Really beautiful song and great collaboration

fantastic playing ...you guys are flying on this

Great bass line in this man. Well done. Super track ✌🏻🔆

Aaah finally Bill will stop underestimating his talent now!! 😹🙋🏻‍♀️ I’ve been telling him for ages that he’s super talented… and he always denies it!!! Great job, Josh... that bass line is something else! Our Dave loves it! The acoustic guitar from the Shaman is gorgeous too!! And the drums... well, I don’t really know much about percussion, but our Valerio says they’re excellent (…he actually used another term, untranslatable… I’ll tell you in private if you want 😹). And that Caaaaaaaarl… with his vocals… Tom gave his trademark devilish grin, which means he’s jealous!! 😅 As for the song being dormant for so long… well, we totally get it... we’ve got tons of “sleeping” tracks ourselves, written years and years ago before we landed on SC!! What a great awakening, Josh!!! ❤️‍🔥

Hey Josh friend, it's great how beautifully you play the bass. Great how the others here show their skills. All in all, again a very successful song. Perfect to start my weekend. And I also wish you all a nice weekend. Cheers 🙂‍↕️

Giving me Pink Floyd vibes, loving the Music arrangement & distance mix vocals . Cool work Josh 👍

Salamander shapes sing to me in the twilight .... amazing vibes here. Nice and beyond the usual.

Fire (AcouChristo Remix)

Rapture is a new collaboration between the Beating Edge and Joe Stroffolino, following the awesome Asteroids (The Original Was Better). Joe wrote both the lyrics and the original music, while the Beating Edge rearranged and recorded it in a punchy rock style, adding driving guitars, strong rhythm, and dynamic choruses. Vocals feature Tom on lead, with Joe and Mary contributing both backing vocals and lead parts on certain verses and the bridge, creating a layered and energetic vocal texture.
The song explores the absurdity and irony of doomsday prophecies, the obsession with the rapture, and the endless cycle of believers and false prophets. It blends satirical storytelling with a critical eye on human behavior, delivering a mix of humor, intensity, and thought-provoking commentary through energetic rock arrangements. 
Rapture is a track that engages both the mind and the ears, combining narrative, power, and fun in equal measure.
Copyright 2025  Joe Stroffolino & The Beating Edge

Lyrics:

These prophets who say the world's gonna end and they set a specific date
And then when it doesn't happen, their followers still think they're great
The sun rises the next morning and people stumble out of bed
Disappointed that the rapture didn't happen and they're still alive instead of dead

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

They claim they have a direct line to God but there was a glitch in the connection
But now they're certain of the expiration date so they issue a correction
The shepherd guides the flock and tries to keep them safe from harm
But how many times can you cry wolf before people ignore your alarm

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

Who cares about the environment if you think the world is gonna end
And you're convinced the second coming is right around the bend
So drill baby drill and chop down all the plants and trees
No need to spend money on curing terrible disease

In every generation throughout history, people were certain that the rapture would come
And they had followers willing to believe them as they fed them each a tiny crumb
In baseball you only get three strikes and then the umpire says you're out
But when it comes to doomsday prophecies, the true believers have no doubt

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

Rapture

Be yourself

Surfers like Us ….. composition, all guitar parts, arrangement and mix

Hi Everyone!
The seasons change, but I still surf... on my guitar board 😎
This is a new version of my older track called „Born to Surf”.
I hope you enjoy the blend of surf rock and synth pop beats 🔆

This new version is dedicated to my friends: J.J. Terrell, Josh Clary and Håkan Skeneby (Well) 🍀

The cover image was downloaded from Pixabay.

Many thanks for listening and support!
Artur

Still Surfing

GHOST by Zitou & Wildsilences

Sun World

Hold me tight

Beneath the Bodhi Tree

We shall not rise until we know
Come noble truths
Salvage this show
Why do we suffer?
Why do we crave?
Say,
Cessation of desire to meet light old age

Prove pure path
The right eight show way
Good vision
Good thought
Good speech
Good day
Good livelyhood
Effort
Mindfulness and action
Weaved wisdom concentrated
Content has traction

To Dukkha debonair
Satisfied with real
Ruse rooted Samudaya
You suffer thirst by feel
Nirvana, be known
Nirodha find light
From Mārga
Our eight fold path meant right

Born beneath the Bodhi tree
Cyclic Samsāra sits
Transcience for fear food free
Karmic Dharma fits
Not torn with our time
Minded body synced
Not shocked
Transcendence through rhyme
Be harmonic miner clocked

We shall not rise until we know
Come noble truths
Salvage this show
Why do we suffer?
Why do we crave?
Say,
Cessation of desire to meet light old age

Notes 🎶

Key B Harmonic Minor
Tempo 33bpm

Instrumentation
-Vox drone backing x 4
-Vox Backing melodic x 1
-Vox Narration
-Vox Lead x 1
-Pads x 3 played on keys
-Acoustic Lead line

I don't quite believe in reincarnation of a single spirit although the discovery of DNA in a way sheds a bit of light on it being possible at least in potential code as traits that are passed on. They are either honed and retained or lost through long term positive or negative behavior and discernment of honest or dishonest action from our beings. Epigenetics looks to be starting to show that nurture, particulariy early in life actually enables and disables chemical signals in our genes. This has been shown in rats by a mother that licks her offspring vs a mother that doesn't and the different effects on those baby rats growing up and those scientists believe that translates to humans although they can't stick us in labs to prove it yet. So it looks like nurture may end up holding more influence then early geneticists told us and less is set in stone then we had previously thought. Epigenetics is a young science so it's difficult to make a solid reality from is so far but it does appear to have huge relevancy with our tendencies throughout life and towards addiction and habits. 

Whether we have a spirit that inhabits a body and fully comes back I'm not sure we will ever know that but I guess elements of past spirits and all past life does exist in our code at some level.

This has a lot more potential to bear fruit with our world of knowledge of course because we can actually teach ourselves what other humans think and have thought and what they did with their lives and make our own version of those truths based on our unique life experience.

This track is paying homage to Buddha

Buddha, as far as I am aware is one of the rare old teachers who said go find yourself and the power is inside you and around us. We generally escape the reality of ourselves with desires and indulgence in materialism but have the ability to find our true spiritual selves with discipline and an honest lifestyle. His main realisation was, we suffer, like it or not and his teachings allow us to not amplify that suffering with cravings or self harm but become one with it via a balanced approach  ⚖️  Re-living or re experiencing feelings from the difficult parts of our lives so they don't become a controlling factor in how we react to any situation seems to be central to finding that zen place where we can respond rationally to any situation no matter how trivial or significant. The reason I mention epigenetics and early life is a few scholars seem to allude to a lot of our problematic traits and strengths being born from trauma or solid nurture early in life and are not something we would usually medically consider when contemplating our own shadow searching for that oneness in ourselves...

So in that light I think rebirthing thought in our heads may actually be quite important to deal with any grief from our experience so it doesn't manifest itself as physical ailment from the hidden stress it causes us.

Beneath the Bodhi Tree

Heliosphere (2025) Remastered

Day Breaks

Cast of Characters:
Single Use & Recycled -- @user-995867230 -- Bill — acousitc rhythm and lead guitar and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums and percussion
J.J. Terrell– @j-j-terrell – synth strings
TexMex Shaman– @texmex-shaman –Stephen — acoustic rhythm guitar, production, mix, and mastering
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song started as an idea Bill came up with on his acoustic guitar. Having found each other on the Cloud and enjoying each other's music, Josh and Bill decided to do a collab. Bill is a real deal guitarist, who's as prolific as he is skilled. Of course, Josh invited Eclectic Collective to the party, too.
  Shortly after doing so, he laid down a bass part to Bill's skeleton withi his four string fretless bass. Ken followed suit, and after a back and forth, completed the rhythms secion. JJ dug in next, adding the thrilling strings that highlight the high points of the melody. 
  There wasn't a whole lot of room for everyone on this, though, as Bill had the guitar parts nailed down tight. However, after sitting on the shelf for about half a year, Carl came along and added the missing piece with his raucuos vocals. Stephen also fattened up the sound a bit with his acoustic rhythm guitar.  
  Once it was in the can, we asked Stephen to work his production, mix, and mastering magic on it, too, which he came through with, as always.
  This brilliant song almost didn't see the light of day. It sat for what felt like forever, until we decided to revive it. This will not be the last collab we do with Bill, though, who was generous in not only sharing his music with us, but allowing us to do whatever we wanted with it, too. We hope you enjoy listening to this as much as we enjoyed creating it.  

Original lyrics by The Beautiful Dark:

Shifty shire
Ah, redistrict rot
Dividing a country for power by plot
Gerry's meandering
Not thinking of sane
What colourful friends can stop red rain?

With freedom waning
Conversation is paused
A few rich men failing
With solidarity cause
Shift the shire!
At minority we've baulked
That mind inconvenient
New red lines are chalked

State turf wars are on
Ah, redistrict rot
Dividing a country for power by plot
For the rights of the white man
We missing those slaves
So legislate oppression
That skin 'aint red way

Shire (Eclectic Collective with Single Use & Recycled)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Shire (Eclectic Collective with Single Use & Recycled)

Entheogenic Psychonaut (Josh Clary)

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