this was going to be a disco type song, like love is in the air, but it did not sound right with a dance beat, so stripped out all of that, added a 12 str and toned down the keyboard. the vocals will prolly get a do over next week

You don’t have to smile at me when you pass me on the street
You don’t have to cross against the light so we might ‘accidentally’ meet
You don’t have to ask my friends if i still live alone
Or tell my folks you said to say hello
You don’t have to be so kind

You don’t have to come up to my table in a restaurant
And put your hand on top of mine and act so familiar while we talk
You don’t have to find any reason to spend time with me
Or send me little notes I’ll always keep
it’s gonna make me lose my mind

I’ll only fall in love
I’ll only think of you
I’ll only lie awake and wonder, if you’re thinking of me too
I’ll only act a fool
And I’ll want to marry you
It’s all cause of you
You’re too good to be true
I’ll just fall in love

Please don’t ever let me hold you close beneath the starry skies
Pde give me any reason to look deep into your eyes
And if i should ever start to wonder what my life would be
If you were always next to me  I’ll blame you, 
For making me feel this way

I'll Only Fall In Love

A deep and dark song about sorrow and sadness. Initially written on piano, I decided to add dissonances and abstract soundscapes. I am very happy that Michael leaned into the dark theme and wrote sparse lyrics with a lot of meaning in between the words. 

Nadine de Macedo: composition, arrangement, piano, synthesizer, production
Michael Karns: vocals, lyrics

Cover design: Nadine de Macedo
Photography: Cristian Palmer

Where to find us:
https://www.youtube.com/@nadinedemacedo
https://michaelkarns.bandcamp.com

==== LYRICS ====

I'm on my own
Here alone
Almost at the bottom
How did we fail?

Did we change?
How are you?
Because I found
Something inside
Something close to us

It's only some words
Calling out 
Calling to me
From our yesterdays

Deep inside 
We knew it from the start
A love too good
To be true
    
Help me
Help me understand
This new land
Desolate and blue

In the end
It's always been us
You and me
On our own journey

To a new place
It's only some words
Calling to me
From our yesterdays

Deep inside 
We knew it from the start
A love too good
To be true

Calling To Me

Cast of Characters:
Stonerjazz-- @user-911083679 -- narration of questions
Surfers Like Us– @user-411502040 –Artur– guitar
mistermark-- @user-432503709 -- Mark—synth effects, synth strings and flute, lyrics, and vocals
Llanpsych -- @llanpsych -- Tez – guitar and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, slide, sitar, and production
J.J. Terrell–@j-j-terrell –electric piano, organ, synth, bass, drums, vocals, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, percussion, and vocals
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- guitar, bass, madolin, keys, banjo, lap steel, sitar, and vocals
Huge thanks, too, to the other featured musicians to whom we're very grateful to for sharing their music and talents with us this past year. They are the fuel that drives the EC into new musical realms. They include:

(especially) CGMANESS-- user-419254289-15129531
TEA R. SEA-- @tea_are_sea
STEVE'S PLANET-- @steve-vervaet
JOHN ANTHONY-- @john-anthony-871225464
JEFF ROBERTS-- @jeff_roberts
ELPIVERSE-- @elpiverse 
SCOTTY (ONE MAN VERITY SHOW)-- @one-man-verity-show 
ROY ROY-- @user-967672349
MARK FOSELLA-- @mark_f_2019 
FRANS BEELAARD-- @user-936947521 
THE MYSTERIOUS DECIBEL--  @themysteriousdecibel 
DAVID MARCONI-- @david-marconi-917184705 
RON LEWIS--  @ron-lewis-779503933 
JAMES TOBUREN (WITCHES OF THE ALAMO)-- @witchesofthealamo 

  Well folks, it's that time of year again. It's time for the Eclectic Collective to take stock of the fruits of the year previous, and reflect on what making music together means to all of us. We hope you all take a chunk of time and indulge in our gift to you. We wanted to address every one of our SoundCloud friends with our voices as an intimate way to connect with each of you.
  This has become a tradition within the EC now that we've made it to our second (and a half) year of making music together. For the second time, JJ asked our friend and sometimes collaborator Jeff (Stonerjazz) to ask some interview questions of us. Then, we all came up with the answers and sent them to JJ to assemble the project.
  This mighty music machine we've created, that manages to release a new song every Friday, wouldn't mean anything if no one was listening to us. Which is why we want to extend our very sincere thanks to you for tuning in and supporting our efforts. If one other person gets joy from our music, that's such a huge accomplishment. However, it really feels like a bunch of people whom we really respect are digging what we're doing, which feels truly humbling and fulfilling. 
  With that, we hope you enjoy hearing us voice our thoughts over the highlights of our musical year as much as we enjoyed a year rich in music and comradery. Happy New Year!
 Here's a breakdown of the time stamps for each of our individual questions and answers, in case you want to skip ahead or want to hear someone more than once. 
1:28 TEZ Q1
2:20 TEZ Q2
2:37 TEZ Q3 
4:42 KEN Q1 
7:36 KEN Q2 
13:04 MARK Q1
18:42 STEPHEN Q1 
23:21 JOSH Q1
27:36  ARTUR Q1  
32:00 J.J. Q1

The 2024 Eclectic Collective Rockumentary

la bête

Original by : FPMORINSTUDIO/Francois Pierre Morin musicians composer 

MANUFACTURERS OF RUIN

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, vocals, lyrics, and seed idea

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 

TexMex Shaman– @texmex-shaman –Stephen– electric guitar 

Mistermark-- @user-432503709 -- Mark – clavinet and VST sax    
 
Llanpsych-- @llanpsych -- Tez – electric guitar, mix, and production

Eclectic Collective -- composition

This song started its life as one of a batch of bass lines Josh came up with around the New Year holiday. He recorded it to a rudimentary drum loop, which Ken replaced perfectly with his own beat. Stephen was up after Ken, adding his tasteful, foundational guitar you hear underlying the entire song. Not to miss out on the guitaring, Tez came up with the ethereal guitar fills that float around in there. Mark came after Tez with his textural wah clavinet, also adding the wonderful sax solo you hear in the middle. After it was done musically, Josh went back and wrote some lyrics and sang them, too.
  Once it was in the can, we asked Tez to do the honors of mixing it for us, which he did in his always expert fashion. 
  This is a fine example of the Eclectic Collective coming together to create a heartfelt song, based on a bass line seed.  We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by Josh Clary:

Sometimes I think about 
Things we used to talk about
Now I have to go without
Ever looking at your face x2
 
But I want you near me
Wish that you could hear me

What if we could ever reach
Out to the other each
But what would we say?
Is it just another routine day? x2
  
It makes my heart hurt bad
When I think of what I had
Now you’ve slipped away
Seems I saw you just the other day
 
Life can be really cruel
And I can be a fool
But I wish there were a way
I could hear what you would say

Loss - (Eclectic Collective)

Lágrima colma el vaso

👨🏻‍🤝‍👨🏻=--> 📺📹⁂©All Rights Reserved 04-2025
©Lyricist, Mixer, Mastering, Pro License & Creator: Lady ElectroTrek
***
TITLE FROM SUITS TO SCREENS: A POLITICAL SCENE
_________________________________________________
LYRICS: 

(Verse 1)
Back in the fifties suits ruled the land
Cold War shadows and a nuclear stand
The votes were counted on paper so clean
Dreams of democracy behind the sheen

(Verse 2)
The sixties roared with protest and cries
Marching for rights under wide-open skies
A new generation with fire in their feet
Changing the world from the ground to the street

(Chorus)
From suits to screens the story's been told
A world evolving both young and old
We shape the future with every new line
Political science through space and time

(Verse 3)
The seventies grooved but scandals would burn
Trust in the system was hard to return
Watergate whispers shook the grand halls
But still
The people answered democracy’s calls

(Bridge)
Eighties brought power suits shoulder pads high
Global connections and a Wall said goodbye
Technology crept in with promises bright
Politics shifted to digital might

(Verse 4)
Nineties dot-coms and a world on the brink
Globalization made everyone think
The wars were fought with pixels and words
Boundaries blurred like migrating birds

Globalization Reinforced That Time Changes Things

From Suits To Screens: A Political Scene

From Suits to Screens: A Political Scene

Eternity

sorry i killed her cover (SOUNDCLOUD BONUS)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The 2024 Eclectic Collective Rockumentary

Entheogenic Psychonaut (Josh Clary)