The Get Down (Kobe Love for all here 🎶🏀)

I SEE THE GUITAR COULD GET SMOKEY

Daily Drops

Taste

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde.
Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band.

Entheogenic Psyconaut (Josh Clary) - The Eclectic Collective Collection

Shock the Algorithm

Ib     157

Jochen Pash feat. Josée Hurlock - Keep On Trying (Original Mix) - Teaser

Solomun remixes German rap group K.I.Z’s track „Samstag Ist Krieg“ which translates to „Saturday is War“ - a play at rowdy nights out in Berlin. 
A deep and hypnotic beat pulsating like the capital’s U-Bahn going over rails paired with the vocals of Tarek K.I.Z that range from whispers to screams set a gloomy vibe right off the bat. Synthesizers start flaring up like emotions on an intoxicating bender, and then all culminates in a night-defining climax.

K.I.Z - Samstag Ist Krieg - Solomun Dub Remix

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — acoustic guitar, vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T electric guitar, production, mix, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, and Roland organ
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitrar, mix, and production
Mistermark-- @user-432503709 -- Mark – triangle, and ancillary vocals

This song began when Carl, who is always making connections on the Cloud, was inspired to write a song about our bandmate, Mark. As you can tell from his lyrics, Carl shares our appreciation and respect for our resident Canadian singer and multi instrumentalist. So, when he had the chords worked out on his acoustic guitar, and a great vocal track, he recorded them and started a project, to which the rest of Eclectic Collective were invited.
  First up to bat was Ken, laying in his always clever, essential beat for the rest of us to work with. Stephen was the next person to lay down a track, which was his essential, but subtle electric rhythm track. Later, after it was almost done, he also added a fiery solo in the firt part of the ending section. Josh came along right after Stephen, laying down his signature fretless bass. He also added the organ shortly after, as well. Tez entered the fray next, adding the lightning, Gilmore-esque final solo in the end section. 
  We considered what to do with this song for a minute, too. The thought was whether to present it to Mark as a gift, or to include him in the mix. We decided to go with the latter, and he added the awesome vocalizations towards the end, as well as some cool triangle.
  Once we had it in the bag, we turned it over to Stephen for the production, mix, and mastering, which he always does in a very pro manner.
  This is our second of hopefully many songs with Carl. If you have good music on your page, there's a good chance that he'll hit you up to collaborate. Like the moon, he's everywhere, and he's a damn fine collaborator, too. We hope you enjoy hearing this as much as we enjoyed creating it.
Carl also wanted to share this message about Mark, as well.
  "This song is written for our Canadian friend Mark. Mark is a pivotal member of the Eclectic Collective who as a band and equally Mark as an individual I'm discovering are phenomenal to work with. I was particularly struck how multiple generations of Mark's family enjoy music and creating together. Thanks for your music man. You really do show a unique approach and I look forward to making more really enjoyable songs like this one with you buddy. In my head lyrically Mark is whoever you focus the love on. Rock and Real!" ----TBD

Original lyrics by The Beautiful Dark:
You are the Mark
Mister Lark
Pedigree Bark
Stunning musical stark
Meet Mistermark

From Wondr to Bossa
All from I' Spy
Projecting your best
Proud human melody cry

May 2019
Maybe some fear became esteem
Soft bands in garage channel a way
Internal dreams in sound found light this day

So Dad was a seed
Kudos big man
You do good breed
In music we learn with proper concern
I think now you found Josh the EC

So onto Collective
You expand their perspective
With you and your music
Now Earth gets more fuses
Because of your music
It's a better blue ball
I know I certainly love hearing Marks call

We pressed the remote
We having those jams
Let's get it on and get more brain tan
We singing to clan
Wham bam thank you man

Miss No Mark (Eclectic Collective with The Beautiful Dark)

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, Ibanez electric guitar, beats, composition, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Fender Acoustasonic acoustic guitar and e-bow
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
electric wah guitar
Cgmaness – @hiddenhands-760647700 – Chris – vocals, vocal harmonies, and lyrics
This song began its life as a skeleton of beats and synth created by Terry, who also added some crunchy electric guitar hits to it, too. Terry is a very skilled electronic music producer, and frequent collaborator with Stephen for a project they call Texas Tea. It's worth going to check out their other collabs, as well as Terry's solo projects on his and Stephen's page. 
  Even though Terry and Stephen work together frequently, Terry approached Josh with a couple of ideas, and Josh picked this one, so Terry started the project and invited the rest of the band to join in.
 Stephen was the lead off hitter for this one, though, adding his magical and heavily processed acoustic guitar to the bridge in the middle, as well as textural guitar in the entire first half. He also added a couple of cool lines with his e-bow, which he used on his guitar. Ken was next up to bat, adding his always thrilling drums to compliment Terry's beats. Josh went to work next, now that he had a solid beat to work with, added his low-frequency five string fretless bass to it. Tez batted clean up, adding his thrillling Gilmore-esque guitar solo to the end of it. 
  Then, once the music was all finished, we turned it over to Chris so he could add his amazing, psychedelic vocals delivering his original lyrics throughout.
  Once we had everything recorded, we turned it over to Terry to mix, as it was his song to begin with. Terry is an excellent producer with a great ear. Stephen, who is our trained mixer gave him some key advice along the way, too, though.
  This is Eclectic Collective's third song with Terry, and we're always thrilled when he has something to offer us. He's a wonderful collaborator with tons of great songs on his page, that are all worth checking out. We hope you enjoy listening to this as much as we enjoyed creating it.
  Oh, and it's worth mentioning that three of us on this have birthdays this week, too. Chris' was first, on Wednesday, Terry's was Thursday, and Josh's is Friday (today). So, this is an extra special celebratory song for all three of us. We're all so very grateful for our SoundCloud community, friends, and musical family. We appreciate all of you!
Original lyrics by Cgmaness:

Lost in inner space,
questions interlace,
often they're erased.
amnesia's saving grace.
...
Many rising up,
What do you think it means?
Anything at all?
Anything?
....................
Wonder if you feel,
any of this truth?
Root systems occur,
we are one from birth.
we are one.
....
Slow to realize,
something is in the skies.
I cannot be wise.
We are lied to.
Realize, it's all a ruse.
but, we ripple on.
we ripple on.
we are one.
...
And that's when we fell back into,
a very familiar feel.
but I know.
Just pinholes,
just pinholes. 
....
Many rising up,
what do you think it means?
....
Sometimes we have to let go!

Koala Tea (Eclectic Collective with Tea R. Sea)

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us!

Throwing Rocks (Eclectic Collective)

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation acoustic guitar, lead vocals, lyrics, and compostion
Scratch Kelly -- @scratchkelly — Sarah —  vocals
one man verity show – @one-man-verity-show – Scotty – Epiphone Casino melodic  electric guitar and vocals
Joe Stroffolino-- @joseph-stroffolino --  vocals
Mistermark-- @user-432503709 -- Mark – triangle and vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Llanpsych -- @llanpsych -- Tez – Tom Anderson Custom T electric guitrar, mix, and production
TexMex Shaman– @texmex-shaman –Stephen — Fender Stratocaster electric guitar, production, mix, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

I just want to say I'm beyond honored to be the subject of such adoration from my musical family here. Carl really knows how to make a brother feel special, and he did it for me this time, with the help of some of our EC extended family. Here's Carl's write up. 
"Mr Bringer-er Together-er is Josh. You may also know him as artist Entheogenic Psychnought, or the spine of Eclectic Collective. We all came across Josh in our own lucky ways, but he really sets a high bar for spreading constructive musical love and encouragement on SoundCloud. This song started out as a comment. I (Carl/TBD) went to call Josh Mr Bringer-er Together-er and my phone auto corrected it. the next morning K2 swooped in and said what I wanted so I used that as a trigger for the song.
So, I had a rough arrangement. We then invited a few artists, except Josh, to paint it for him. Scratch Kelly, aka Sarah, beamed through some amazing vocals. Not long behind Joe Stroffolino painted in some brilliant backing vox. Then Scotty (One Man Verity Show) chimed in with some amazing guitar, trippy backing vocals, and the super artwork you get to enjoy. Mark brushed in a triangle and some vox, and then Ken added those trusty drums. Tez then strutted in and added some super lead guitar, and not far behind him was Stephen with some epic rhythm guitar that showed the way for the song from that point of view showing a much better space to all the other instruments than the original demo guitar. That was a lovely lesson on less is more...

The song was now ready to give to the main man for him to paint, and he chose his trusty bass to put some strawberries on his own musical cake.

I now stared at 37 tracks and went... Hmmm Stephen, Help! Stephen mixed and mastered it to its crisp current form, and it was a very difficult mix. He basically had to merge 3 projects to one and really aced the challenging mix and master like the true shaman he is. We hope you enjoy the song that brought us together again. May it give us more togetherness like Josh so wonderfully demonstrates everyday

You da brother man Josh 🤘🏽"

Lyrics

Magnet of human
Moulded by melody mind
Just jester Josh delivers this kind
Collective of creed worth all our belief
Friendship
Togetherness through skill and relief

Sharing, Caring
Composer of purr
Human vibrations of the highest occur
Let's celebrate this human some more
It's Mr Bringer-er together-er

Mr Bringer-er together-er
Mr Bringer-er together-er

Loving, Not shoving
Honing, Not moaning
Positive to give
In music he live
Loving his kids
Like he loves us
The luckiest kids who take this EC bus
Josh is the driver
Mr Music Jeez
More Mr Bringer-ers together-ers please

Mr Bringer-er together-er
Mr Bringer-er together-er

The Joshua Tree collecting collective
Physical dreams
Metaphysical pleasures
Skills. New.
Unconditional prime time
The only thing we tow is how we making new time line

Mr Bringer-er together-er

You are the rod
You cast your spinners
You reel us back in from lake bitter winter
It's Spring all the time in your World and Page
Our Mr Bringer-er together-er sage

We all love ya mate

Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo
Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo

Mr Bringerer Togetherer (Eclectic Collective with TBD, Scratch Kelly, Joe Stroffolino, and One MVS

Vintage Culture makes his Diynamic debut with "Do You" - a three-part release that pushes straight into the heart of the night. The title track hits first, all rising tension and bold synths - there’s no easing in, just a sense that something’s about to lift off. "Âme et L'or" comes next, with Malou’s French vocals gliding over shifting pads and airy textures. It feels like a detour, a pause under flickering lights, where everything slows down but the energy still lingers. "Space" takes it home - sounds stretch, sway and unfold into something wide open, like the moment just before sunrise when everything feels weightless. Each track hold it's own tone, together, they trace the restless energy of a night rewriting its own rules

Vintage Culture feat. Malou - Âme Et L’Or

This time... it's all about everything !

Written, performed, mixed & mastered by
André "pixelorb" Brandes © 2025

Image: pixabay.com (CC0 Creative Commons)

Instruments:
- TAL U-NO-LX
- TAL Bassline 101
- Synapse "The Legend"
- Synapse Dune 3
- Full Bucket FB-7999
- FL-Studio Sytrus

This Time

The final one of the series of rough demos created by Hubert Stytz 
Hubert Stytz: vocals, all instruments, composition and arrangement
Pee Gee       : lyrics

Inspired by the overwhelming beauty of nature and the secrets of meditation ,  calmness  and mystical miracles!
INANNA

There´s a sound as darkness grows
In the moorlands till the nightwind blows
There´s a whisper up in the evening sky
Out in the distance the seagulls cry

Inanna.. Inanna.......Inanna.. Inanna

There´s a glow, a flickering in the air
Causing a change, a change of atmosphere
When the sun goes down , it´s fiery red
The moonlight shines so bright instead

It´s the wind that whispers in my ear
Sweet words of soothing I yearn to hear
As we sit  and watch the glowing stars above
Peaceful hours bring words of love

Inanna.. Inanna..a walk in the moonlit night
Inanna...Inanna..a dance in the shine of the moonlight
Inanna.. Inanna..a kiss in the face of the goddess
Inanna.. Inanna.......

Inanna.. Inanna..a walk in the moonlit night
Inanna.. Inanna..a dance in the shine of the moonlight
Inanna.. Inanna..a kiss in the face of the goddess
Inanna.. Inanna..a touch under cover of darkness

Inanna.. Inanna.. a walk............................................

Inanna

Blessings (Odd Mob Remix)

Mahan Mahan is responible for the orchestration and mix(coverart)
TexMex Shaman on electric guitar and Mastering(coverart)
the poem and voice by stonerjazz(coverart)
 
the nature of their being by jeff gardiner 

 ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of their being--

The Nature of their Being-with TexMex Shaman and Mahan💀Mahan

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

Smoke & Mirrors

In this track, we worked with @noxpox21 to explore the theme of teleportation. We imagined what it was like for Rob's character Riven to learn to teleport.

We were heavily inspired by Portal 2's soundtrack.

Thanks for listening to this wild chaotic science experiment of a track. And thank you noxpox for the collaboration!

We made it creative commons and remixable, so feel free to make a noncommercial version of it if you like.

Realm III [Instrumental Prologue]

Parallax Shift- Instrumental

😇💧💧💧💦⁂©All Rights Reserved 08-2025
©Lyricist, Mixer, Mastering, Creator, Pro License: Lady ElectroTrek
***

TITLE: BETHESDA BLUES
_______________________________________________________________
LYRICS:



(Verse 1)
Sun come up again today
Same old trouble in the way
My bones ache my spirit low
Where the good times where they go

(Pre-chorus)
Hear a whisper on the breeze
Something bout a magic ease

[Chorus]
Bethesda Pool oh Bethesda Pool
Washes away the mean and cruel
Bethesda Pool just dip your toe
Watch the bad stuff up and go

(Verse 2)
Walkin slow down to the water
Feelin like a lost old daughter
See the light dance on the green
Best darn sight I ever seen

(Pre-chorus)
Take a breath let out a sigh
No more tears just clear blue sky

(Chorus)
Bethesda Pool oh Bethesda Pool
Washes away the mean and cruel
Bethesda Pool just dip your toe
Watch the bad stuff up and go

Pool Of Miracles

Bethseda Blues

Bethesda Blues

Electric guitar, e-bow, effect pedals, non synchronized loops, two tube amps, analog bass synthesizer, djembe. Audio-snippets taken from Fox News, 06.08.2025. All sounds (except the original voices), mixing and production: Velvet Something Superdark.

Download

Chernobyl On The Moon

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition
J.J. Terrell– @j-j-terrell – organ and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion
Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitrar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 
  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.
  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.
  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.
   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:
Hey Human
It's official
The get down on fire funk
Future sizzle
All members agree
Gotta collect that love
Then give it back and well, we see
Fuel for that musical party

Initition ceremony
Transcontinental spanking machine
Uh oh it's a musical tri sexual
Try anything that melody mentioning
Do it for the song
We gonna right some wrong
Rolling rhythm unkown
The human touch
The get down

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Aw man, I'm feeling back tingle
Lads, go tell Fiona Apple I'm single
Llanspych, nudge PJ Harvey
Jamming that genius soul new wave!

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Thrust that rush
Sine waved funk
Flying musical J's
Aw man it's Mike like dunk
Thrust that rush
Sine waved funk
To musical 24
You get a song
Drained 81 now on this floor

The get down
Friends don't frown
We got each-other man
Music, keep that campfire warm
The get down
Love legends loud
Rest in peace good Kobe one
This one's for you
Good G.O.A.T of stun!

The Get Down-Eclectic Collective/ft The Beautiful Dark

The Get Down (Eclectic Collective)

CAST OF CHARACTERS:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition
J.J. Terrell– @j-j-terrell – organ and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion
Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, synth horns, effects, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favour of JJ's new parts. Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxiliary percussion you hear throughout. Mark was next up, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added that synth horns arrangement leading into the last chorus. 
  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.
  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.
  This is Eclectic Collective at almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.
   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 

ORIGINAL LYRICS BY THE BEAUTIFUL DARK:
Hey Human
It's official
The get down on fire funk
Future sizzle
All members agree
Gotta collect that love
Then give it back and well, we see
Fuel for that musical party

Initiation ceremony
Transcontinental spanking machine
Uh oh it's a musical tri sexual
Try anything that melody mentioning
Do it for the song
We gonna right some wrong
Rolling rhythm unknown
The human touch
The get down

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got each other man
Music
Keep that campfire warm
Ooo Ooo

Aw man, I'm feeling back tingle
Lads, go tell Fiona Apple I'm single
Llanspych, nudge PJ Harvey
Jamming that genius soul new wave!

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got each other man
Music
Keep that campfire warm
Ooo Ooo

Thrust that rush
Sine waved funk
Flying musical J's
Aw man it's Mike like dunk
Thrust that rush
Sine waved funk
To musical 24
You get a song
Drained 81 now on this floor

The get down
Friends don't frown
We got each-other man
Music, keep that campfire warm
The get down
Love legends loud
Rest in peace good Kobe one
This one's for you
Good G.O.A.T of stun!


Cast of characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition

J.J. Terrell– @j-j-terrell – organ and synth

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion

Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering

Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitar

The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. 

Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 

  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.

  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.

  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.

   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:

The Get Down - Lyrics

Hey Human
It's official
The get down on fire funk
Future sizzle
All members agree
Gotta collect that love
Then give it back and well, we see
Fuel for that musical party

Initition ceremony
Transcontinental spanking machine
Uh oh it's a musical tri sexual
Try anything that melody mentioning
Do it for the song
We gonna right some wrong
Rolling rhythm unkown
The human touch
The get down

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Aw man, I'm feeling back tingle
Lads, go tell Fiona Apple I'm single
Llanspych, nudge PJ Harvey
Jamming that genius soul new wave!

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Thrust that rush
Sine waved funk
Flying musical J's
Aw man it's Mike like dunk
Thrust that rush
Sine waved funk
To musical 24
You get a song
Drained 81 now on this floor

The get down
Friends don't frown
We got each-other man
Music, keep that campfire warm
The get down
Love legends loud
Rest in peace good Kobe one
This one's for you
Good G.O.A.T of stun!

The Eclectic Collective   - The Get Down

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition
J.J. Terrell– @j-j-terrell – organ and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion
Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitrar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 
  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.
  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.
  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.
   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:



The Get Down - The Eclectic Collective

The Missing

Way overdue for something new but I've been living in exile without the usual, albeit modest, setup I'm used to. So this might be pretty rough. And it's full of the usual horror at political realities and way full of schmaltzy velveeta. 

Guitarist note:  I don't have amps at present and was struggling to find a decent direct sound. There is a *free* VST plugin by Neural Amp DSP and online libraries of tone prints, also free, that came to the rescue. Highly recommended.

it's alright for you as long as it's alright
you don't mind what they do in the broad daylight

it never could be you

but you don't see the way you're blinded
they'll never drag you down to the places meant for those

do you feel the color of your soul
when you live with love suspended hiding in a hole
the moment is yours but you don't believe 
you won't believe what lies there ripening 
growing in your mind without you knowing

now it could be you

and as you feel the weight of the binding
you know they're dragging you down to the places meant for those

to liberate the light of every heart and mind
you can say it never paying any price

there's a little part of everyone that knows 
we're only playing separate lives 
till true faith arrives

if there's every gonna be a change 
let it start right here

you know it could be you

It Could Be You

Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/guitarra-ac
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/guitarra-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/guitarra-dedicada-al-maestro-jesus-flores-ver-texto

GUITARRA

No sé bien cuándo fue
ni cómo ni dónde
nos vimos por primera vez
pero sí que recuerdo, 
siendo niño en el pueblo,
te miraba fijamente
y después de poseerte
mis dedos bajaban y subían
por tus cuerdas que, al tañirlas,
volaban los sonidos
que para mis oídos
eran como música celestial.

Guitarra, fuiste para mí
como un guardián que me resguardó
del miedo que me impedía dormir
en la penumbra de mi habitación.

Guitarra, fuiste para mí
como la hermana que me faltó:
tu compañía me hizo sentir
la sensación de que siempre existió.

Hoy un hombre ya soy
y nada ha cambiado
porque eres mi don y razón:
el azar quiso un día
que entraras en mi vida
para ser, hoy como ayer, mi pasión.

Guitarra, tú eres para mí
como el mejor cuerpo de mujer:
con tu presencia me haces feliz
con tus canciones me das el placer.

Guitarra, tú eres para mi
lo que de niño mi madre fue
lo que hoy en día me anima a vivir
y me prepara para mi vejez.

GUITAR

I don't know exactly when,
or how, or where
we first met,
but I do remember,
as a child in the village,
I gazed at you fixedly,
and after possessing you,
my fingers would go up and down
your strings, which, when I strummed them,
blew forth sounds
that, to my ears,
were like heavenly music.

Guitar, you were to me
like a guardian who protected me
from the fear that kept me from sleeping
in the darkness of my room.

Guitar, you were to me
like the sister I was missing:
your company made me feel
the sensation that you always existed.

Today I am a man,
and nothing has changed,
because you are my gift and reason:
chance willed one day
that you came into my life
to be, today as yesterday, my passion.

Guitar, you are to me
like the best body of a woman:
with your presence you make me happy,
with your songs you give me pleasure.

Guitar, you are to me
what my mother was as a child,
what today encourages me to live
and prepares me for my old age.

Guitarra (dedicada al maestro Jesús Flores Guitarrista)

No one knows what they’re doing
Don’t believe everything you think
Some things aren’t worth pursuing
Don’t believe everything you think
Feelings aren’t facts
They’re weapons of mass distraction
Holding on won’t change the past
You can win the game by not playing
Complaining won’t change the past
You can win the game by not playing
Don’t believe everything you think
No one knows what they’re doing
Don’t believe everything you think
Some things aren’t worth pursuing
Don’t believe everything you think
If everything around you is darkness, you may be the light
If everything around you is darkness, you may be the light
If everything around you is darkness, you may be the light

Don't Believe Everything You Think

Brand New track on the Rocks! Summer 2025 and let it roll with my brand new track called "I Keep Protecting my Soul".

Purchase it digitally via #bandcamp: https://shockthealgorithm.bandcamp.com/track/i-keep-protecting-my-soul

(p) & (c) 2025, STA.

lyrics:
I keep protecting my soul
There's nothing more sacred than my soul
I keep protecting my soul
The body dies, it's eternal the soul

Clear is conscience, i am free i am alive
Sleeping in peace not with fear with opened one eye
I never harmed anyone, don't owe a dime
i am keep paving with gold this road so up high.

I Keep Protecting my Soul

Sara

Shall Not Fade welcomes Mia Lily to the label for her debut release "Hydrated But Drunk EP".

Northern raised and London based, Mia is already well known for her high-energy DJ sets and her monthly residencies on Balamii and Foundation FM. As a selector Mia's sound is rooted in rave, but she also has a background in classical piano and family roots in jazz. All this becomes immediately clear as Mia effortlessly & expertly steps into the producer, composer & vocalist roles to deliver five refined, emotive & highly musical tracks that navigate trance, techno, UKG and house and feature vocal and piano performances from Mia.

"Hydrated But Drunk" opens Mia's Discogs entry with a bang. Vinyl & Digital drop 17th Oct 2025 on Shall Not Fade.






SNF138 // Mia Lily - Hydrated but Drunk EP

⌛️ Time.
🌆 Spotify Playlist: http://bit.ly/AmbientSpotify

🎊 Subscribe to Ambient and click on the bell for more wonderful music!

🧡 Lowland Empire
open.spotify.com/artist/73vG6Ft7gntmAXRGcDe9H2
https://instagram.com/lowlandempire
https://facebook.com/lowlandempire

💿 Suggested track: https://youtu.be/uOpFl19LTdc

📷 Photo by A. C.
https://unsplash.com/@3tnik

🎶 YouTube Mixes Playlist: https://amg.fanlink.to/Mixes

🎵 Submit your music:
https://submithub.com/to/ambient
💰 For Curators & Influencers
https://submithub.com/by/earnwithambient

#ambient #meditation #relaxing

Watch on YouTube 🧡

Lowland Empire - Time

The Hole You Left by Siegfried Jünger unfolds in slow waves of ambient drone and melodic electronic texture. Ethereal tones drift through empty space, building an elegiac calm that feels both intimate and distant.
Like early Aphex Twin meeting Jónsi & Alex, it balances warmth and melancholy — a quiet meditation on absence and memory.
From the album Absence, this piece sits where emotion meets atmosphere: slow, minimal, and deeply immersive.

For fans of: Aphex Twin, Jónsi & Alex, Ben Frost, Max Richter

Siegfried Jünger – The Hole You Left | Ambient Electronic Drone

4. Trust me

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https://www.instagram.com/syykberlin/

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📱 *Listen on the Steyoyoke APP* : https://steyoyoke.com/share?type=track&release_id=69&title=Anniversary,+Vol.04+

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__________________________________________

Artist: Various Artists
Title: Steyoyoke Anniversary Vol. 04
Label: Steyoyoke
Format: Digital
Release Date: February 29th, 2016
Cat No: SYYK043
Cover Art: Stella Gelesh

The past 4 years have nothing short of the good, the bad, the ugly, and of course, the beautiful. Steyoyoke thanks you, our old and new fans, for the substructure of love and support upon which this label is built. We bring you ultramodern remixes of our liveliest tracks from 2015 on the latest EP, Steyoyoke Anniversary Vol. 04, to celebrate the new year, including remixes by: Philipp Kempnich, Cid Inc, Oliver Schories, MIDAS 104, and Jonas Saalbach.

Philip Kempnich remixes Aaryon and Ran Salman's 'Riptide', fundamentally shifting the patterns of sound consistently to leave you with an ever-pleased, tingly aural sensation. Cid Inc brings us his take on Nick Devon's 'The Poem' featuring Miroir, taking advantage of the earthy bass line through a complimentary arrangement. Oliver Schories faced Soul Button and BLANCAh's 'Rising Silence' turning this track into a twisted fantasy guaranteed to engulf you. MIDAS 104 approaches Animal Picnic's 'Gravity' with a bold confidence evident in the layout of this true anthem of ethereal techno, with a hint of funk! Lastly, but not leastly, Jonas Saalbach remixes Dahu and MPathy's 'Shattered' sticking to the darkness that is, while adding minimalistic elements to make this track simultaneously sink in and pop out in the most unpredictable and astounding ways.

Thank you to all our long-time fans that have loved us from the start, and to our new fans who we welcome with open arms into our family. We hope 2016 hold love, happiness, health, and most importantly, lots of ethereal techno - join us in Berlin for our 4th anniversary party at the legendary Ritter Butzke where we will pay tribute to the heart of our movement. 


TRACKLIST

01. Aaryon & Ran Salman - Riptide (Philipp Kempnich Remix)
02. Nick Devon - The Poem feat. Miroir (Cid Inc Remix)
03. Soul Button & BLANCAh - Rising Silence (Oliver Schories Remix)
04. Animal Picnic - Gravity (MIDAS 104 Remix)
05. Dahu & MPathy - Shattered (Jonas Saalbach Remix)

#etherealtechno #techno #melodictechno

LISTEN & BUY

Animal Picnic - Gravity (MIDAS 104 Remix) | Steyoyoke

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The Get Down (Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)