Doraibu 2023

Brain Diver

To My Children

Travel the world

I have to raise my head 
to meet your gaze
to tell you how much i'm proud
my child, my hope 

Seeing you is a feast
That s worth all the billions
the treasures of the earth
so, stay with me tonight 

I will tell you 
some fables and tales 
the most beautiful stories
at thousand miles around 

and i'll take you 
to travel the world 
without even moving 
just in few seconds 
if you stay with me tonight 

Time has betrayed me 
i measure how much i'm late
have i been a good father ? 
Well it's never too late 

doubts and regrets 
i have my cupboards full 
but you know how much i love you 
so, stay with me tonight 

And i will find 
your eraser and pencils 
at the bottom of a drawer 
your airplane models 

and i will take out 
 your songs notebooks 
your violin and my guitar 
and we'll sing them along
if you stay with me tonight 

and i'll take you 
to travel the world 
without even moving 
just in few seconds 
if you stay with me tonight

Le Tour Du Monde (translated lyrics)

Many thanks to Andy Cruse (Kafla) for adding his great vocals to the track. You can hear more of Andy's music here.. https://soundcloud.com/andrewcruse/tracks

Here's to you my comrades
Who've been and passed
Here's to you my friends
I raise my glass.

The times we shared
Those times are gone
Our lives are joined forever
We share a bond

We had our fun
And now it's time to pay
All the things we've said and done
Are washed away

Ah,the young will live forever
All of a single mind
Always rushing forward
Never need to look behind

We had our fun
And now it's time to pay
All the things we've said and done
Are washed away

Single Minds. feat Kafla on vocals

Winter Wolf

Hiraeth discovered her power one day while staring up at the sky, lost in thought. As she concentrated, she noticed a small, white cloud slowly drifting across the blue expanse. She found that she was able to move the cloud slowly across the sky, just by her thinking about it. Excited by her discovery, she tried again and again, each time with more focus, until the clouds were dancing to the rhythm of her mind.

Hiraeth

Great Wall

This is a song Chris wrote and asked me to play on. I love the lyrics and how they match the vibe of the song perfectly. He's playing guitar and bass, and I'm on the piano, slide, and organ. He told me it's supposed to be a whisper beneath the giant's bed as they tiptoe around under him, and that I should leave space for his breaths. I immensely enjoyed making this song with Chris, as always. Here are the lyrics. We hope you enjoy it. Wonderful lullaby, too. I've been listening to it in bed right before I go to sleep. Try it!
I played the piano on this. Chris played the guitar, sang it, and produced it. 

You need to be quiet, 
you don't want to wake, the sleeping giant. 
When you go, tip toe, around his bed so, you don't wake that tyrant. 
(hmmm hmmm hmmm) x 2 
I think it's time now, 
We can change his mind around, 
the stupid giant. 
I'll whisper in his ear, 
we're the only one's he should fear.
There's far too many of us, you don't need to cause a fuss or be defiant.
(instrumental-ish) into trippy part
(hmmm hmmm hmmm) x 1
So when you wake tomorrow,
you'll be filled with sorrow.
You're just a giant.

Sleeping Giant (with cgmaness)

Here's A collab with the super talented https://soundcloud.com/ipg1

Vocals; https://soundcloud.com/ipg1

Production; https://soundcloud.com/rizlix


Link to visuals

https://pixabay.com/photos/graffiti-eye-stylized-orange-2310875/

IPG1 & RiZLiX - It's Going Down

Colorful Colorado – Autumn (feat. Video)
Watch the YouTube video featuring beautiful photography by Heidi Schnicker at:
https://www.youtube.com/watch?v=u_JLb9uDbrc
October 2023
Duration: 3:10
Cover art photo: Heidi Schnicker 
Originally composed November 2016, revised and re-orchestrated October 2023
For strings, flute, oboe d'amore, bass flute, heckelphone, piano, vibraphone, virtual instruments, sound effects and percussion.

Colorful Colorado  - Autumn (feat. Video)

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

The Architect's Breath

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Sleeping Giant (with cgmaness)

Entheogenic Psychonaught (Josh Clary)