Hey Josh, this reminds of the days when the last smoke of the night was accomplished when listening to the Stones’ Moonlight Mile 😎

This is an amazing cavalcade of genres beautifully whisked into a psychedelic tribal wonder.  I'm hearing all sorts of influences, Floyd and Zeppelin just to name a few.  This is just what I needed today, honestly beyond comprehension.  LOVE IT!

Nice vocal harmony! captivating & mesmerizing..great mood changer..love the ambient atmosphere..great mix & recording production!

Really beautiful soft vocals and guitars! Love the percussion driving it all as well!

So liking this song's 'personality' (Chris's idea) and the cool additions to it.

Though i have heard this before --still Fresh Brother:) How did you get Neil Young to do the vocals?? oh wait, thats J.J.--Compliments all around:):)

(Written by Terry Reeves)
Terry Reeves: Vocals
Hans Albers: All instruments, Arrangement & production

From the age of 15 when I first stepped into the world of employment I was told it would be a major advantage to get a job that lasted through to the State retirement age of 65. At the time I'll admit it was not something I took at all seriously.  When you’re that age, the last thing on your mind is bloody retirement.   

However, by the time I reached my early 50’s and had been diagnosed with multiple sclerosis, my mind became a little more concentrated on reaching what might now  conceivably prove to be an eminently missable target.  In the interim, the UK government decided that, given the population was living considerably longer than it once had, they would incrementally be raising the retirement age, meaning that mine now became 66. 

Our dear old Nan was a dedicated Bingo player and knew that number callers used particular phrases for certain numbers, one of the best known being 66, known as  ‘Clickety Click’.  So reaching pensionable age became inextricably linked to Bingo, hence the title and subject matter of this song.   

The number one - ‘Kelly’s Eye’ - seemed a good place to start and having done some fascinating research, I worked my way through the Bingo calls, choosing the ones whose scansion worked best, until I reached the magic ‘Clickety Click'.  

As the chorus explains, there were no guarantees I’d actually get there, it was just a target.  But I did get there and this song celebrates the fact.  

The song ends with the traditional exclamation of the player who has won the game, being either ‘House!’ or ‘Bingo!’.  When I was recording the vocals, my constant and beautiful companion Marvin (it is he who is pictured in the cover art) reacted to my shouts with a loud bark, perfectly in time, so we decided to keep it in.  Marv is with me at 99% of the recordings and enjoys being involved when the opportunity presents.

As always, huge thanks to the wonderful Hans Albers for another brilliant backing track which is, as I think you’ll agree, perfect for the song.  That man is a genius.
Thanks so much for listening.   (Terry Reeves)


It all started with Ned Kelly’s eye (1)
A cup of tea (3) to stop going dry
Tom Mix (6) wearing hat, riding fast
Monkey’s cousin (12) hanging, trying to last
Key of the door (21), two little ducks (22)
Paid half a crown (26), keep up the luck
In a state (28), rise and shine (29) but alive
One dirty knee (33) to help jump and jive (35)

Sixty six not to preconceive
Sixty six, a target to achieve

Half way to laugh, more than eleven (37)
As life begins (40), time for fun (41) isn’t heaven
Up to tricks (46) towards four dozen (48)
Five-0, Five-0, it’s off to work (50) with percussion
Danny la Rue (52), a man at the door (54)
The snakes are alive (55) but don’t wriggle more
Shotts bus (56) to Scotland, check the sign
Variety of Heinz (57) to the Brighton Line (59)

Sixty six not to preconceive
Sixty six a target to achieve

A baker’s bun (61) all tickety boo (62)
Tickle me (63), almost retired (64) laughing too
Retirement age(65), it should have been fun
Clickety click (66), getting paid
Take the money and run  
Route 66, nearly there
Clickety click, the sound of my wheelchair

CLICKETY CLICK - CRIPPLE CLUB & HANS ALBERS

Grabado en 2024    
Me acosté                                   Em-B5
Y entonces desperté                F#5-A5
En la luz 
Reze en un ataúd 
Ya no hay más 
Menos mal 
Ahí abajo 
Ya no veré los rayos 
Pero igual                                  D-Em
La máscara caerá                    A5-F#5
Cuando está 
Casi nada es real 
Son los pies 
No dejo de mover
No es tan tarde 
No se si perderé

LA MAS CARA

Dive into the energetic world of the latest electronic dance track! With pulsating beats and infectious melodies, get ready to dance the night away to electrifying vibes.

Zıplayan Fasulye

This is a song fragment made with garageband with imac built-in mic and AC unit running in the background lol. Hoping we will have time in the future for Morry and I to develop it into a complete song. At lunch the other day I was thinking of the lyrics of Iris Dement's song, "Let the mystery be" and started writing on a similar theme, then playing with a piece of a melody an harmony vocals. I have some other lyric edits started. We hope our SC friends enjoy this short demo. 

Mystery
If this is my one time
Given a free mind
To ponder and protect
This endless mystery

I wont waste more time
Searching for a dime
Worthless and hurtful
In the end that will be

I know that who I am 
Will drift on horizons
distant and woven 
Into endless energy

Image of Eagle Nebula from: https://www.usatoday.com/story/news/nation/2024/07/24/nasa-chandra-telescope-images-galaxies-nebulae-space/74524049007/

Mystery

at sunset
autumn video:
https://youtu.be/H6hEqQ_hQxs

закатилось солнце ясное

https://youtu.be/AvFLQevu5nY?si=Y_S1gqJ3eeiY8QIN

There is an order in all life. Birth, aging, sickness and death. Spring, Summer, Autumn and winter. You see it in everything that grows. The order never changes. Winter can not come after Spring. Why would the life of a human being follow a different law of life?

Full Circle of Life

Cast of Characters:
 
Cgmaness – @user-419254289-15129531 – Chris – foundational acoustic guitar and seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, lyrics, and vocals
Llanpsych-- @llanpsych -- Tez – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
The Eclectic Collective — composition and mix

  This is the second song in a row that The Eclectic Collective is releasing in as many weeks that was written by Chris. We love working on his songs, and all jumped at the chance to play with this one, as well. He wrote it on an acoustic guitar, onto which he also put some heavy reverb, giving it an ethereal, chordal sound. To that bare bones, Josh fist added his four-string fretless bass to a click track, of all things. Luckily, Ken swooped in soon after and gave it a proper beat with his lively percussion performance. 
  Once the rhythm section was complete, Tez added his melodic, golden-tone guiar in there. Then, it was JJ's turn. He added not only the piano and synth, but wrote the lyrics and sang it, as well. 
  This song was actually mixed by the group, as we all added our parts, although Ken did some final adjustments, too.
  JJ's lyrics tell the story of the first people to reach Easter Island, millenia ago. The wonder of the journey and the discovery of a new home, while using the materials available to survive. Here are his original lyrics.

Original Lyrics by J.J. Terrell:
 
Through the eyes of the gentle rain
Monuments raised where the Lapwings stay
All the sand, the hourglass of man sifts here
A traveling band of gypsies in this land appear
Crowd the fire as the night sets in
Listen for tales of enlightenment
Until dawn
The flowered down of a bird so true
Pure as heaven, the chosen few
It's all waiting for the night

Unabashed (Eclectic Collective)

Nap Mix - Variations on a Dream

I wrote this at the age of 19, to be played with guitar

Etüde1

this is basically my life, specifically late July 2023 til September 2023, put into songs. this is me


originally released September 25, 2023

Shout out to Whisper of the Heart for being the best example of being a creative in all of media, shout out to Yoshifumi Kondō for your brilliant mind, shout out to **** ***** and *** **** for making me feel alive and breaking my heart into a million pieces I love you both forever (jk) [also yes ghost girl is about 2 different people :O], shout out to Fred again.. and Jessie Reyez for capturing how I feel about missing somebody better than I did with Jessie (I miss you) and sorry for stealing the vocals I hope you don't notice lol, shout out to the song Blue Sky and Yellow Sunflower by Susumu Yokota for inspiring Let me catch my breath, shout out to vewn for capturing the human condition so perfectly in all your videos and for capturing mental health so perfectly in 'motivational video movie' and in all your work, shout out to Agony by Yung Lean for inspiring one specific detuned piano layer in Mara and for guiding the structure of the track as a whole, shout out to a sermon on the book of Ruth by the pastor at Cornerstone Church in Boston for inspiring one of the lyrics "call me Mara cause God's made life bitter" and for inspiring the title of the song, shout out to Uberduck AI vocals for the vocals on Mara and Null and, shout out to blessings stranded on YouTube for capturing my specific feelings towards life better than anyone else ever has, shout out to flyingfish for making amazing shoegaze and for inspiring the second half of the song, Shout out to my family who I love so much, shout out to the song Dark Blue by User2222 which singlehandedly inspired and shaped this entire EP, and shout out to God (that sounds cringe saying shout out LOL I sound like a youth leader) but it is hard to trust You lately but I still have my faith in none other.

Bandcamp

Pipe dream

Composé, réalisé par Jacques Lemaire alias Idematoa, Septembre 2020 via Studio One
Free Download : https://idematoa.bandcamp.com/track/from-one-shore-to-another-my-new-life

Used Softwares :

01 - Spitfire Audio - BBC Symphony Orchestra - Core - Clarinet Legato
02 - Spitfire Audio - BBC Symphony Orchestra - Core - Flute Legato
03 - Spitfire Audio - BBC Symphony Orchestra - Core - Horn Legato
04 - Spitfire Audio - Aperture Strings - Aperture Ensemble - Tremolo
05 - Sonuscore - The Orchestra Complete - Violin 1 Staccato - Violin 2 Staccato - Viola Staccato - Cello Staccato - Double Bass Staccato
06 - Orchestral Tools - Time Micro - Bass Ensemble Triplets
07 - Spitfire Audio - BBC Symphony Orchestra - Violin 1 - C.Sord Long CS
08 - Spitfire Audio - BBC Symphony Orchestra - Core - Brass - Horns a4 - Legato

From One Shore To Another - My New Life

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Unabashed (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

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