This is brilliant Josh , love the guitar playing !

@the-hungry-pyknic: Hey man, so glad you think so. Many thanks for your ears and kind compliment!

Wow, so many cool things going on here, its going to take a few listens to catch it all. Great stuff. I love it.

Related tracks: You're So Strange To Me

In to the light

Into The Light

a song expressing the recognition of the existence of God and that God is everywhere.  

Written and performed : Johnny 

Let Your Love Reign Down

(Free WAV Download available here under '••• More'; and eventually as part of my BandCamp PWWO #08 album)

Happy Friday to all of you. I hope 2023 is treating you well so far. I’m doing my best to focus my free-range mind on creative endeavors; definitely the most positive use of my time. And to that end, I’m happy to admit I’m still keeping to my 2023 music goals (2 tracks a month). And the track I get to share with you today is particularly exciting.

It’s been a goal of mine for a few years now to try out one of Andre’s (noxpox: https://soundcloud.com/noxpox-page-12, https://noxpox.bandcamp.com/) open collabs. His most recent offering ‘kannmangebrauchen’ (https://soundcloud.com/noxpox-page11/noxpox-kannmangebrauchencan-be-used) was particularly enticing; and this resulting remix is an equally thrilling surprise for me. In fact, this might be the closest I’ve come to the 80s and 90s stylings of my favorite Industrial bands (Skinny Puppy, NiN, Ministry, Front 242, etc.). 

Of course, no GrevusAnjl remix would be complete without at least a little uplifting cuteness hidden in the folds (I tried to keep it dark and edgy. I really did. But the cuteness just seeps in). So if you’re in the market for adorable Industrial, I might have just what you need. I hope you enjoy my GrevusAnjl ‘Repurposed For Dance’ remix of a very cool noxpox original. :)

F.W. Friends

noxpox ‘kannmangebrauchen’ (GrevusAnjl ‘Repurposed For Dancing’ Remix)

THE BOY - WORKING CLASS ROBOT

Everything by THE BOY

FREE DOWNLOAD!
I hope you enjoy & spread the word!

From NEW EP "RELEASE" OUT ON MAJOR PLATFORMS NOW!
CLICK LINK ( Spotify ) ↓ & ENJOY!
 : https://open.spotify.com/album/1tGJflys7e7pObkE8MesaF?si=FsTOkrpWRXq4IzdkAPWasg

WORKING CLASS ROBOT

This is an instrumental made in 2016 for the 3rd album of La Dernière Mesure, my hip hop project for more than 10 years.
You can listen to the original track here: https://ladernieremesure.bandcamp.com/track/marylou-suite-et-fin
I think this instrumental is the best I've done for this project, so I'd like to give it a second life through Zuunzug...
If you're an MC and want to use it, just contact me by DM. 
Artwork by Malka. 
Ceci est une instrumentale réalisée en 2016 pour le 3ème album de La Dernière Mesure, mon projet hip hop pendant plus de 10 ans. 
Vous pouvez écouter le morceau original ici : https://ladernieremesure.bandcamp.com/track/marylou-suite-et-fin
Je pense que cette instru est la meilleure que j'ai produite pour ce projet, je voudrais donc lui donner une seconde vie à travers Zuunzug...
Si tu es un MC et que tu veux l'utiliser, contacte-moi en MP.
Visuel réalisé par Malka.

Louise

Mind Blowing

The quarterlife blues is real. After graduating, getting your first job or your first longterm relationship, plenty young people in their mid 20s fall into the quarterlife crisis, an existencial crisis with similar signs to the midlife crisis. Our song "Quarterlife Blues" turns this feeling of being scared, lost and confused in early adulthood into heavy blues rock. It's the first song I recorded with my guitar, and I am super lucky with Andrea's lyrics and David's rocking blues vocals and guitar solos. Let's rock!

Nadine de Macedo: composition, rhythm guitars, piano, programming, arrangement, production
David Taro: vocals, lead guitar, solo
Andrea Brennan: lyrics

Where to find us:
https://soundcloud.com/nadinedemacedo
https://soundcloud.com/david_taro
https://soundcloud.com/user-444928277

==== LYRICS ==== 

Driving home from work
Wish I could quit each day
Stuck in a dead end job
But it brings home the pay

Sirens up ahead
A blaring wake up call
If today were my last
Would I care at all

I'm drowning in the sound
Heading for a breakdown

A hamster in a wheel
Spinning round and round
Colliding with my thoughts
And always losing ground
Running for my life
But heading for a breakdown

What if the victim's my wife
Our love's been fading by degrees
Would I feel lonely and lost
Or finally free

Am I just like my father
And his father too
Settling for a life
Just hoping to get through

I'm drowning in the sound
Heading for a breakdown

A hamster in a wheel
Spinning round and round
Colliding with my thoughts
And always losing ground
Running for my life
But heading for a breakdown

Quarterlife Blues

Remembrance

;-L’Ombre De La Lumière-;

Cast of characters:
Surfers Like Us–@user-411502040–Artur–songwriting, foundational rhythm guitar
TexMex Shaman–@texmex-shaman–Stephen–guitar solos in first half, mix, and production
J.J. Terrell–@j-j-terrell–keys, including organ and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion
Llanpsych–@llanpsych–Tez–Guitar solo in the second half
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–bass guitar
 This is a song that Artur wrote in his unique, original, and signature surf rock style, and passed it on to me, as a gift. I added some bass, and, of course, had to get the rest of the Eclectic Collective involved, too. Ken came up with the energetic, driving beat, perfectly suited for the song. JJ added some really stunning, surfy organ and jamming electric piano. Tez added his signature inspired, powerful lead in the second part. Stephen added his dynamic guitar voice to the first half, and was kind, generous, patient, and talented enough to mix and produce the whole thing.
  We hope you enjoy our third installment of our surf rock series. Cowabunga!

The One (Surfers Like Us with Eclectic Collective)

Trip In

A man with a mission, like in the books you have read. (Lyrics below credits)

Words & Music: Graham Williams
Vocals, Acoustic Guitar, Electric Guitar, Bass & Percussion: Graham Williams

Our story begins many years ago,
On a moonlit night with the street lamps aglow
Enter a stranger, a tall man indeed,
He emerged from the station, looking hungry and lean,
Some saw him heading for the central cafe,
And later at the cemetery kneeling down to pray,
He continued his journey as the rain started down,
Not taking shelter like some misguided clown,

And he kept on walking right down the road,
His collar turned up his face never showed,
All of the time he stared straight ahead,
A man with a mission, like in the books you have read,

He stopped only once to wring out his scarf,
Looking this way and that with a furtive glance,
Then in a phone booth he made a two minute call,
To whom, we must ponder the significance of it all,
He continued his journey and glanced at his watch,
The meaning was clear, no time to be lost,
So he quickened his pace looking up for a sign,
He was searching for something that can't be defined,

And he kept on walking right down the road,
His collar turned up his face never showed,
All of the time he stared straight ahead,
A man with a mission, like in the books you have read,

He was approaching the dark house when events took a turn,
The man had to stop, maybe some doubts had returned,
He checked in his pockets to see if it was there,
But before he could be certain a sound shook the air,
It was the dead of the night when he witnessed the crime,
Though he thought he was mistaken and had misread the signs,
He heard several voices from the pool room inside,
But the shot that he heard was obscured by the 9:09,

And he kept on walking right down the road,
His collar turned up his face never showed,
All of the time he stared straight ahead,
A man with a mission, like in the books you have read,

A car headlight cast his shadow on a wall,
Though you couldn't see it then his face told it all,
There where signs he was weary and nearing his goal,
But alas there's no end to this story being told,
Where did he go on that miserable night?
Was he travelling with intent or running in flight?
All that we know is what we read the next day,
A man in his prime found dead on the highway,

He's no longer walking right down the road,
But his collar's turned up his face never shown,
All of the time he still stared but was dead,
A man with a mission, like in the books you have read,

They looked in his pockets but could find no ID,
Just a man with a mission who died mysteriously,
They looked in his pockets but could find no ID,
Just a man with a mission who died mysteriously.

The Man With A Mission

The Man With A Mission (Graham Williams)

A cover of Ween's masterpiece "Hippy Smell"
Music and lyrics written by Aaron Freeman and Mickey Melchiondo

Lyrics:

Hippy smell
Only I can tell
Patchouli oil
Sixties Girl
Said you're not real
And you're not surreal
Can't you tell
Hippy smell
Singin' hippy smell
Only I can tell
Patchouli oil
Sixties Girl
Singin' you're not real
And you're not surreal
Can't you tell
Hippy smell

She's got the hippy smell, ladies and gentlemen
You can smell the patchouli oil on her breath
See the Grateful Dead posters hangin' up all over the place
She said "You know, I wish I was alive in the sixties, cause those were really groovy times!"
Well, you know I got somethin' to tell you
You wouldn't want to be alive in the sixties
You would've probably gotten your little hippy ass killed or something you little shitface
Oh

Hippy smell
Only I can tell
Patchouli oil
Sixties Girl
Singin' you're not real
And you're not surreal
Can't you tell
Hippy smell

Hippy Smell (Ween Cover)

(p) & (c) 2023/2024. Taken from the debut album (to be released mid-2024, under the tittle "Rock and Roll Kills").
Youtube link: https://youtu.be/Ls4kYAwMN2w
lyrics (Parental Advisory):
------------------------------
You're so strage to me

you got offended so fast
you're not built to last
you're made of sugar, butter and shit

You think it's only you
you cry like a bitch
your job it's only to abuse

whatever i say is wrong
your life is like a crappy song
no reason to talk to you anymore!

Rock and Roll Kills

You're So Strange To Me

Fight Or Flight

Google

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

The One (Surfers Like Us with Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

Recent comments

David Marconi

Entheogenic Psychonaught (Josh Clary)

~Mark F

The Hungry Pyknic

Related tracks