Summer 2024

sweetly selected | Sept 2024

A      168

Your MegaMix

Disco Power

Entheogenic Psychonaught Playlist

Dance

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

Hbd-Rina4faceMusik

"Ne prenez pas la vie trop au sérieux, de toute façon vous n'en sortirez pas vivant." De Fontenelle
‘Don't take life too seriously, you won't get out alive anyway.’ De Fontnelle

TRANSLATION TEST

ALL MY TIME

To love you and tell you so
To release the kites, 
Without trying to hold them back, 
I have all my time

To die drop by drop
Suffer from toothaches
Choke by the roadside
No need to worry so much
You can change road you know
Turn aside when the time is right
Go beyond the doubts
Walk through the fields

To love you and tell you so
let the kites fly
let them make us dizzy
I have all my time
I have all my time
I have all my time

Don’t try to cling
To your oversized melodrama ego
Let go of the details
search for the one thing that matters
Where is your blue sky?
How does your child’s heart beat?
What are your instincts telling you?
Don’t try…
To love you and tell you so
To release the kites 
Without trying to hold them back 
I have all my time
I have all my time
I have all my time

Escape the routine
Live another life now
Slide through the landscape
Swim against the current
Or under a twisted tree
Dream of endings and beginnings
Write the story, live with boredom
Get lost in the clouds
To love you and tell you so
let the kites fly
let them make us dizzy
I have all my time
I have all my time
I have all my time

Tout mon temps

ONE LINE LOVE

Crazy Little Thing Called Love Cover

Vidéo YouTube :   https://youtu.be/Xq99Dfdztyw

La Fableuse 

Texte : Say M
Chant : Karine
Musique : Alain Illos

Qui es-tu ?
Toi que je ne connais pas 
Qui refuse les maux de tête 
Qui s'amuse des mots de soi 

Je suis la Fableuse
J'aurais pu dire la Fabuleuse 
Mais je ne bois pas

J'ai donc ignoré le «u»
Qui ira où il voudra
Je n'ordonne pas les lettres 
Mais je ne les laisse pas 
S'installer comme on sème 
Les mots ne repoussent pas 
Déjà qu'ils changent à peine 
Oui mais, voilà... 

Regardez, au moins ceux qui s'aiment 
Les mots, ils ne les cherchent pas
Ils fabulent parfois, peut-être
Mais de chaque instant, ils croient 
On les croisera le nez en l'air 
Respirant celui des sous-bois 
Ils rentreront saouls à tue-tête 
D'un amour qui, in fine, finira

Qui es-tu ?
Toi que je ne connais pas 
Qui refuse les maux de tête 
Qui s'amuse des mots de soi 

Je suis la Fableuse
J'aurais pu dire la Fabuleuse 
Mais je ne bois pas 

Car le «u» parfois s'entête 
dans rupture, se place deux fois 
Je n'ordonne pas les lettres 
Mais je ne les laisse pas 
S'installer comme on sème 
Les mots ne repoussent pas 
J'écris des maux
Des morceaux d'êtres 
J'écris des mots 
Qui parlent d'émois
 La Fableuse, c'est moi

La Fableuse avec Karine

Mediterranean Connection (For three guitars)

“Walk Softly and Go Far”  by Luke

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“Walk Softly and Go Far”  by Luke

If I can stop one heart
from breaking
I shall not live in vain
If I can ease one Life the Aching
Or cool one in pain

Or help one fainting Robin 
Unto his Nest again
I shall not live in Vain.

— EMILY DICKINSON 
“Further Poems of Emily Dickinson" published by Little, Brown and Company of Boston, 1929.

65 bpm
DAW Apple Logic Pro X
MIDI Akai Pro MPK 
E-instruments:
Studio Grand
Steinway Grand Piano 
Boesendorfer Grand Piano
SoCal Ballad Piano
Clarinet Solo+
Harp
Upright Ballad Bass
Rolling Chords Synth
Electronic Drum Kit - Platinum Dreams 
Latin Kit
Hip Hop Kit
Studio Brush Kit

Audio of bird chirps recorded live Jun. 15, 2024.

Photo of children splashing water via public domain, Wikimedia Commons 
https://commons.wikimedia.org/wiki/File:Happy_children_splashing_water.jpg

Happy Endings

Watch the video on Youtube:
https://youtu.be/fS2Lip2tG24

The Hero´s Journey

The song-part recorded in 1999, the instrumental added in 2017. 

English / Italian lyrics

like thoughts
containing heat
as if forming
thunderstorms of words
and then you stop to look for
something important to say
something special
unlikely treasures to safeguard

Do you see these images 
of fleeting clouds?
Do you see these evenings 
that spend lonely?
When for a moment you regain
your usual good mood
I climb into your hair
I rest on your multicoloured gaze  

like thoughts
containing heat
as if forming
thunderstorms of words
when for a moment I think back
to your multicoloured gaze
you will already be sleeping
hugged at my words 

----

come pensieri
che contengono calore
come se formassero
temporali di parole
e poi ti fermi a cercare
qualcosa di importante da dire
qualcosa di speciale
tesori improbabili da custodire 

le vedi queste immagini
di nuvole passeggere
le vedi queste sere
che trascorrono da sole
quando per un attimo ritrovi
il tuo solito buonumore
mi arrampico fra i tuoi capelli
mi poso sul tuo sguardo multicolore  

come pensieri
che contengono calore
come se formassero
temporali di parole
quando per un attimo ripenso
al tuo sguardo multicolore
starai già dormendo
abbracciata alle mie parole

------

Lyrics and music by Michele Ansani (1999-2017).
Posted on SoundCloud: 2024, June 27.

Temporali di parole (Thunderstorms of words) *

Regrets (feat Tuvaband), radio version

Live Reflexion#012

This marks the fourth collaboration with my SoundCloud friend, Seashea. I truly respect him, and I really love his guitar work. We especially have a great connection when it comes to ambient music. When I heard he was going on a journey for a while, we decided to create this track together. I’m deeply moved that our shared understanding across the ocean has come together in this form. For this artwork, I used a photo taken by him at the beach.
I’d like to present this track in celebration of Seashea and his wife’s wonderful journey. 
SeaShea, I thank you from the bottom of my heart.

Composition and Sampling collage by Synline 
Electric guitar playing and arrangement by SeaShea
Photo by SeaShea

'Depart' SeaShea=Synline

Summer Breeze

Why entropy? Entropy is a measure of disorder and there are always more messy than tidy variations. Entropy is chaos. In art, we strive to bring order and symmetry and thus create an aesthetic beauty that the universe would never create by itself. So, out of the sea of ​​random combinations, the artist must create something meaningful. An artist always tries to bring order to chaos.

Entropy (For more than one guitar)

Related Expressions 94 BPM

Music:  Little Man Project & Janne Hennie
Lyrics & Vocal: Janne Hennie
Instruments & Mix: Little Man Project

Lyrics:

Fighting against a system
That doesn't really care
They tell us we are voiceless
Can't see us
But we are here..
Want us to believe them
When they say they know best
We are just a number
An impersonal case...

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

They treat us as an object
Which shall not make demands
They think they have the power
But we will fight back!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!!

The System

Llanpysch mix of Innerkey's epic track Pen Lyn. Listen to the original track here https://soundcloud.com/innerkeydj/pen-lyn?si=fd476a0970384cf2a5a28cd280939f14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Rob composed this a couple of years ago after we'd been on holiday to the Llyn Penninsula, North Wales. Inspired by the wild beauty of Pen Llyn's north coast, this track captures the sound and spirit of the ocean crashing into the land. Photo taken from the cliffs at Traeth Tudweiliog.
Rob - Composition, original mix and production,beats and  synths   
Tez - remix and guitars                          

The Cat and The Sea - by RS Thomas
'It is a matter of a black cat
On a bare cliff top in March
Whose eyes anticipate
The gorse petals;

The formal equation of
A domestic purr
With the cold interiors
Of the sea's mirror.'

Pen Llyn - with Innerkey

Jo peeps,

time for another sweet SACHER CAKE that goes by the name of "Peace of Cake # 3". Enjoy our newest Mixtape and please be aware: Contains super hot stuff so enjoy it very carefully.

Here is our tracklist:

1. Occapella - Lee Dorsey
2. Hand clapping song - Tropkillaz
3. Life in the rain - Quantic
4. Mr. Cool (vs. Butterfly) - IL Gotten Gains 
5. ToTo - Africa 
6. Thes One - Brincidofovir
7. Mehr oder Weniger (Instrumental) - Kinderzimmer Productions
8. Way of Life - Brock Berrigan
9. The Space Programm - A Tribe Called Quest
10. Water of Life - Brock Berrigan
11. Never Go Home - Madwreck 
12. Bring the Pain - Missy Elliot & Method Man 
13. Stand by Me - Ben E. King 
14. They don't care about us - Michael Jackson & Dallas Austin Main Mix (w/ a little bit of Smooth Criminal)
15. Sweet Jane - Cowboy Junkies
16. Ease Jimi - Nightmares on Wax 
17. Knocked Up - Kings of Lion
18. Grown Up - Danny Brown
19. Bad - Millennium Jass Music & Bare Smoke
20. Straight out the Jungle - Jungle Brothers
21. Yes baby Yes (Radio Version vs. Original) - Mo Horizons
22. Where it's at - Beck
23. Tearz - El Michels Affair
24. Pure Shores - All Saints

Cheers,
your SACHERBROS.

Peace of Cake # 3

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (Eclectic Collective with Roy Roy)

Spoken words: Kamal Imani
https://www.looperman.com/acapellas/detail/21299/one-tribe-yall-120bpm-disco-acapella
https://soundcloud.com/kamal-imani
https://soundcloud.com/oldschoolhiphopsoundtrack
Backing Track : Paploviante and Friends
https://soundcloud.com/paploviante-and-friends/disco-again-paploviante
Lillithe adding: Sax, Solo Guitar, Wha-Wha Guitar, Beat, Mix and Production

ONE TRIBE YALL  feat. Kamal Imani (Paploviante open collab)

Cast of Characters:

Frans Beelaard – @user-936947521 – Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine! He also composed the song
TexMex Shaman– @texmex-shaman –Stephen–  Duesneberg Starplayer TV Phonic hollow body electric guitar
Llanpsych-- @llanpsych -- Tez – Gibson Les Paul electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha workstation organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–lyrics and vocals 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – PRS semi-hollow body electric guitar


This is a song that Frans wrote, recorded, and gave to Josh to share with the Eclectic Collective. Frans is playing all the foundational instruments of the incredibly intricate yet perfectly foundational rhythm section, including Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine. As mentioned in the previous sentence, he also plays the amazing harp solo after the second verse. All of Frans's music is a dazzling display of solo work on top of a dense, rock solid rhythm section. So, in that spirit, this song is a display of all of us taking 12 bars to show what we can do.
  Tez was first to add his expert blues guitar in the section right after the opening vocals. Josh took the next slot, with the notey second guitar solo on the first chorus section. Stephen added his fiery guitar next, in the last slot, after Frans's harp solo. JJ was next in line, though, bringing his piano and organ to the mix, both in a support role throughout, and in the piano solo between Josh's solo and the second verse. Ken, then came up with some lyrics and sung the whole thing for us, very ably and in the propper spirit of the song (which was named randomly by Frans). 
  Of course, every great song needs a great producer, and we tapped Stephen to do the honors here, as he's our resident expert producer. 
  We are all honored and very grateful to Frans, whom we all respect and admire to a very high degree, for sharing this with us. On the off chance you aren't familiar with him, do yourself a favor and check out his page. He's as talented a multi-instrumentalist as you'll ever come across, with hours of astounding music on his page.
  We hope you enjoy listening to this as much as we all enjoyed creating it.
Original Lyrics by K2 and the Three:
I got a bull legged woman,
You know that’s where it’s at
Gotta bull legged woman 
You know that’s where it’s at
The devil may care, 
but he don’t know thin from fat
Well!!

I got a bull legged woman 
You know that’s what I got
I got a bull legged woman
You know that’s what I got
A dope ass Betty
5’ 4”, and she’s smoking hot
 
Hey fellas, can I get a witness?

I got a bull legged woman 
you know that’s what I have
Gotta bull legged woman 
You know that’s what I have
She’s all stacked up, she’s mine
And she’s got the Jaz

Bull Legged Woman by Frans Beelaard with Eclectic Collective

Cast of Characters:

 Cgmaness – @user-419254289-15129531 – Chris – bass, guitar, synth, main drums, percussion, composition, production and mix

TexMex Shaman– @texmex-shaman –Stephen–  electric sitar

Llanpsych-- @llanpsych -- Tez – electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- organ and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– percussion, additional drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – traditional gourd form body sitar and lap steel


 This is a song that Chris wrote on the drums, bass, and guitar and shared with the collective. We all love working on Chris's songs, and got to work on it even more enthusiastically than usual. Josh was up first with his lap steel, which he weaves throughout. He also added the sitar at the beginning and the acoustic sitar at the end. Stephen stepped in and added the gnarly electric sitar at the end. JJ also made his presence heard by adding the thrilling organ and electric piano throughout. Ken then augmented Chris's original drums with his own in expert fashion. Last, but not least, Tez added his electric guitat magic to the stew, as well. 

  Since Chris brought this song to the group, and is a fine producer, he did the honors of the mix and production. 

  This is our latest with Chris, whose music we all adore. If you dig this, you should go check out his page, as it contains lots of wonders to hear. We all hope you enjoy listening to this as much as we enjoyed making it.

New Strings Theory (Eclectic Collective)

Cast of Characters:
 
Cgmaness – @user-419254289-15129531 – Chris – foundational acoustic guitar and seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, lyrics, and vocals
Llanpsych-- @llanpsych -- Tez – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
The Eclectic Collective — composition and mix

  This is the second song in a row that The Eclectic Collective is releasing in as many weeks that was written by Chris. We love working on his songs, and all jumped at the chance to play with this one, as well. He wrote it on an acoustic guitar, onto which he also put some heavy reverb, giving it an ethereal, chordal sound. To that bare bones, Josh fist added his four-string fretless bass to a click track, of all things. Luckily, Ken swooped in soon after and gave it a proper beat with his lively percussion performance. 
  Once the rhythm section was complete, Tez added his melodic, golden-tone guiar in there. Then, it was JJ's turn. He added not only the piano and synth, but wrote the lyrics and sang it, as well. 
  This song was actually mixed by the group, as we all added our parts, although Ken did some final adjustments, too.
  JJ's lyrics tell the story of the first people to reach Easter Island, millenia ago. The wonder of the journey and the discovery of a new home, while using the materials available to survive. Here are his original lyrics.

Original Lyrics by J.J. Terrell:
 
Through the eyes of the gentle rain
Monuments raised where the Lapwings stay
All the sand, the hourglass of man sifts here
A traveling band of gypsies in this land appear
Crowd the fire as the night sets in
Listen for tales of enlightenment
Until dawn
The flowered down of a bird so true
Pure as heaven, the chosen few
It's all waiting for the night

Unabashed (Eclectic Collective)

Fake Paradise Redux feat. Emily Coy
Vocals Emily Coy
https://soundcloud.com/stemstore/emily-coy-fake-paradise-redux-gg-vocals
Paploviante: Music, E Bass, Synth, Mix and Mastering


Fake Paradise Redux feat. Emily Coy

Little Red Dress

Mike Rowland - My Elfin Friends - 02 - Listen to Your Heart

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Shag Carpet (Eclectic Collective with Roy Roy)

Entheogenic Psychonaut (Josh Clary)