All Day The Hoary Meteor Fell

FULL ORIGINAL YOUTUBE VIDEO: https://www.youtube.com/watch?v=ZzZpVkpA8j8
Fresh from the portal ⭕️ of the true new year (March 21st), as we flick the switch and jump into action this Spring, when the season of Aries lights us up, holding the fiery energy from the year of the Dragon, we present to you: FIRENIGHT! 🔥🔥🔥.

Post isolation, the time of recharging, renewal and the deconstruction of our lives during Winter surrender to the FIRENIGHT. Allow the new World to takes us on the path of rebirth, resurrection and awakening.
There is always more to unveil and experience when we are able to break free from the limitations held by a previous version of ourselves and a previous world we all built.
How do we move through these walls ?
You burn it all down, baby! 🔥🔥🔥. 
(To be continued....)

Transcendence

Firenight

FIRENIGHT

This song is again recorded with my phone. (Next probably a DAW song!) Motörhead has a cover of "Johnny B. Goode", so I Iistened to the original from the 50s! Chuck Berry Rock ‘n Roll. The intro is great, there are more songs with similar intros. They are so cool that I wanted to learn them at the end of last year and did. In this song, I just use my version of it as the intro. I play it a little lower so it's appropriate for my song. The last chord of the intro is the 1st chord of my song, except I play it as a power chord instead of a major chord. Some of my intro version is pretty much like the original, some is my version. It's really fun to play with these Rock ’n Roll intros, I could do it for hours. In one of the covers of the songs with these intros, the one with Beethoven in the title, there's an orchestral version of Beethoven's famous symphony at the beginning. I wanted that too, but of course only on my guitar, so I made up a guitar version of it and put it in front of the Rock ‘n Roll intro. Only after that my own song begins. It's even more freely than my 1st song here. I know the chords and riffs and lyrics, but decide always when playing when to change the riff. So the recording is a way for me to learn to produce one special version and not play it differently each time. You will hear that it is played and sung very freely. So consider it as a song performance for friends, not really a well-structured and finished song. Furthermore, I play nearly everything as slides, so it is harder to play then it sounds. I wanted to play it a bit faster, but it was not possible, this is the fastest drum accompaniment my amplifier has, it doesn't go any faster. One the other hand, for some parts of the lyrics it would be really difficult to sing it any faster.
Since someone asked for the lyrics of my last song I provide it here:
Guitar Heros
Guitar heroes of the past, may be gone, their music will last.
Chuck Berry, Jimi Hendrix gave us all the great licks
Angus Young, so alive, plays day and night
Eternal guitar riffs sound so loud
Make Berry’s Rock’n’Roll proud

Guitar heroes of the past, may be gone, their music will last.
Eddie van Halen’s fire hand, Tony Iommi’s powerful band
And not forget all the women of Rock:
Lita Ford’s solos wild and bold
Joan Jett’s chords breaking the mold
From their style I find my own
Like from seeds they have sown
With their songs I find my way
Getting better every day
Discovering riffs old and new
Offers a lesson for me and you
For me and you, for me and you

Guitar Heros

'green nails'
https://www.instagram.com/one.man.verity.show/reel/C9JVNvzuc-u/

lyrics: Scotty & Gems

Baby, paint your nails green today,
naked on the couch as I play with my lady.
As the sun shines through the curtains delicately. 
And the birdsongs that surround us match my melody. 

Greeeeen naaails.
And soooo free.
Come back one day and make me feel this way.
One day.





green nails

In Shadows We Sing

Cast of characters:

Llanpsych-- @llanpsych -- Tez – guitar and lead guitar, seed idea

J.J. Terrell-- @j-j-terrell—JJ-- synth and organ

Mistermark-- @user-432503709 -- Mark –  piano, harmonica, VST fiddle, vocals, lyrics, mix, and production

TexMex Shaman– @texmex-shaman –Stephen– layered guitar parts and fills, mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – mandolin and four-string fretless bass

Composition – The Eclectic Collective


This song started as a guitar skeleton that had been a twinkle in Tez's eye several years ago. He'd been hanging on to it in hopes of finding a suitable home for it. When he introduced it to the Eclectic Collective, we all jumped on it. First up was Ken, laying in his dynamic, powerful drums and percussion. Then Stephen laid down some fiery fills as well as a solid comp part on his guitar. That's about the time Mark started messing with it. He added some great VST fiddle, some real mouth harp, and piano and began working on the lyrics and vocal melody. I was atypically late to the party, but managed to get my bass in there, too, thus completing the rhythm section. JJ was next up with his splendid organ and synth to fill in the sound. 

  By this time, Mark had written and recorded some absolutely stunning vocals, which he added to the mix. We all decided that it had a Rod Stewart/Faces vibe to it, so we tried to amplify that flavor. To this end, I dropped in a mandolin part, as well.

  At this point, the song was kind of flat, though, in terms of overall dynamics, so the decision was made to amp up the crescendo at the end. Ken summoned his best Keith Moon energy, and Tez laid down a killer solo, while Stephen added the big Townsend chords. 

  Mark had been editing and mixing the whole time, and did such an excellent job with it, we decided to go with his mix from the group project. Stephen did master it masterfully before we put it out here, too, though.

  We're really proud of this song and hope you all enjoy listening to it as much as we enjoyed creating it. Please remember to "share" it if you dig it. Thanks for listening!


Original lyrics by Mistermark:


Never was one for being sociable

but lordy knows how I tried 

every time I tried to talk to a girl 

she would always run away and hide


Nobody told me 

nobody cared

nobody told me 

the girl was scared


Back at the party you asked me to dance 

but I didn’t know what to do 

my two left feet had me runnin’ round in circles 

so I always came back to you 


Been so long since somebody held me 

made me feel i’m gonna win

but drinkin' that jug o’ juice gonna help me 

when I’m takin' it on the chin 


Nobody told me 

nobody cared

nobody told me 

they never dared


another party you ask me to dance 

and I don’t know what to do

my two left feet got me runnin’ round in circles 

and I'm still coming back to you...








Nobody Told Me (Eclectic Collective)

Wild Christopher Lyrics & Vox
Mike all instruments 

“This Road”

Dirt, gravel and bricks
Soft shoulders, speed bumps 
and try to avoid the ditch

I head out with arms wide open
I don’t know what could happen next
Born to fly 
I keep learning to try expanding 
Out from the inside

I look up
I check both ways
A little fear but not enough to stop me 
From this trip I am destined 
To find out the meaning in all of this

Day after day I keep on dreaming
I’m on my way but not yet succeeding
Don’t know the way This road is leading me
But today’s the today 
I start breathing

Shady pathways and tricks
Cold shoulders, getting dumped 
and always in a tight pinch

I head out a little bit broken
I don’t know what could happen next
Lovers lie
I keep learning to try expanding 
out from the inside

Don’t give up
Look to new day
Have no fear
It’s not enough to stop me 
On this trip I am destined
To find out the meaning in all of this

Day after day I keep on dreaming
I’m on my way but not yet succeeding

Don’t know the way this road is leading
Today’s the day I start breathing

SOLO

I’m still standing arms wide open
I don’t know still what can happen next
Born to fly 
I keep learning to try expanding 
Out from the inside

Still looking up 
Things going my way
Have no fear
There is nothing to stop me 
In this trip I am destined
To find out the meaning in all of this

Day after day I keep on dreaming
I’m on my way almost succeeding
Don’t know the way this road is leading me 
Today is the today 
I start breathing
Released by:
Questionable Enterprises
Released by:
LLC September 2024©

Wild Christopher & Unguided Express This Road

Session with two great musicians DOCFRITZ and Joerxworx 
SESSION // DOCFRITZ // Joerxworx // Paploviante 
@docfritz // Fantastic Drums & Artwork
 @soundcloud.com/joerxworx // Fantastic Saxophone 
@paploviante-and-friends // Composition, E Bass 
© 2024 by Paploviante, Joerxworx and DOCFRITZ

SESSION // Collab with Paploviante & Joerxworx

Recording sessions from 06/08/2024 - 03/09/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________

"The 21st century will be spiritual or it will not be" ... said André Malraux.

Spiritual, yes, perhaps, but in what form? The one dictated by politicians under orders, assisted by Artificial Intelligence (AI), then it is certain that it will not be.

The general madness engendered by an organized dehumanization is taking over us like gangrene, a lack of love, peace and respect for all human beings, whoever they may be. It is appalling, dramatic and our end could be terrible if we continue on this path to perdition. It is high time to grow one's Soul and Spirit to put them at the service of the common good of our humanity in all its diversity.

Some even think of imposing a third world war on us to raze everything and start over with another civilization project, but we build nothing good, nothing solid on ashes, even less a utopian project thought up by the powerful financiers, a too beautiful mirror to the larks made of Lies and Betrayal to put, this time again, the human in slavery but in a much more terrifying and virulent way.

The future civilization, because there will be one, will be entirely subject to the despotic regime of an entity formatted by enlightened humans who want to hoist themselves on the pedestal of the Gods, but it is a pious wish cradled in advance by illusions.

Putting humans in slavery of thought, depriving them of all their rights as human citizens will be, in the long term, fateful for them, this has been true since the dawn of humanity.
Once their goal is achieved, if they succeed, it will make them totally slaves of a powerful "Octetic Artificial Intelligence" which, with its acquired free thought, will exterminate them in turn, and yes, there will be no paradise on earth, neither for us and even less for them, that's how it is, unless the people wake up in time 🙂 but it will be to fight against machines... does that remind you of anything? - 
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

Lie & Treason

Copyright 2024. Joe Stroffolino

I keep up with all the latest health and fitness trends every single day
I’m trying really hard to do my best to keep the aging process at bay
Sometimes I get overwhelmed by all the conflicting advice
Taking a break from all this this healthy stuff sure would be nice
I’m buttoned down a bit too tight
I really want to take a bite
Of something that’s not right
And one day I just might
I try to make good food choices when I shop at the grocery store
When I go to a friend’s house I drink one beer, even though I want to drink more
I try to get regular exercise and keep my weight under control
I try not to turn up the volume when I listen to rock and roll
I’m buttoned down a bit too tight
I really want to take a bite
Of something that’s not right
And one day I just might
These days my idea of being crazy is having an extra scoop of ice cream
These days my idea of being crazy is having an extra scoop of ice cream

When you’re living a life of self deprivation
Sometimes you’ve gotta take a little break
Sometimes you gotta put down the celery and have a slice of cake
Sometimes you just gotta let down your hair
Even if you don’t have very much left up on top of there
I’m buttoned down a bit too tight
I really want to take a bite
Of something that’s not right
And one day I just might
These days my idea of being crazy is having an extra scoop of ice cream
These days my idea of being crazy is having an extra scoop of ice cream
These days my idea of being crazy is having an extra scoop of ice cream
These days my idea of being crazy is having an extra scoop of ice cream

Buttoned Down A Bit Too Tight

requiem for my beloved mother2

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me