Summer 2025

Best of SoundCloud July 2025

THE CONQUEST OF YESTERDAY'S  WAVES' MOTEL

Daily Drops

Fireworks of Wonder: Thanks for all the playlists and comments on Break Down The Bounce

[UNDER CONSTRUCTION]

Funky tracks series no. 288

creation date: 2025/07/11

These tracks were uploaded to SoundCloud in 06/2025 and 07/2025, except for the following older ones:

. . - (#__): _ years,
. . - (#__): 1 year*,
. . - (#__): _ months,

[TO BE COMPLETED]

Hugs & Kisses.

* SoundCloud time: 1 year = 12 -23 months.

hk_funky_tracks_288

qwerty

Personal issues aside, although synchronised with the Earths 🌎

...A timeless battle takes place at a place and a time of no importance ⌛️ 

....The important point is that this battle can be traced throughout space and time
to other cities , other countries...other galaxies as well as your own mind ! 🧠 

...A way of being and thinking kept hidden from us 🔮 ,as spell casters and masters of Manifestation- 

...brought forward from the hidden caverns and temples and minds throughout time,finaly being understood ,overstood and embodied.

...all at another critical point in space and time when that mind magic will be needed to match the advancements in Technology and the Anti life Magic being used against us.  🐉 🖥 

....witness as we become energy weapons in this war, with a Massive download of knowledge from Codex regarding this mind wizardry in the first verse, and a stern warning from myself in the second verse, I feel this track expresses our desperation for us all to pull our inner child from the rubble of the old world before it's too late. 🔥 🎆 

Thanks for your time listening and reading.

Beat by Codex Scrolls, 
1st verse Codex Scrolls
2nd Verse Son of Lamech 


Lamechs Lyrics :

As rockets trash other regions
Mothers pleading to anothers feelings
To reach in recover sufferin bleeding 
Children screaming but not succeedin
Crushed Under tonnes a rubble n steal n
Concrete Crumble offa buildings Leaning
Roll a Thunder drumin a bleak beat n
lightning striking sheets with each streak 
Somea the Only thing lightin our streets
Aside from fires on oil n gas leaks. 
Tides a rise high n boil in acid deep 
Rancid Reeks make u gasp n spoil 
As masses meet upon trashed soil 
I'm tasked to bring heat to the royals 
Defeat these retreating elite loyals 
Numbers depleting exceedingly quick 
Feeling each lick of the whip 
Rip u 2 bits for  kneeling as bitch 
By wizards n demons your griped
Picked by fiending lizards fixed 
Livin for  all of your material shit 
Fit for devils dealings n needin ur hit 
Im fully equipted as an energy weapon 
Aggresivly Stepin from ethereal ships
Sifting the essence to Relentlesly shift
 n Refreshen my trip
 through dimensional rifts 
 bring back lessons in telepathic gifts 
 essential to lift that detrimental mist
Lament configuration in fire n spit 
Elementals dent all instrumentals
 Plentiful blends End all these pretend fools 
And all of the pieces that fit 

Cave of Hostility

GRIEF(RIP EMELDA)

Smooth analog immersion into the magical atmosphere of deep deep-sea sleep with glowing beautiful inhabitants of the underwater world.

Плавное аналоговое погружение в магическую атмосферу глубокого глубоководного сна со светящимися красивыми обитателями подводного мира. 

Sonar Deep Dream

I always wanted to make a sonic companion to the last song Bitzone, Frawstakwa, and I made together, “What Difference Does It Make.” I finally got my chance. This one came together real fast. Bitzone sent me a raw beat, I asked Frawstakwa to kick it off, and then I made some arrangement adjustments and laid down my lyrics and vocals based on Frawstakwa’s. Bitzone then finished it up and bada-boom, gotta move, gotta shake!

Massive thanks to Frawstakwa for bringing the fresh ideas and original verse and chorus vocals. And big thanks to Bitzone for always make the tracks more vivid than I could imagine. 

May there always be at least a little time to bounce in your week! 

Track Credits:
Bitzone: Music, Production, Arrangement, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net/
Frawstakwa: Verse and Chorus Lyrics and vocals
https://soundcloud.com/frawstakwa
the Couch King: Verse Lyrics, Vocals, and Samples
https://musiciselation.bandcamp.com
Intro: Louis Bloomfield

Lyrics: 

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

Here we are
Coming through
With whatever it takes
Full force
On these fools
All up in your face 
Show and prove
Break it down
To the drum 
And the bass
That good old
One two
Gotta move 
Gotta shake
Bada-boom
Something 
That you can feel
But wait
If you could feel 
Anything at all
Feeling great
Letting it flow
Mind body and soul
On my way
That’s how it goes
So the people them know
See you later

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I’m just your everyday reverie of an emcee
You see
I’m but a memory of the way 
You say it be
On this beat 
You project the street 
On the hit of the kick 
The click 
Boom, respect it’s the fire of the heat 
It’s the sweat dripping from the meat 
You expect flowing from that bass 
That slow tempo that’s got you feeling 
You on the creep, you on the chase
Brace fo the bounce putting you in the some headspace 
Race everyone to hear every ounce so tie up yo shoelace 
And let’s go 
Yo, lettin’ the people know

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

The flow is
Summoned 
On command
Dig deep
Within 
Without a plan
Improvise
And
Ka-blam 
That is called conviction
Can you understand
The definition
What is your religion?
Damn
It takes blind faith
To hope that one can trust
In what is true 
What is real
For real
So what it do?
We are here to
Be seen
Be heard
Be who
We truly are 
Hold up then
Please
Tell us
Who are you?
 
Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I got the feeling the bounce is appealing
Now that the ceiling’s been breaked
We got the unwilling to denounce appearing 
How it is that they never been waked 
Allow the revealing of the fake
Watch out we congealing as we get baked 
Take out that sponge cake, make no mistake 
It got that spring, there’s no remake 
Can feel the earth quake 
The beat is shaking
The bass is rumbling
So deep you feel your belly ache 
What’s at stake 
You gotta know
It’s that flow state 
We on a roll 
So slap on the butter baby
We gravy 
Grab a plate and
Before you go

Bounce
Bounce
To the boogie
The bang
The beat
Box
About
To bring it back
The breakdown
For the block
For my people
I see you
Gimme a pound
Tell me how
Have you been
For now
The breakdown
I’m here for you
Hear me loud 
And clear
We are responsible
For where we’re 
Bound
The breakdown
Heading out
Gotta beat the crowds
To get home
Put my feet up
While I eat on the couch
The breakdown

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

Break Down The Bounce

Bitzone, RS Frawstakwa & the Couch King - Break Down The Bounce

https://soundcloud.com/negative-headphone: many keyboards, drums, percussion, mix, production, artwork.
https://soundcloud.com/ruizzoidman21centurions: original theme, composition, bass, rhythm guitar, drums.

Intimate jam got me this bass theme, which I developed with geometrical tones and fractal rhythmic, and offered to my old friend Negative Headphone. You should know his fabulous response on any musical style, and here is a proof of it. Enjoy!

Fractal Shenanigans (with Negative Headphone)

Funky Like Feet

Авторська версія української народної пісні «Ой, у гаю при Дунаю» в інтерпретації співачки Ana Danch - дієвий спосіб популяризації української пісенної культури. У підсумку вийшла надзвичайно ніжна й мелодійна фолькова пісня з осучасненим звучанням. Магічний вокал співачки переносить слухачів до гаю біля річки Дунай, де звучить чарівна музика. Ця пісня розповідає про те, як дівчина сумує за своїм миленьким, викликаючи в серці тугу та самотність. Пісня «Ой, у гаю при Дунаю» увійде до майбутнього альбому «Українська Душа».
__________________________________________________________________________________

Ой, у гаю при Дунаю
Соловей щебече
Він і свою всю пташину
До гніздечка кличе
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!

Ой, у гаю при Дунаю
Там музика грає
Бас гуде, а скрипка плаче
Милий мій гуляє
Ой-тьох-тьох, він тьох-тьох-тьох
Там музика грає
Бас гуде, а скрипка плаче
Милий мій гуляє!
Ой-тьох-тьох, він тьох-тьох-тьох
Там музика грає
Бас гуде, а скрипка плаче
Милий мій гуляє!

Ой, у гаю при Дунаю
З тою самотою
Плачу, тужу, ще й ридаю
Милий за тобою
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!
Ой-тьох-тьох, він тьох-тьох-тьох
Соловей щебече
Він і свою всю пташину
До гніздечка кличе!

Ой, у гаю при Дунаю
Соловей щебече
Він і свою всю пташину
До гніздечка кличе…

Ой, у гаю при Дунаю

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.161.059-4
Released : March 14th 1975
Publishers : Almo Music Corporation \ Universal Music
__________________________________________________________

The Carpenters are the Favourite band of all my celebrities.

Their songs have been a part of my childhood, my teenage years and even
now. Especially Karen's voice.
She had a fairly deep, medium-range voice, warm and colorful,
with an exceptional tone.
She was not only a singer, but also a very talented drummer.
Her brother Richard also has an extraordinary voice and does a lot of
backing vocals.

Their two voices alone amply cover the harmony of their tracks.
They're Unique.
-------------------------------------------------------------------------------------------------

I love this song; it's well-paced, as well as the bass and especially the drums.
For me, this song is very hard to sing, 
because the key starts off very low and rises quite high,
and the tempo also increases.

Honestly, I struggled to keep up with the rhythm in both choruses.
As I was saying, my voice isn't what it was 20-30 years ago. 🙂
__________________________________________________________

Arrangement (Yamaha PSR SX900) : Phong
Vocal : Anh
Recorded : May 31st 2025
__________________________________________________________

Only Yesterday - Cover (Carpenters)

Dope cool man-ryonthemic
https://soundcloud.com/rquinlan48
California stop（ryonthemic&Tot.masa)
Words,vocals-ryonthemic
Beat,prod-Tot.masa
Peace&Love from us both🙏🙏

California Stop feat. ryonthemic

Poem, guitar, melody: Poet Peter, aka @user-264930040
Voice and photo: Oddrun
Studiowork: Arne Hiorth

Peter`s own words :
"I am blessed with a treasured friend whose name is Sue.

Sue is the very embodiment of humanity. Kind, selfless, giving, loving, unassuming, warm, smiling, understanding. Were you lucky enough ever to meet Sue, you’d never know that she carries a heavy burden carefully, and gently tucked away in a very private place within her heart.

This song is for Sue, and all mothers who, like her, have lost a son in the most tragic of circumstances, with no opportunity to help, hold, comfort or say goodbye."

Solace


When first you nestled in my arms and my eyes met with yours

A bonding fused in love, that could never be undone.

Sheltered you from harm as childhood lightly ran its course

Giving thanks to God above for the blessing you’d become.



Of your blossoming maturity I watched with glowing pride

Reaching for your touch to find that now we’re worlds apart,

Stolen by fate’s cruelty, that wrenches yet inside

Ever present in my mind, forever in my heart



As angels wrapped in heaven, soon our eyes shall meet and then

In the sanctity of peace we’ll find solace once again.



And now I live by memory tides that flood tomorrow’s shore

Your image resting in my palm, lifts my spirit gently, where,

The strongest, warmest love abides and shall do evermore

A love bestowing soothing calm upon my silent prayer.



Though the space between is wide as the celestial abyss

I keep a special place aside, from which I promise only this

As angels wrapped in heaven, soon our eyes shall meet and then

In the sanctity of peace we’ll find solace once again.

Solace. 1234567890. Oddrun Eikli.

Lyrical Drip [Unmixed]

Conquest

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

Au café      (Translated after the French text )

Vidéo :   https://youtu.be/w2khMpQoAHc


Texte     :  Yves Marilier
Chant     :  Muette
Musique :  Alain Illos

Nous avions rendez-vous
à "La Petite Madeleine"
où nous étions chez nous.
Un café comme on l'aime.
C'est jour anniversaire
de la première fois,
mais tu es à la guerre
et tu ne viendras pas.

J'ai commandé un verre
comm' si tu étais là ;
peut être, je l'espère,
le vin te remplacera.
Tu veux m’écrire une lettre,
je suis venue pour ça,
s'il l’vin tourne la tête,
je crois qu'il m'aidera.

Pour essuyer le fard
qui coule de mes yeux,
je me sers du buvard,
mais je n'y vois pas mieux.
Tu n’as pas écrit une
seule ligne, tu vois,
vu que le porte-plume
se refuse à mes doigts.

J'ai bien peur que la page
ne reste toute blanche
autant que ton visage
qui pleure sur tes manches.
Mais il faut qu'elle s'en aille
te dire tout là-bas
que j'ai le cœur en bataille,
prêt à mourir pour toi. 

Ici, dans notre café
où j'ai vidé mon verre,

l'alcool fait son effet,
elle est finie la guerre
et ma lettre s'envole
pleine de mots d'amour
te dire ma joie folle.
Je rêve à ton retour.
 
Nous avions rendez-vous
à "La Petite Madeleine"
où je suis un peu soûle ;
Dépêche-toi, je t'aime !
Et fais-moi oublier
mes frissons et ma peine,
car je n'ai pas pensé
à mettre une petite laine.
Il faut que tu reviennes.

At Café 

Our appointment was
at "La Petite Madeleine"
where we felt right at home.
A café just the way we like it.
It's the anniversary
of the first time,
but you're at war
and won't be coming.

I've ordered a glass
as if you were here;
maybe, I hope,
the wine will replace you.
You want to write me a letter,
that's why I came,
if l'vin turns his head,
I think he'll help me.

To wipe the blush
from my eyes,
I use the blotting paper,
but I can't see any better.
You haven't written a single
line, you see,
since the
penholder refuses to accept my fingers.

I'm afraid the page
will remain as blank
as your face
weeping on your sleeves.
But it's got to go
tell you all the way over there
that my heart's in knots,
ready to die for you.

Here, in our café
where I've emptied my glass,

the alcohol takes its toll,
the war's over
and my letter flies off
full of words of love
telling you of my mad joy.
I dream of your return.
 
We had an appointment
at "La Petite Madeleine"
where I'm a little drunk;
Hurry up, I love you!
And make me forget
my shivers and my pain,
because I didn't think
of putting on a little wool.
You've got to come back.

Au café avec Muette

The only bomb that should be acceptable to mankind.

"Sex Bomb" is a song by Welsh singer Tom Jones (you probably waited for this ;)). Performed in collaboration with German DJ and producer Mousse T., it was released in November 1999 on Jones' 34th album "Reload".

Guitar by my son Gideon.
We hope you'll enjoy the show.



Sex Bomb (Tom Jones / Mousse T. - Giddy & Rob Jam)

same song new day - raccoons in the brain pan

Yecidera Ondiver

Basic track by Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
https://soundcloud.com/paploviante-and-friends/turn-of-time-open-collab-offer
joerxworx: alto saxophone, final mix & mastering

Turn of Time by Paploviante // sax remix

Terpsichore

Garden

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

The Heatwave Mr Lexx & Keida VS JoeyStarr (Dramantic Remix).mp3

Disordered Thinking

The title describes the music made. Funky original beats and smooth symphonies make this song have the question: Is it real or a dream?

Real or Dream

I originally composed Strange Metronome while following a metronome — and it felt strange… Later, I discovered that my recording software (Logic Pro) could detect the tempo of my playing without a metronome. What a liberation! But I kept the original title… 
J’ai d’abord composé Strange Metronome en suivant un métronome, avec un résultat étrange… Puis j’ai découvert que mon appli d’enregistrement (Logic Pro) pouvait détecter le tempo de mon jeu de piano sans métronome. Enfin libre ! Mais j’ai gardé le titre d’origine…

Strange Metronome

July 1st, 2025 & we wish you a Happy Summer! Thank you for listening & supporting indie artists.
Lyrics & Vocal Melody by Kate Stanton
Music Production by Thomas Mierkiewicz @user-297959700 Lemonbrew 7/1/2025

There’s a monster beneath the bed
And it runs and it comes right out of my head

“You are weak" — so take a week
I could never tell...
'Til I walked straight out of that bed
Took my time, some words were said
Follow me, follow me

[Verse 2]
There’s a wonder beneath the skin
It’s wild, & it slips right out of my hands

“Come to me, while you are weak”
I’ll never tell...
'Til I walked straight out of that hell
It took some time, minced words as well
Ba dah dee eh, bah da de…dum

Dumb!

Chorus

Bah da da da da da dah dum

There’s a way, there’s a way
You can help everyone

Right in the heat of the sun
In the heat of the sun
There’s a lie where the pulse says it rises and falls

Right through the heat of the sun
Yeah, the heat of the sun...

Verse 3

There’s a silence beneath the scream

And it hums like a thread through every dream

“You are me” — it whispered deep

I could never tell...

'Til I met it under the bed

Spoke its name in words unsaid

Sing with me, sing with me


Heat of the Sun

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us!

Throwing Rocks (Eclectic Collective)

Is there any season as young as summertime? Is there any feeling as great as youth? Is there anything more worth protecting than a summer as we know it from our youth?

lyrics, music and production by ©Hans-Michael Albers – vocal performance by suno 4.5
video: https://www.youtube.com/watch?v=jFUzxoum-PQ

Still
This fragrance 
Like only
Summer air

Cloudless
Weightless
Wonderland
Life-size

Everything can be
Simply
Everywhere 
Sunshine

Warm light
A perfect world 
Sky high
Blue tent

Nobody knows
Or do they?
Whether and how
Long it will last?

Everyone sees
What happens
Everyone has
Got it

Never again like this
Never again like this
Everything is over
And over

Always young
Best time
All's well
Lightness

Popsicles
Convertible
Soul laughs
Just like that

Can do anything
Free choice
Tomorrow is
Doesn't matter

Nobody knows
Or do they?
Whether and how
Long it will last?

Everyone sees
What happens
Everyone has
Got it

Never again like this
Never again free
Everything is over
And over

No more good
Sun glow
Heat red
Hot death

Dry field
Desert world
Summerland 
Burnt down

Summerland 
burnt down

Translated with DeepL.com (free version)


Sommerland abgebrannt

We are Glitchy dot Phong !!! https://soundcloud.com/user-434699157?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Glitchy dot Phong - From Home 25

(I'm not on SC much these days, but should be more active again in another month or so, and hope to catch up on exploring all y'all's creations)

This is an older experimental tune from around 1998. It started off intending to be a classical type thing with just orchestral instruments, but I kinda got carried away! All instruments are played on my old Roland synthesizer. I hope to return to the original idea some day to record better performances of the guitar and trumpet sections (collaborations welcome!), or redo it entirely. But the cello intro & outro are a strong foundation, and the short interlude (oboe & plucked violin) at the 2:30 mark is among my favourite bits of all my stuff. Looking for a better title too  🧐.

Variations

Matrix

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Drown

Silent Tears

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me