This has such a hazy dreamy feel, Awesome!

Very unusual, but loving it.  Great tune.

nice little one, really folky and.... this lady is not shy, poor ol´Vincent!

UN ALTRO GRANDE LAVORO DI SQUADRA!!!!! MOLTO PACIFICO!!!!!!! MI PIACE, RILASSANTE :)

Nice one! Harking back to a time when 'psychedelic' meant something more than 'distorted electric guitars playing totally predictable riffs for far too long!' Nice cover art too! Your own?

Related tracks: Fox And Mew

Here is a new track I wrote and recorded.

The song was written as part of a concept album that I started a year or so ago. I may never actually record the full album but might release the songs over time. The album was going to be about my ancestors living in Newfoundland and the stories i heard over the years.

This one is about the story of how Braggs Island (where my grandfather was born) got its name. I heard the story from my late cousin Sam Feltham. He said there was a small community living on the Island and one tough winter they ran out of supplies and were in a bad way. A man named Bragg and his two sons loaded a boat with supplies and attempted to bring relief to them. In the process and storm developed and the ship sank and Bragg and his sons were drowned. They named the Island after them in honor of the selfless sacrifice they made.

I tried to capture with sound the feeling of sailing on icy seas. Also I wanted to tell the story in an artistic way. Not sure if the song is any good but hope some of you enjoy it.

Eric

Bragg's Island

It's All Irony 148 BPM

Reality (Like A Dream)

010123

蝶々をイメージして作曲しました！
（i composed it in the image of butterflies！）

i would be glad to hear！

DAW: Cubase pro 12

butterfly

Feeling the moment and letting it out as it flows -

Reupholstered

My 'Adagio for Expanded Chamber Orchestra' draws heavily on the music of the late romantic composers Bruckner Wagner and Mahler but does its (acknowledged)borrowing in a uniquely improvisational and individualistic style style for which I make no apology.
The music in this piece is sometimes dramatic, and as the piece unfolds, its structure in terms of the golden section durations it employs become evident and I hope pleasing to the listener
This track was mastered by John Cafarella.

Adagio For Orchestra An Exercise in Late-Romantic Harmony (Remix 24 February 2023)

Composed by Charles Chambaz
All instruments, effects are performed, recorded, and mixed by myself.
For more information, see my public Profile
All rights reserved.

When The Night Falls Apart - Charles Chambaz

This song started with Kuba, my Polish friend, sending me a song idea, where he was playing guitar and singing in English. To that, I added bass, slide, mandolin, and piano. I also rewrote the lyrics to give them a better sounding English flow, then sang the high and low harmonies, too. It changed from a song about "waiting for the mountain dew," to "when you dance, the skies are blue." 
  I like finding public domain common melodies in songs, too, so if you pay close attention to the slide, you'll hear me quoting Twinkle Twinkle Little Star in there. 
  I really like Kuba's song ideas and our process together. Speaking of people with whom I like to work, I asked Tez (Llanpsych) to produce and mix the whole thing, even though his instrumental skills are absent from the song. 
  I was going for a European village folk song feel for this one. Hope you enjoy our love song. 
Lyrics:
When you dance, the skies are blue
When you dance, I'll play the tune
When you dance, I want a view 
When you dance, the mountains do
When you dance, you really move
When you dance, I bow to you
When you dance, I see right through
When you dance, I feel renewed

When you sing... Same endings  

The skies are blue when I'm with you
When I'm with you I hear the tune
Oh what a view when I'm with you
The mountains shake I turn to goo
We get around when I'm with you
When I'm with you we're in the nude
We see the truth when I'm with you
When I'm with you I'm less confused

The Mountains Do (with Kuba aka Modern Sound Orchestra, and Llanpsych)

FOX AND MEW
Vocals: Emily Coy  - Nurture / Nature
https://soundcloud.com/freevocals/emily-coy-nurturenature-free-acapella
Lillithe :  Music, Picture, Arrangement and Production.

Fox And Mew

DO I HAVE THE WORDS
AS A MAGIC POTION
TO TRY AND HEAL THE WORLD
WHAT A SILLY QUESTION
ME I
FEED THE BIRDS
PROVIDE THEM WITH SEEDS
ON THE GROUND
OR IN THE REEDS
I DO
I DO

DREAMING MIGHT BE HEARD
AS THE ONE SOLUTION
BUT FEEDING THE BIRDS
IS ANOTHER OPTION
YOU TRY
THEN YOU TELL YOUR FRIENDS AROUND
IN THE MEANTIME IT’S MY ROUND
HMM 
HMM

FEED THE BIRDS MAN
FEED THE BIRDS
AND ALL YOUR PROBLEMS WILL BE SOLVED
HEAL THE WORLD LOVE
BEND THE CURVE
FEED AN  EAGLE OR A DOVE


PICK UP ANY TREE
ADORN IT WITH A FEEDER
AND SOON YOU WILL SEE
BIRDIES OF A FEATHER
DROP BY
IN THE SUN OR IN THE SNOW
AND THAT’S ALL  YOU HAVE TO KNOW
BY NOW

FEED THE BIRDS MAN
FEED THE BIRDS
AND ALL YOUR PROBLEMS WILL BE SOLVED
HEAL THE WORLD LOVE
BEND THE CURVE
FEED THE ANGELS FROM ABOVE

FEED THE BIRDS (Lyrics)

Jaskier

BetweentheBars (cover) - Patrick Quinn

I’m happy to post this song with help from my first SC friend https://soundcloud.com/espere-verde, who encouraged me on to improve my music making from a very start. Good musician & draughtsman (he did this artwork too), his vocal performance here gave the mood I couldn’t to the song.

Technical highlights:
>Most vocals: Espere Verde
>Music & almost no vocals: Ruizzoidman
>Odd patterns hidden along three levels in this track: amalgamated psycho-hard coating, usual 7/2 in punk/ska intermediate parts, and finally the sweater core is structured in groups of five measures.

Lyrics: strangely, I wrote about these stressing things when I was 21 and supposedly happy; I'd say similarly today I'm twice as old...

SIN MUJERES NI TABACO, SIN PRISAS  /  WITHOUT WOMEN OR TOBACCO, WITHOUT HURRIES
  
Todo lo que odio me ayuda a vivir,  /  Everything I hate helps me to live,
lo que me pone enfermo me empuja a seguir.  /  what gets me ill pushes me on.
Todo aquello que quiero dejar de sentir  /  Everything I want to stop feeling
es lo que da sentido a mi vivir.  /  is what gives sense to my life.
  
No puedo vivir sin mujeres,  /  I cannot live without women,
ni tabaco, sin prisas,  /  or tobacco, without hurries,
no puedo vivir.  /  I cannot live.
  
Mi ración horaria de tabaco  /  My hourly ration of tobacco
me mata por dentro.  /  kills me from inside.
Mi ración horaria de tabaco  /  My hourly ration of tobacco
me ayuda a vivir.  /  helps me to live.
Mi ración diaria de prisas  /  My daily ration of hurries
me saca los nervios.  /  gets me on my nerves.
Mi ración diaria de prisas  /  My daily ration of hurries
me empuja a seguir.  /  pushes me to continue.
  
Mi ración … de mujeres  /  My … ration of women 
me hace sufrir.  /  makes me suffer.
Mi ración … de mujeres  /  My … ration of women 
me ayuda a vivir.  /  helps me to live.

ER29HC8 ©1995 ®2015

Sin mujeres ni tabaco, sin prisas (Most vocals by Espere Verde)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The Mountains Do (with Kuba aka Modern Sound Orchestra, and Llanpsych)

Entheogenic Psychonaught (Josh Clary)

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