MEMORIES OF THE PAST...TRIBUTE (with Marco Turrini Orch.)

Junzo Kowashi RED HOT KEYS (with Marco Turrini Band)

Slippin

Am I going to play or who is playing?（256）

Captive Of Time (Kontra Sz & Val Akey collab)

Group Playlist Draft

April Friends

A     067

Voici une pièce que j'ai faite il y a un certain moment avec Gary Courtland-Miles (Anomon).  Il m'a demandé si je pouvais ajouter des orchestrations sur une de ses magnifiques pièces de piano.  Sur le thème de l'Amour et l'importance de sa place dans nos vies.

Here's a piece I did some time ago with Gary Courtland-Miles (Anomon).  He asked me if I could add orchestrations on one of his beautiful and heartfelt piano pieces.  This is all about Love and the importance of it in our lives.

https://soundcloud.com/gary-courtland-miles

It's Something Like This - with Anomon

This is another one I wrote for my old bluegrass band, Cornbread. I'm playing mandolin and singing lead, the brothers Jon and Matt Check are on the guitar and banjo, respectively, Doug Fitzsimmons is on the snare drum and vocals, and Brad Barron rounds us out on bass. Matt is still playing music, too, and you can find his stuff on BandCamp and Spotify. He's a really talented multi instrumentalist, as well, and is playing mostly guitar these days. I wrote this song when I was in love, if that isn't apparent, and it's all true.

Oh My

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Piano composition by Anibal Seminara
Image by Many Souffan

Buy by Bandcamp

3 Piezas Para Piano No. 3 En Si Bemol Menor

Ian Greaves

The Story 135 BPM

Composed in the 70s. Part III: Agitato
This sonata is called "Ornata" by me because the other instruments adorn the piano part, without performing any autonomous theme!

Sonata No.2 for Piano "Ornata" (Part III)

Sonata 2 for Piano "Ornata" (Part III) Agitato

Toccata in G major for piano. 
Play as if you were on the organ!
I can't resist the temptation to explore the stanzas of various musical keys!

Toccata in Sol

Toccata In Sol

https://open.spotify.com/intl-ja/track/3A0iDF1VasIoNHj4cNinTd
Hey friends! 
I posted a new song! I would be happy if you could follow me on Spotify too!

Mad 2023

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (collab)

Collaboration
Check out AnandaTuk's music
https://soundcloud.com/user-11396379/tracks

Hard To Communicate

Hard To Communicate -with AnandaTuk

Boss Fight

Here is a trio collaboration with the members of our respective duos:

Kyt of Kinsâme (Kinsâme) 
https://soundcloud.com/kiyotoyoshihara

And Mesmo (Pythyrsus)
https://soundcloud.com/mesmo1

And me^^

-------------------------------------------------

Chasse galerie chamane
Qui ensuque la camarde 

Voyez dans les cieux danser
Le festival des fous énamourés

Riront et iront rayonnant les ronrons
D'au-revoir en rêve révélant rubicond

Ces jolis geysers, joyaux de joie
Aux gentils gemmes des girons

Câline le cosmos
Connecte toi

En bouquets de Boketto
En vagues déjà-vu

---------------------------------------

Shaman gallery hunt 
Who chases the comrade 

See in the skies dancing 
The Festival of Enamored Fools 

Will laugh and go radiant purrs 
Goodbye in dream revealing rubicund 

These pretty geysers, jewels of joy 
To the kind gems of the laps 

Cuddle the cosmos 
Connect yourself 

In Boketto bouquets
In waves of déjà vu

Filesay Thimbleac Echysp ( Kinsâme & Pythyrsus)

I am so excited about collaborating with soprano Maribel Villarroel and arranger and pianist René Calderón. The lyrics are from the Pablo Neruda poem "Para Que Tú Me Oigas" in the book "Twenty Love Poems and a Song of Despair". Translated by W.S. Merwin. Permission has been granted by the Fundación Pablo Neruda.

Canciones para Pablo Neruda" is a book of musical scores for songs based on lyrics by Pablo Neruda and artwork from some of Chile's greatest artists: 
www.amazon.com/dp/9564163218

This song was also performed live at "La Chascona", the former home and now museum of Pablo Neruda in Bella Vista, Santiago: youtu.be/vzz8tY0CYLk?si=ZfYIat6iL69p2FW4

YouTube: https://youtu.be/r4c6Fo1UvS8?si=opQNgKjXoVPf7HgX



Para Que Tú Me Oigas (Letras de Pablo Neruda)

Para que tú me oigas mis palabras
se adelgazan a veces
como las huellas de las gaviotas en las playas.
                                                                                                                                  Y las miro lejanas mis palabras.
Más que mías son tuyas.
Van trepando en mi viejo dolor como las yedras..                                                                                                               
                                                                                                                            Ahora quiero que digan lo que quiero decirte                                                                                              para que tú me oigas cómo quiero que me oigas. 

Llanto de viejas bocas, sangre de viejas súplicas.                                                                              Ámame compañera. No me abandones. Sígueme.                                                                           Sígueme, compañera, en esa ola de angustia. 

Pero se van tiñendo con tu amor mis palabras.                                                                                       Todo lo ocupas tú, todo lo ocupas. 

So that you will hear Me (Lyrics by Pablo Neruda)                                                                                          

So that you will hear me
my words
Sometimes grow thin
As the tracks of the gulls on the beaches. 
And I watch my words from a long way off.                                                                                           They are more yours than mine.                                                                         They climb on my old suffering like ivy. 
Now I want them to say what I want to say to you to make you hear as I want you to hear me.

Lament of old mouths, blood of old supplications.                                                                                             Love me, companion. Don’t forsake me. Follow me.                                                                                      Follow me, companion, on this wave of anguish. 

But my words become stained with your love.                                                                                                     You occupy everything, you occupy everything.

Para Que Tú Me Oigas

“The Drifting Rose”  by Luke

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“The Drifting Rose”  by Luke

Download this beat for FREE on my Beatstars page! (tagged version)
👇 LEASE YOUR UNTAGGED COPY TODAY FOR ONLY 30$!!!🔥📣______________________________________________________________
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🎵 140 bpm | G#-minor
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SC: @soviet_kid

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Vidéo : https://youtu.be/jckflDtyfUQ

Je sors..
Texte : Sanzen 
Chant : Julia 
Musique : Alain Illos

La nuit comme un écrin,
lendemains juvéniles.
Des lumières se devinent,
j'irai ce soir en ville.
Je sors ce soir,
retrouver ma jeunesse,
les regards qui scintillent,
ma nuit adolescente.
Je sors ce soir, en ville,
pour une célébration,
je sors me réjouir,
le brio dans leurs yeux.
Gardez moi du déclin,
lendemains juvéniles.
Je sors me réjouir,
les lumières de la ville.
Ce soir, adolescent,
ce soir, reconnaissant.
Pour ce qui est à venir,
mon coeur juvénile.
La nuit est un écrin,
les lumières,
les lendemains...

I leave

The night as a jewel box,
youthful tomorrows.
Lights can be seen,
I'm going into town tonight.
I'm going out tonight,
back to my youth,
glittering eyes,
my teenage night.
I'm going out tonight
for a celebration,
I'm going out to rejoice,
the brio in their eyes.
Save me from decline,
youthful tomorrows.
I go out to rejoice,
the lights of the city.
Tonight, adolescent,
tonight, grateful.
For what's to come,
my youthful heart.
The night is a jewel box,
lights,
the tomorrows...

Je Sors.... ( avec Julia )   translated after the French text

Alien Insects In My Garden

Halfway

The tone of the saxophone melts away. It is a world of music where humans are not involved. A complex world of melted tones and gathered tones. After I start making music, someone else has the power to make decisions on my behalf.


When Kristyn, a talented drummer (https://soundcloud.com/kristyn-burke) proposed me to «symphonize» one of her tracks, I was very exciting for this challenge. So now I’m very proud to share it with you, enjoy it!

Midnight Flight: A Charles & Ulyana (Drums) Collaboration

All music and production done by this guy....enjoy

Cerebral Supernova (Instrumental)

Cycling

Available now https://www.adsrsounds.com/product/presets/flame-audio-faygo-guitar-samples-collection-samples-loops

Flame Audio presents Ultimate Guitar Loops Collection, based mainly on Nylon Guitar. 'FAYGO' features 20 hot melodic samples, ideal for creating Trap or Drill production.

Like so many other Flame Audio products, this pack includes single MIDI files for each loop, allowing you to seamlessly mix your favorite synths and samplers with the sounds contained in the pack.

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For users looking to simply drag and drop, the 'WET' files contain all of the effects processing heard in the audio demos. But for producers looking to create their own effects mix, 'DRY' loops are also included. Don't like the wet loops? No problem, add your own effects.

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20 Processed Loops
20 Dry Loops
20 MIDI Files
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Flame Audio - FAYGO

Emotions for Spring flowers

Andante pastorale
Adagio cantabile
Come un carillon
Allegro

Sonata Primavera (4-hand piano)

Sonata Primavera (4-Hand Piano)

Lyrics:-
Time flies when you're having fun
They say
If fun was what I was having
Ok
I've been trying to get out a message
You'd say
I don't know if it's touched one soul
To date

If i could make a wish
To wash it all away
I have tried
After all the pain
The least that i can say
I have tried

These walls they are closing in
Aha
I've grown tired, close to giving in
Almost
Just one , if i could touch one soul
Just one
That would be a winning streek I'd own
A goal

Did you hear what I wanted to say
Did you hear what I wanted to tell ya 

If i could make a wish
To wash it all away
I have tried
After all the pain
The least that i can say
I have tried

winkandwoo 2024

I Have Tried

Cast of Characters:
one man verity show – @one-man-verity-show – Scotty – melodic guitar, lyrics, vocals
cgmaness-- @user-419254289-15129531 – Chris – guitar intro
J.J. Terrell– @j-j-terrell –electric piano, synth  
TexMex Shaman– @texmex-shaman –Stephen – guitar solo and e-bow guitar
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez– textural guitar, mix, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar, original seed
The Eclectic Collective – composition

This song began with me coming up with the fonky-ass bass line and sharing it with everyone else. First up to bat was Ken, of course, who really matched the idea I had for the bass perfectly and gave it some flavor, too. Once we had a rhythm section solidified, Tez jumped in with the Kruangbin inspired arpeggios, and really gave the whole thing the flavor that it ended up with. Scotty followed soon after with his melodic/rhythmic leads that match his awesome vocal melodies. Next up was Stephen, who laid in the fiery solo towards the end, as well as some really trippy e-bowed guitar throughout. Then JJ came along and lit it up with his electric piano and synth. Finally, Chris came forward and added the distinct, exciting guitar intro. 
  Of course, we needed someone to produce and mix it, so we asked Tez to handle this one, which he did with his usual high wizardly magic. It is very gratifying to all of us to have Chris back in the mix on this one, as well as some upcoming releases, as well. This was the first time any of us has collaborated with Scotty, and we are thrilled that we finally got a chance. He's a creative, driven, and very agreeable musical partner, who's willing to work with us until we all get it right. We all hope this is just the first of many with him involved. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Scotty:

Can't obtain no fucking mortgage. 
And I can't pay no fucking rent.
I would rather you probe me 
than get fucked by our government
who attempts to control me 
and put nonsense in my head.
Who would rather see me
livin' in debt or end up dead.
Come and take me away.
Beam me into space.
Fly me to a planet
where there exists no hate or greed.

Take me to Utopia.
Teach me all your ways.
Save me from dystopia.
It's time to turn the page.
Something better must exist
out there beyond the stars,
where everyone can love and live,
unlike what's become of ours.

Utopia (Eclectic Collective with One Man Verity Show)

already a year on S.C....Special thanks to Badword for his a cappella...

OLD DAYS.   feat Badword

Prelude To Nowhere.

Watch the video on Youtube:
https://youtu.be/66rH2aWVzkg

Near Dark

Recorded in Modesto, Ca. Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Steinway Brothers Acoustic Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Fender Electric Bass. Roland Synthesizer Bass. Drums full kit. Percussion, Cow Bell, Ago go Bells, Tambourine, 22" Zildjan Ride & Crash Cymbal. Congas, Bongos.

Cannery Row

Dashing Out

Besides the Timing on the intro, and some rhythm mishaps all in all happy with it. 

Metallica - Welcome Home (Sanitarium) (Guitar re-recording)

Depth of Field is the first song to be taken from Sea Pinks forthcoming album Soft Days, due for release in January 2016 via CF Records. Rich in natural imagery and autumn colour, Depth of Field twists and turns on the super melodic guitar line of the verse and a lush, dreamy chorus extolling the virtues of uncertainty. 

Sea Pinks are a three piece from Belfast featuring Neil Brogan (ex-Girls Names, CRUISING) on guitar and vocals, Steven Henry (Documenta) on bass and Davey Agnew (Newton Forest FC) on drums. 

http://facebook.com/seapinks
http://cf-records.com

Sea Pinks - Depth of Field

This work is also a collaboration with Marco Turrini following the previous work. We tried what happens if I play "MEMORIES OF THE PAST" which is one of Marco's masterpieces together with him.How I would add my interpretation to this work while making full use of Pink Floyd's flavor and Marco's honed sensibilities, that was my problem.A big fan of Pink Floyd can not defile the honor of Pink Floyd.  :)
I sincerely thank Marco Turrini again. Also, I would like to confess that I'd like to express my respects to the many musicians who gave me a lot of musical influences, involved in this work.
And thank you for listening to this work from the bottom of my heart.

The key:Gm , C

When I listened to the sound source of Marco's "MEMORIES OF THE PAST ... TRIBUTE", the first thing I came up with was  "Breathe" by Pink Floyd. It is one song in the album "THE DARK SIDE OF THE MOON". Then, on "Shine On You Crazy Diamond" (included in  "Wish You Were Here ")A famous performance came back in my mind. This may be better known.
Both are masterpieces. There are a lot of name performances left. I will introduce it below.
By listening to that songs again, why I remembered that songs, I could find something in common between them, and at the same time you will be noticing something completely different.
What Marco drew for this song is Marco's "Pink Floyd", not Pink Floyd itself. Indeed, I feel an exceptional talent to him. For example,I'd like you to check the chord progression of the second part of this song. Mr.Marco treats it so that it is not cleverly noticed immediately,You will notice that the essence of a famous song nicely included. There should be many people who understood by just listening.Therefore, the title of this song is "MEMORIES OF THE PAST ... TRIBUTE", I do not ask Marco, I imagine arbitrarily and enjoying it. :)

You can listen to the original sound at Marco's page.
https://soundcloud.com/marco-seekx/memories-of-the-past

Pink Floyd - Breathe(London Live 8 - 2005)
https://www.youtube.com/watch?v=0dYMQA5_KcA
Pink Floyd - Shine On You Crazy Diamond(Wish You Were Here)
https://www.youtube.com/watch?time_continue=349&v=54W8kktFE_o

From the sleeve notes from the Psychedelica Melodica album:

8. Spanish Gypsy

Until quite recently I lived the Sierra Guadarrama mountains in Spain for several years where I was exposed to a lot of excellent Flamenco music, which is the music of the Gypsies or Romani. 

Being a guitarist myself I couldn't help but get sucked into figuring out how to play this style on guitar. While I was learning, I was struck by the similarity between Flamenco and North African and Indian music and when I analysed it, I found that they share certain musical scales. (interestingly the Romani were originally a nomadic tribe from northen India that travelled to Europe in the12th century) 

Another musical conjunction was the similarity (to me) between the harmony and rhythm of the opening bars of that quintessentially Spanish dance the Pasa Doble and a lot of Trance built on a gallop rhythm. 

So the original inspirational spark began with the possibility of combining all these musical threads into one piece of music. So, I started by creating the melody on a Flamenco scale, over the rhythm of the Pasa Doble with it's semi-tone harmonic movement and mixed that with certain elements of the older Indian influenced Goa-trance sound, but built it all on a foundation of the big kick and bass from the more modern Psytrance sound. 

Later I dusted off the (steel strung) acoustic and recorded some melodic guitar parts using some newly learned Flamenco licks to emphasis the Gitano flavour. 

The track you hear is the result of this weird musical synthesis of Goa, Psy trance, Flamenco and the Pasa Doble.

Billy Cosmosis


Buy Wav

Spanish Gypsy  - Cosmosis [Free mp3 download!]

Imagine If,...peace was the only solution...

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me