MTD Mixtape June 2024

Stay the Course

GOSSIP IN THE ROOM OF THE DUSTY VINYLS

Discovered in june

July Friends

Listen to a far better version of this in the collab with Myrh and Joerxworx: 

https://soundcloud.com/myrhyum/concretethought-f-jorge-myrh-the-magentic-dog-sisters

source: https://soundcloud.com/gaspardcanine/the-wrong-boat

Another Ride On The Wrong Boat

38_ Rework Your Love - 1st release at MMJ 10 January 2023 (re-release at SoundCloud 17 Sept. 2023)

My very own rework to an untopable 90s raving Trance Pop anthem "Your Love" by Mark'Oh vs. John Davies! #trance #techno #edm

(produced with Music Maker JAM)

Rework Your Love

Cast of Characters:
TexMex Shaman–@texmex-shaman –Stephen–acoustic and electric guitars, mix, and production
J.J. Terrell–@j-j-terrell –piano, synth, composition, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Llanpsych–@llanpsych –Tez–electric guitar
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–five-string fretless bass and lap slide


  This song began its life as a composition that JJ wrote one evening on the piano and synth. He also wrote the lyrics and sings this one. He was very excited to share it with us, so he invited Josh, Ken, Stephen and Tez into the project immediately after finishing. However, we couldn't make the thing work at first, so JJ went back and retooled it, streamlined it, and gave it back to us. We all really liked the Floydiness of the groove, and his signature psychedelic coda ending. 
  After Ken had laid down his inspired, foundational  drums, Josh laid down his bass part with his big monster five-string bass, which is good for really low tones. Then it was Tez's turn. He came up with something very Gilmore-esque, with his always exciting leads throughout the first section. Stephen then added some brilliant, filling acoustic guitar to the first section. He, along with Tez, also added some trippy electric guitar to the coda. Finally, Josh just thought it needed something to push the coda over the edge, so he added the slide at the end, too.
  Then, of course, we asked Stephen to produce and mix it for us, which he did in his always expert way. We hope you enjoy listening to this as much as we enjoyed creating it. Also, we wish a very happy holidays to everyone! 

JJ's lyrics:
PUSHED AND PULLED AND SWUNG THE CLEAVER
MY TIME IT RAN AWAY.

FOOLISH HEART AND SOME DECEIVIN’
DIE TRYIN’ TO STAY AFRAID

DESERT CHILL IS WHERE IM SLEEPIN’
HARD NIGHT TURNED INTO DAYS

BETTER GO AND FEED THIS FEVER
TWICE BLINDED BY THIS FAITH



SHOULD’VE KNOWN WHILST IN THE SEASON
BEHIND BLIND BRAVEITY

TRUTH COMES HOME TO ROOST THE RAVEN
FIVE STEINS MADE OF JADE

TREASURED HILL THE SUNS RETREATIN’
CARD PLAYED YOUR HANDS AN ACE

LET IT GO THIS BIRD IS DREAMIN’
DICE LANDED AT THE TRAIN



COULD’VE SHOWN MY HEART’S REATREATIN’
BLIND SIDED BY THE SEA

PLEASURED TONE OF THE BALLADEER
FIND A HIGH AND LONELEY PLACE

SEED IS SOWN THIS HEART’S STILL BEATIN’
FIVE LIONS IN THE DEN

GETTIN’ COLD THE BEAST IS LEAVING
SOUTH BOUND IT ALL THE WAY

Red Sun - Eclectic Collective

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production

TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering

Llanpsych -- @llanpsych -- Tez – mix and production

J.J. Terrell–@j-j-terrell –piano 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel



This song began when I asked the rest of the guys if they'd be willing to put together a couple of songs for my father as a Christmas present. My dad is from West Virginia, and I was born there, too. The original version featured my son, Marshall, singing the lead with me. Hearing his grandson sing a song about West Virginia really meant a lot to my dad. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to my family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the legendary Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog, Waldek, loves country music and responded enthusiastically to this one.

  The story of the song itself is a little convoluted. After I asked for everyone's help, Ken laid down a rudimentary beat, to which I started the tonal part with the bass. Stephen added the guitar and banjo soon after, and I added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for me and my son to sing it for my dad. Tez mixed that version perfectly suited to the occasion. 

  After presenting my dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better than Mr. Denver, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning and the auxiliary percussion throughout. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmony to Mark's cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, I added it. Mark also mixed this version, with Stephen doing some mastering at the end. 

  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.

Take Me Home Country Roads by John Denver (Eclectic Collective)

Harmony laden lyrical acoustic rhythmic soul

Between Abstraction and Representation

You don’t know which way to stand
Is the light favorable?
Or is black now passe
I guess it’s all debatable

I’m trailing in your scent
You’re LA then New York
Ghosting like the Zephyr Train
Making sure you walk the walk
You’re caught there in between abstraction and representation
They watch you in between abstraction and representation

Though you deny you seek to impress
It’s other women for whom you get dressed
In and out of the closet you float
Strapping and weave – girdle and hose

Delaunay or Cassatt?
Hey honey bring it all back
Home . . . 

I could be jealously mad
Seeing all that attention you grab
But bedroom’s night is painting your curves
And only I will get to observe

Between Abstraction and Representation

This Car Is Not A Truck

Recorded in Modesto, Ca. Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Steinway Brothers Acoustic Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Fender Electric Bass. Roland Synthesizer Bass. Drums full kit. Percussion, Cow Bell, Ago go Bells, Tambourine, 22" Zildjan Ride & Crash Cymbal. Congas, Bongos.

Cannery Row

Dashing Out

Cranberrian

59_ Hey, Mando… This is my Way! - released on 25 May 2024

I’m so fascinated by the original title "The Mandalorian" by Ludwig Göransson from my favourite Star Wars series! #classic #electronic

(produced with Music Maker JAM)

Hey, Mando… This is my Way!

Dedicated to 29 years old police officer Rouven Laur who lost his life today in Mannheim being stabbed down by an islamistic attacker while trying to save the life of another victim of this terror attack. Rest in peace, may you be never forgotten.
written in 1994

Pulseless (2024)

(Composed June 4, 2024)

Painting (detail) by Isabella Wiegele, "Voodoo" (November 1993)

Figuration

Norse  Metal

Hello friends! I invite you to listen to my brand new surf song! I hope you will like this slightly psychedelic vibe. Don't worry about anything … and keep chasing ahead! Enjoy listening to it! 😎🎸
Artwork by my daughter Rita (wall painting)

Don’t worry about anything

"Lotus grow only in wetlands and thus symbolize the idea of ​​rising from ugliness and unrest." "The lotus is considered a symbol of purity and transcendence, as well as spiritual purification and liberation".

Lotus (For three guitars)

Purple Room (wardrobe) - Fleursonseaux
All rights reserved - © Copyright

Purple Room (wardrobe)

Cast of characters:
J.J. Terrell-- @j-j-terrell—JJ—piano, synth, lead vocals, lyrics, seed idea 
TexMex Shaman– @texmex-shaman –Stephen–electric and acoustic guitar, slide guitar intro 
mistermark-- @user-432503709 -- Mark – backing vocals, organ, vst sax, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass
Composition--The Eclectic Collective

  This song began as an idea JJ came up with during one of his Saturday night creative sessions, fleshed out on the piano, drums, and bass. I was first on this by coming up with a new bass line to go with it, but Ken was also an integral part of that process, as always, too, adding his perfectly suited drums to it. Once we had the rhythm section down, Stephen added his electric guitar, which adds a great howling at the moon esthetic to it, and his acoustic guitar as a foundational element. He also added the cool slide guitar you hear in the intro. 
  At this point, JJ decided it needed some vocals, too. So, he wrote up some lyrics and sang them, giving his typically light, gentle voice some rough swagger. Mark then came along and added the rich backing vocals you hear in there. He also added the sax solo and the organ, too He also was able to correct some timing issues we were having, by using his able hand in the DAW. Then, of course as every good song needs a good mix, Mark did the honors for us with this one, too.
  This is a true Eclectic Collective song, and we hope you enjoy listening to it as much as we enjoyed making it.   Also, in case you were wondering where Josh and Tez have been, they've both just returned from vacations in North Carolina and Ireland, but are excited to be back making music with the team.
Original lyrics by JJ Terrell:
That fog around the mountain

is getting set to rise

pulling these wheels on down the road lord

is pulling my heart right out


If you really love someone now

wouldn't you want it to be a hundred to none?

instead of traveling around with a scorecard by your side


ooooh oh yeah

gonna set you free


ooooh, oh yeah

gonna leave you be
that fog around the mountain
it's like a dream
my heart, it has soon forgotten
a rolling stone like me

saxophone
looking down that dusty road
sun's beatin' down

pulling these wheels on down the road lord
has got me down
until I see you again. 




That Dusty Road (Eclectic Collective)

This time I invite you, my friends, to listen to my new surf song with a view to traveling on holiday roads. I hope this song will keep you awake at the wheel! 😎 A long car trip means monotony and fatigue, which is why I introduced "twists and turns" in this jam song. I wish you a pleasant listening experience and a good vacation!!! 🌞🎸
  This is a song with a special dedication to my friend Josh Clary 🍀

Mediterranean Connection (For three guitars)

random gossip

Gossip

LA PEAU CRAQUE ET SE CRAQUELLE COMME LE LIMON DU NIL
CATASTROPHE NATURELLE RAYURES SUR LE VINYLE

J'ÉTAIS JEUNE J'ÉTAIS BELLE MAIS LE TEMPS CET IMBÉCILE
M'A FAITE VIEILLE HARIDELLE ESPÈCE DE FOSSILE

LE TEMPS PASSE ET LAPALISSE EN AURAIT DIT AUTANT
IL FROISSE TOUT C'QUI ÉTAIT LISSE ET MOI J'EN VEUX AU TEMPS

J'ÉTAIS JEUNE J'ÉTAIS ARTISTE MAIS LE TRAVAIL DES ANS
M'A SALOPÉ MON ESQUISSE ET M'A FOUTU DEDANS

LE VINYLE (Lyrics) +B. Browning

Cast of characters: 

Quanah Stewart --vocals, lyrics
TexMex Shaman– @texmex-shaman –Stephen–electric guitar, synths, arrangement, composition, mix, and production 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass
 
This song began with Stephen and his friend and bandmate, Quanah Stewart who also sings this version, and who wrote the lyrics. They were in a band together for about 7 years in the early 2000s. When the band broke up, they went many years without playing together. Until, in 2018 Stephen started his TexMex shaman project and this was one of the first songs he wrote.  Quanah had moved to Austin in the meantime but on a visit back to Dallas, Stephen asked him to come over and add the vocal track you hear on the song.  
 
Fast forward to 2024 and Stephen wanted to remix this along with a few other older tunes. He asked his good friends and teammates Ken and me if we'd like to help, and of course, we were super enthusiastic.  This is what Stephen had to say about the finished product. "Their parts blew me away.  Beyond what I expected and it made it a whole new song.  Very grateful to them both for their time and talent." As are Ken and I very grateful to Stephen for sharing his awesome rocker with us.  
  The title comes from trying to think of the stupidest song title Stephen could come up with, on a bet. And it’s close. 
  Of course, Stephen did the honors of mixing and producing it. Ken and Josh had a lot of fun brining this song back to life with him, whose creativity and skill are unparalleled. We all hope you (and Quanah) enjoy listening to it as much as we enjoyed creating it. 
Original Lyrics by Quanah Stewart:
1212 still like to dance still like to sing deep cover elevator parking lot bring yeah THEY don't know about IT THEY aint seen we squeakin tweakin but were bufferin th stream yeah favorite stories favorite songs hey check th timeline might be gettin mighty long now my mind expanded my mind IS blown my head exploded but I dont know what it shown yeah (unknowable silence) NOW ITS some bullshit we went through who knew th
CHASMS came & got you 2 still sayin fuck you still stayin high still makin me believe that Bon Scott never died rye whens the punchline when
IS IT near nobody laughin said that no one shed o tear NOW so whats th story what th eff we gonna have to make IT with what little we got left yeah yeah

Tallywhacker OMG! (with Stephen and Ken of Eclectic Collective, and sung by Qhanah Stewart)

Album Summer Of The Seasonal Optimist 2024 
...with a little help from my friends...

Summer Of The Seasonal Optimist

Track shows a very delicate theme and a quite hard-riffed part, both alternating and finally flowing up to an endless symphonic dream (words are half a poem I wrote previously (not these, but lyrics below)).

Letra  /  Translated lyrics:

No despiertes (Sólo un sueño)  /  Don’t you wake up (Only a dream)

No... despierta... no... no despiertes  /  No ... wake up ... no ... don’t you wake up
no, cuidado... no despiertes, na na na na na...  /  no, take care ... don’t you wake up, na na na na na…
... despierta al fin y date cuenta  /  ... wake up at last and realize
de que todo ha sido un sueño, na na na na na...  /  everything has been a dream, na na na na na...

Una vez más, nervios y resentimiento,  /  Once again, nerves and resentment,
todo en mi vida es sueño, sólo ha sido eso.  /  everything in my life is a dream, it has only been so.

Y de nuevo, con el tiempo,  /  And again, with time,
incubando un nuevo sueño,  /  incubating a new dream,
me voy hundiendo en mis propios brazos,  /  I am sinking in my own arms,
me acuno, me canto y me voy acostumbrando...  /  cradle myself, sing to myself and get used...

Otro escenario, otros personajes,  /  Another stage, other characters,
la misma historia, na na na na na...  /  the same story, na na na na na...
que durará un día, un milenio,  /  which will last one day, a millenium,
toda mi vida, na na na na na...  /  all my life, na na na na na...

Pero sin duda vendrán a despertarme  /  But undoubtedly the laughs of people
las risas de la gente, alguna tarde.  /  will come to wake me up, any evening.

Y entonces, con miedo...  /  And then, fearfully...

No... despierta… no… no despiertes (…)  /  No ... wake up ... no ... don’t you wake up (…)

No despiertes (Sólo un sueño)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me