FLYING TURTLE

Doof doof, motherfucker 
When I come you’re going oof oof
I be smoking on the poof poof poof
Then I’m mining down your roof roof roof
I’ll be laying down the truth truth
It’s time for the fucking doof doof, motherfucker
Doof Doof

Ay, I’m self-made baby
Hella famous, I make them jealous
This the menace that fucks with the order 
And no deodorants can hide the stench, it’s over man
Oh, the sanction’s there? 
Bitch, we’re united like Manchester
It’s about time, we’ve had this vision
Didn’t just start it, we practiced it
And that’s just half of this shit
The other half’s deep where you can’t witness
And the fact is this, that and the third 
And the fourth and the fifth and the eighty eighth 
This shit is getting very crazy
Keep spending every day in daydreams
Please baby let me get in there
See, I’ve been getting there with every pay shift
Been making every bed
It pains me to see every bitch in there
It can’t be the thing that will help me lay and get sleep too
Don’t tell me that it’s too soon
I’m in love with the night
And every new moon our plans collide
And God decides that who’s who
And if I decide then I decide 
That lose lose ain’t what it’s all about

It’s got the doof doof, motherfucker 
When I come you’re going oof oof
I be smoking on the poof poof poof
Then I’m mining down your roof roof roof
I’ll be laying down the truth truth
It’s time for the fucking doof doof, motherfucker
Doof Doof

Doof Doof

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  I was first up to the plate with this one, adding my deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triangle dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too. However, Tez also did a production and mix that some of us are choosing to use instead, as a matter of taste, not quality. That is the one you'll find on my page.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavor we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops [alternate Llampsych version] (Eclectic Collective with Tea R. Sea)

another song idea from the past about 7Os rock stars....
a cautionary tale to watch the wine and the whites and the chicken cacciatore ....


Roll Daddy Roll

He's willin’ and wild 
A music smorgasbord 
Kind of like a 1972 Lowell George
Smoking gun
Flame for hire
7 years to glow
Giddy up and get down 
Roll Daddy Roll

Daydream  running
Always riffin’ at the ready
Kind of like a 1978 Tom Petty
Guitar shake
Build that pyre
39 years to glow
Giddy up and get down 
Roll Daddy Roll

Roll, roll break your mama's heart 
Boat be sailing, how to finish what we start
Roll, roll till it falls apart tonight, tonight

Once Cleveland rocked
Now the sound has gotten softer
Lester wrote a eulogy for Mr. Peter Laughner
Ain’t It Fun
To die young
In 5 more years Bangs' bell would toll
Giddy up and get down
Roll Daddy Roll

Roll, roll break your mama's heart 
Boat be sailing, how to finish what we start
Roll, roll till it falls apart tonight, tonight

May your days be filled 
With power chords and glory
Watch the wine and the whites
And the chicken cacciatore
And don't be fooled by innocence 
She will take your head you know
Giddy up and get down
Roll Daddy Roll
Don't be fooled by innocence 
She will take your head you know 
Giddy up and get down roll Daddy roll











Roll Daddy Roll (acoustic)

drunk octopus wants to fight you

A Storm In The Desert

Cast of Characters:

Cgmaness – https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?si=pJS46q9cRDmArzLu-g_3qQ – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by clicking the link next to his name in the credits. 
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to her name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....


Better Not Say (The Eclectic Collective)

Cast of characters:


Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar foundational rhythm guitar

J.J. Terrell– @j-j-terrell – organ, envelope synth, and vocals

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass and vocals

Llanpsych– @llanpsych –Tez– Fender Stratocaster electric guitar

TexMex Shaman– @texmex-shaman –Stephen–Fender Nashville Telecaster electric guitar, sitar, mix, master, and production

This song began its life in Poland, where our resident surf rock specialist, Artur, composed it on his guitar. He is a brilliant composer and expert player, so we're always glad to receive music from him. 

  Artur gave it to JJ to start the project, so JJ was first to the trough here, adding his breathy, moving organ throughout, as well as some slick envelope synth. Ken came along shortly after to give the song its heartbeat, adding his triumphant drums. As soon as he had a beat to play to, Josh added his four string fretless bass to the mix, completing the rhythm section. 

  Now it was the other guitarists turn to take a whack at it. Tez was first up, adding the magical the first and third solos, in the verse sections. He also lit up the intro and outro sections with some dynamic guitar solos, as well. Stephen went last, filling in the second and fourth solo sections in the choruses, as well as a textural guitar that you hear throught most of the song. He also added the exotic sitar you hear in about the middle. After all the music was laid down, Artur had the idea to add the vocal chorus towards the end, which Josh and JJ sung in four part harmony.

 Once we had it in the bag, we asked Stephen to produce it for us, which he did in his always trained, professional manner. 

  This is the eighth song we've done with Artur over the past about year and a half. We adore his music and him as a person, too. If you dig this song, you should hop over to his page and have a listen in case you're not already familiar. 

He loves surf music, and wanted to note the passing of surf rock legend, Brian Wilson this week. Wilson was more than just Pet Sounds, although that album is top class. He was a surf rock pioneer, who influenced a whole genre of music; a genre that's near and dear to Artur's heart. 

  We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Surfers Like Us:

We all live between Sun and Moon
Love and Peace
That's all what we do

Between Sun and Moon - Eclectic Collective w/ Artur from Surfers Like Us

Shine (Inst.)

Well your baby's got a breaking heart
But you don't care from the start
Because you, are just you

She's a wonderful girl to know
But you're a rat and I told you so
Because you, are just you

You treat em wrong and you break their hearts
And what is worse is from the start
You don't care what you do

445. because you are just you (harding).mp3

01 60 BPM

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Tree Tops [alternate Llampsych version] (Eclectic Collective with Tea R. Sea)

Entheogenic Psychonaut (Josh Clary)