This is a song I threw together on the bass and keys, and my friend Tez put down the guitar. I really like the result. He's a very talented musician, who knows how to add dynamic energy to any song. Originally, I conceived this as a funk tune, but it got less funky and more straightforward as I worked it. Hope you enjoy our efforts. 

Take it Out (with Llanpsych)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Bigfoot is a friend of mine. We like to make music and share it with our friends. See our YouTube channel and A Journal of Nonsense for more fun.

Collections of organized audio written, arranged and produced by Andy Lagomarsino.

Debut EP, "Array" available now.
info@caughtsoundrecords.com

follow me on :
www.youtube.com/@Blaffy91


a.k.a.  -..-
Pre-releases and Experiments
- Final releases via https://linktr.ee/dashdotdotdash (Apple Music, Spotify)
Support creativity through Bandcamp.

- Artists: 
  (1) -..- , xperimental 
  (2) XLab3 , xperimental
  (3) Ding Dong , vintage electronica

- xmachines: Logic Korg Yamaha Orchid Moog Teenage Engineering iApps ccMixter freemusicarchive field recordings radio
- Header Image Acknowledgement: (my silhouette in front of) an excerpt from the video, 'Plato's Alley' by Charles Atlas (2008)
- Profile Image Acknowledgement: 'Switching Marys' by Mike Kelley (2004-2005)

- History: 
1980s - Casio VL-tone, Wasp synth, Moog Concertmate MG-1, 2 track compact cassette recordings: tape to tape mixing ... emergence of Ding Dong. Revelled in the limitations in lo-fi sonic pallette and student budget...
1990s - Upgraded to 4-track compact cassette recordings... Casio CZ1000.
2000s - finally onto DAWs & xmachines & budget soft/hard synthesis & quirkiness in the Hikari Monos......Cakewalk>Sonar>Logic

A Musical Journey of FlexHead
Best known as a local Northern California Funk Band, FlexHead and their sound have developed and grown in popularity since 2015. Influenced by the community, culture, and sounds of their hometown, they perform music that speaks to fans across the musical spectrum. Their signature style has become synonymous with a diverse collection of melodies and compositions. This Funk Band is on the rise, and nothing can stop them from achieving the success they work so hard for. 

Contact FlexHead at FlexHeadFunk@gmail.com

👽  👽  👽
  👽   👽

https://www.mixcloud.com/trancylvania
@trancylvaniaCH

👽 Only music 👽


👽 Only music 👽

I'll follow you back when I can.

Musics, dooms, whatvers. =j

"I'm plays all the instruments and screams."

https://brianmelt.bandcamp.com/merch/tie-dye-t-shirt

Your basic, dopy guitarist, I've been playing all my life. Released 1st album, recorded in 2010, half-ass released and haphazardly introduced on fazebuuk and twigger in 2013.  It was a disaster.  Another.  See link for archived bannedcamp squat "splat - off the windscreen" below.  Eco-friendly "bamboo" 15gb USB also available at bandcamp.  I know.  "Laaame."  Again, link below.  I plays all instruments, sings, do my own recordings and productions, but I use outside helps with masterings.  I thinks I likes Sage Audio.  Anyway...


Playing live regularly isn't really feasible for me at this point in time, but I still love making musics. Leveraging pt8 & w^vista installed on a rusty boat anchor, Tapatíos, pet hairs, superglues and duct tapes, I'm working on a 2nd album. But, I need fund for copyrights, publishings and "all that jazz."  So buy somethings if you can.  Limited quantity. Rare. Unique.  Maybe a "splat - off the windscreen"  15gb bamboo (66% less ecocides) USB with album art.  Great for sampls, other musics, pictures or works... just don't use it for espionages.  ;)  (coming soon to a Bannedcamps near EU) Or just slip me a tips through paypals. 

My album is also available for download (I think) at CD Baby (seedy-baby to me) but, honestly, I have trouble with CD Baby and Bandcamp due to the multiple sign-ins and various accounts required.  I just get fed up and say "aw forget it." But the people at CD Baby are super nice and try really hard to help. I tell them "no, it's me. really."  I'm hopeless. =D


I appreciate you listening and checking out my soundsclouds. Very much. Thank you!!


Laugh, even if through the tears.


Collaborations warmly welcome.


I am a goof. =j

I love to hear from people  =j

BrianMelt  =j

https://open.spotify.com/artist/1zIMMR4UaDEISHbVVcbmJR?si=Iw5tqxYnSVihZO4Pre000Q

ThrillMonkey’s love of excitement and danger has evolved into a unique blend of musical styles including hip hop, metal, rock, drum & bass, and rap. Their signature sound is instantly recognized by it’s originality and aggressive presentation.

Electronic noises 

I co-found a duo with my friend Artur
on guitar - Surfers Like Us

Take it Out (with Llanpsych)

Entheogenic Psychonaught (Josh Clary)