Music: Zpeters (Zach Peters) soundcloud.com/zpeters

Vocals & Mixing: James Toburen 

Lyrics: Percy Bysshe Shelley

Close Your Eyes and Breathe Deeply

Close Your Eyes and Breathe Deeply (w/ Zpeters)

Damga and I remixed one of my old piano tracks.

Piano Topping For A Pineapple Sundae

Piano Topping For A Pineapple Sundae (Remix - Damga  & HyLGZ22)

Chapter 152 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA Vol. 9 is now available exclusively on Bandcamp.
https://belialpelegrim.bandcamp.com/album/taffeta-vol-9

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
https://soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 152

TAFFETA | 152

No Hiding Place

dance of sounds

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. So, I took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
  Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track.
  Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Tonkas and Matchbox Cars (Eclectic Collective)

Brain Reset (For four guitars)

Paddy Whack feat. Shamoozey
Shamoozey Vocals and Lyrics:
https://www.looperman.com/acapellas/detail/10070/paddy-whack-by-shamoozey-140bpm-weird-acapella
https://soundcloud.com/shamis-1
Paploviante: Bass, Music Composing, Arrangement, Mix, Picture and Mastering

Paddy Whack feat Shamoozey - Paploviante Music

Friend Zone

The title of this track is a reference to the wartime term "no quarter", which also means "take no prisoners". The 'blood' red flag is often used as a symbol of this horrible practice and, in fact, it is considered a war crime to refuse to spare the life of anybody - i.e. to refuse quarter. The term "No Quarter" prompted me to research the meaning, which is where the concept for the song title came from.

In the original 1999 version of this tune, the only instrument was the echo-y electric piano sound, which was influenced heavily by the song "No Quarter" by Led Zeppelin. This is another tune I'd recommend listening to with headphones because of the heavy panning movement throughout. 

(special thanks to Chris [cgmaness] for the thoughtful perspective that reminded me of this incredible video, which speaks for itself. more like screams!  www.youtube.com/watch?v=9x7FGbW3IVc) 

Make music not war.

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Mark's Album (post-2020)

Red Flag

Listen On SPotify
https://open.spotify.com/album/6m9sdD9i9gq528JrHxhxce?si=nnAworNzQk6L53q4TWYlOg

sending epstein birthday cards

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Tonkas and Matchbox Cars (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)