this is good Solid Rock..   love the vocals ,  great atmosphere

Guitars are great on this 🔥🔥🔥🔥🔥

@user-936947521: Hey Frans man, I'm so happy to hear you approve of what we did with Ken's awesome song. Your attention and opinions mean the world to me, my dear friend. I always appreciate seeing you on my page. Many thanks, man!

I LIKE IT SO MUCH!!!! AVETE LAVORATO COME UNA GRANDE SQUADRA, SEMBRATE UNA COSA SOLA!! L' UNIONE DI PIù MENTI COSA PUò CAUSARE!!!!! OTTIMO LAVORO AMICO MIO, IL TUO GRUPPO SPACCA!!🧡

It's so truly awesome that you all resurrected this song with Ken.

Love the trippy atmosphere and effects on the vocals ✨🤍✨

Ken wrote this song (K2 and the Three, and K2 and the Four) a little more than three decades ago, and recorded it with a former band in '95. It's about being a guy who recovers a woman from a failed relationship, even though he doesn't expect it to last. He got the term from an episode of the '90s hit Roseanne, when one of the someone quipped after one of the daughters had been dumped by a bad boy, only to find a new boyfriend, that "it's not gonna last. He's her transition man." So, Ken, finding himself in a similar situation, picked up the term and ran with it.
  His original recording was a harder rock sounding song we used a template, but only loosely. Josh Clary (Entheogenic Psychonaught) tried to answer the question, what would Flea play on this? JJ Terrell came up with the fonky funk keys. Tez (Llanpsych) and Stephen (TexMex Shaman) came up with with the lightning and fire guitar leads. Ken, of course, did the driving drumming and essential percussion, as well as deftly adding the vocal harmonies. Chris (cgManess) added the really solid foundational rhythm guitar. He also performs the daunting task of singinging this one. On top of that, he also did a fantastic job of producing and mixing it, as well as coming up with the art.
  We hope you enjoy it. Below are the lyrics, too.

 Hey won’t you listen to me?
I know I can’t set you free
But I’ll jump start your broken heart
Make it safe again for you to live and love
You know it’s all or nothing

Love see me for awhile
Let ‘em know you’re back in style
It’s touch and go, baby you should know
Feelings from your temporary heart
Leave me with all or nothing
Yeah
 

Girl, I’ll see you in my dreams tonight
It only takes all of my time
You see my brilliant color
Fades to black and white
For I see what you are
And I know who I am

I’m your
Your transition man, yea
Your transition man, yeah

Baby who’s to blame
Was it your fire or my flame?
Candle’s always melt to wax
But I want you to love me like “ forever “
Is all, or is it nothing?

Darling you’re in my soul
I thought I should let you know
The Spirit that is moving me
Is it all ill have, or will you take my hand?
Give me all or give me nothing

And it’s a long distance, baby!!!

Transition Man (Eclectic Collective)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Comments

Arcachata

Scratch Kelly

JeffRay3

~Mark F

EIN MUSIC

Entheogenic Psychonaut (Josh Clary)

Sal

AnandaTuk

AnandaTuk

ThrillMonkey