombre
 Du joli nom d’amante
Ni le thé à la menthe
 Ni les lèvres mi-closes
 Ni le vase ni la rose
Ni la beauté du chant
 Ni le désenchantement

C’est comme si c’était hier
 Hier
 A des années-lumière

A des années-lumière
 Comme un oiseau qui chante
 Le cœur dans la tourmente
 Et moi qui m’impatiente
 Comme si c’était hier
 Hier

A des années-lumière
 D’étoiles la poussière
 Dans les grands yeux gris-verts
 Des enfants de la terre

Et nos mains sur la table
 Jouent au marchand de sable

 Tu restes
 Comme une parole interrompue
Comme les voix qui se sont tues

Dans l’oubli rien ne sombre
 Dans les années-lumière
Rien n’efface ton ombre
 Pour un cœur en hiver
 C’est comme si c’était…
 Hier
_______________________________________________________________
You stay
 Like an interrupted word

 Light years away
 Like an heart in winter

Light years away
 Nothing erases your shadow
 In oblivion nothing is dark
 The pretty name of a lover
Nor mint tea
 Nor half-closed lips
 Neither the vase nor the rose
Nor the beauty of singing
 Nor disenchantment

It's like it was yesterday
 Yesterday
 Light years away

Light years away
 Like a singing bird
 The heart in turmoil
 And I who get impatient
 As if it were yesterday
 Yesterday

Light years away
 From stars to dust
 In the big gray-green eyes
 Children of the Earth

And our hands on the table
 Play Sandman

 You stay
 Like an interrupted word
Like the voices that fell silent

In oblivion nothing sinks
 In the light years
Nothing erases your shadow
 For a heart in winter
 It's like it's...
 Yesterday

À Des Années - Lumière

Ah, the people we meet, and cross paths with, in this life…. So many experiences. How do we respond, especially if life clashes with these chance meetings? And what becomes of it? Once when looking for a place to rent, (25 years ago) I stopped to talk with an old man sitting on a bench. He had so much to say. My partner slowly became furious with me for taking the time to talk with him. We don’t have to wonder how that relationship went. In other words, this song is not about her…. Hee-hee. Or the old man for that matter. However, there are moments when paths cross, sometimes coming from very different trajectories and all of a sudden something wonderful happens in that moment. Gather, you might have experienced that too. This song is about a brief encounter with a kindred spirit, where our life trajectories did not change: A moment in passing. The song also contains some socially relevant thoughts/ lyrics about the world and my experience of it. Thoughts are thoughts though, and I find the more flexibly malleable I am with them, especially when it comes to the relative truths they may, or may not contain, the freer I am. Seems the more I attach to thoughts and refuse to change, the worse off it seems to get… But that’s just me. Hope you enjoy the song, Mark

Lammbone's Album

Moment In Passing

/больно махать с пирона вслед/
drawn people wave to us
from the compartments - carriages

it's time for them

they draw promises - to come back..
and that they already miss you
that they are so sorry..

and on the glass of the heart
they write..
with paper with tears in their eyes

and then erase..

cold or sadness on their faces?

and it seems that they are yearning and suffering
but the train has started moving
and they forget..

drawn people wave to us
from the compartments - carriages

where?
where -
they will go now
so that our love does not burn out..

it doesn't matter to them -
where to draw feelings..
and then erase everything..
erase..

and forget...



нам машут нарисованные люди 
из купе - вагонов

им ехать надо

они рисуют обещания - вернуться ..
и что уже скучают
что им так жаль..

и на стекле сердцА 
выводят ..
с бумажными слезами на глазах

а потом стирают ..

на лицах их простуда или грусть

и будто бы тоскуют и страдают
но поезд тронулся
и забывают..

нам машут нарисованные люди
из купе - вагонов

куда 
куда
они теперь поедут
чтобы любовью нашей не сгореть

не важно

им - где чувства рисовать ..
и всё стирать
стирать

и забывать ...

trains.

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Slo Burn (but Getting Faster)

Recorded in:
Los Angeles, California, USA
Earlsdon, Coventry, UK
Norton Lindsey, Warwickshire, UK
Chelsea & Hornsey, London, UK

Mixed and Mastered in EPG Studios, Chelsea, London, UK.

The Valuable Friends:

@rick-4-1 - Blue Shoe Honey Drums
@janinelevinson - Whitest Cloud Vocals
@loxford-1 - The Amazing Graham Pike on Paint The Moon Brass
@phil-mcwalter - The Other Largest Rock In The Sea Stuff




Count The Steps

Put on your blue shoes honey
Cos only you and I
Count the steps you’ll take
Put on your blue shoes honey
Cos only you and I
Break the codes you’ll make

I don’t want to paint the moon
A hundred shades of blue
I just want to sing this song
Cos it reminds me of you
Put on your best face

I could swim across the bay
To the distant clouds
Count the steps you’ll take
But I just want to be by you
And hold your Beatle’s hand
Put on your best face

Put on your blue shoes honey
Cos only you and I
Rock the fakes you’ll bake

I can’t help but see you
The largest rock in the sea
Painted blue
I know when you’re coming
The whitest cloud in the sky

I could swim across the bay
To the distant clouds
Count the steps you’ll take
But I just want to be by you
And hold your Beatle’s hand
Put on your best face

I could swim across the bay
Cos only you and I
Count the steps you’ll take
I could swim across the bay
To the distant clouds
Cos only you and I
Break the codes you’ll make
I could swim across the bay
Put on your blues shoes honey
Cos only you and I
Rock the fakes you’ll bake

© Phil McWalter September 2024

The rock is a reference to Fiordiligi (Così fan tutte - Mozart)

Release date:
26 September 2024

Count The Steps

20 - 11 - 2024

method: three devices and voice. polyend tracker mini, ingpartner y8, zoom r12. that's it.
narration: heraclitus is one of those 
movers of mental furniture we keep referring to despite knowing next to nothing ..... in the book publication, the poem on him was paired with the one on verdandi, Listen to Verdandi by jo richter on #SoundCloud
https://on.soundcloud.com/c5qCz , see  DIE KINETISCHE KUNST DER LIEBE UNTERSUCHTEN DIE ALTEN AN KÄFERLARVEN UND DUNKLEM GETIER in : CHI
image: the tracker creates crossword grids, copyright jo richter

poem / copyright jo richter:

Galen fand die Säfte innen, Kneipp
aussen und Schauberger liess sie
wirbeln, Hahnemann schütteln: Blut und
Lymphe, Laune und Gemüt. Aus

der inneren Umwelt, der äusseren
Inwelt strömt und färbt sich das
Geschick in den Wassern: Zu deuten
aus Treibgut und gelösten Erden,


die als Schicksal verwirklicht ein
Leben sind. Das war es, was ihnen
zwischen den Fingern zerrann: Ach,
Heraklit wusste um kein Ende
des einzigen Stroms, der in jedem
Dasein mündet - und aus ihm quillt.


[An interlinear translation might be made available in the future]

heraklit

Part of a CD project with Cutts Cook / Ruffcut Studio. Bare bones writing demos were taken into the studio and produced By Karl Cutruff. It was a while ago.. it really was a gift to be able to work with Karl. we were both going through a lot personally at the time. Its a wonder how tracks like this came out of those truly hard times. The record " Always a good Time " was never released... I am thinking about it now... 

The song itself was written during the Bush Bailouts... dastardly deeds by politicians ruining our lives.. still relevant today.

The Dow is sinking..yeah so am I
aint no use for me to sit and cry
Bailin out the big three well thats insanity
give that thirty billion bucks to me
A top executive I may not be..
one step from the skids and poverty
I fire all the fat cats and send em back to school to learn their ABC's

On CNN they got the talking heads
and top advisors from the feds
economic masterminds with empty promises and fat behinds
talkin all slick and scholarly
Now I aint got no college degree
but I attended hard knock university
and if you cant cut the mustard 
its time to call it quits and find a different J.O.B

5 Wrongs dont make a right its pure simplicity
hit the road and dont come back
go find yourself a different J.O.B.

Political solutions they just make me sad
Im sick and tired of being had
uncle sam is dead and seeking retribution but hes haveing trouble gettin through the gates

They say that everyone deserves a second chance
philosophy like that is good and fair
but on that list of SOB's there aint a single first offender there

5 wrongs dont make a right its pure simplicity
hit the road and dont come back go find yourself a different J.O.B.

Always A Good Time

5 Wrongs

A World In Decline

a better day today , let today be a good day

A BETTER DAY

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

new Release!!
https://parametric.bandcamp.com/album/iii

Some old & closer projects, below. Also contacts

Feel free to comment.

Contact: gonzojfrances@gmail.com

Mysterious Modes (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

Recent comments

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Francesco Cartocci

K2 and the Three

Entheogenic Psychonaught (Josh Clary)

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