2022.09.25

Some of my Soundcloud Favourites #47

BLUE HEARTS STROLLING THEIR TIMELINES

An electronic track that conveys forward momentum.

Background image by Yuri_B on Pixabay: https://bit.ly/3S7J75x

Voyager

Vocals by IPG1
https://soundcloud.com/ipg1/the-new-direction-now-100-bpm

Production & Music: Cosmic Keanu

The New Direction - IPG1 & Cosmic Keanu

noxpox's open collab offer 'german beats' - many thanks!!
noxpox - beats
Josh - synth
Llanpsych - bass, guitar and production

german beats - noxpox collab with Entheogenic Psychonaut (Josh Clary)

Celestino, the curator of the rising German platform Sexy Dinosaur From Outer Space, makes his debut on U’re Guay Records with a four-track EP divided into two well-constructed originals and two outstanding remixes made with love by Mexican superstar Pvlomo and Brazilian virtuoso Vasconcellos.

For both originals – “Strange But True” and “Wild Times” –, the seasoned Frankfurt-based producer opened the vaults of his good ol’ Techno influences and delivered two fast-paced and upbeat cuts that sound completely different from his previous retro-futuristic-infused works.

PREMIERE // Wild Times (Original Mix)

Made in ableton with all ableton native plugins

We Had A Great Time Jenny

This is a dub that I can't up with based on a drum loop I found in BandLab. I them tagged my man in Manchester, Tez, of Llanpsych fame, who laid down the killer guitar you hear roaming about throughout the song. I always enjoy working with Tez, as he always has a great musical sensibility and amazing chops, too
Plus, we both love dub reggae. 

vape-o-dub (with Llanpsych)

deep sleep

Golden Blazing Fire

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Harmonica solo. Roland Synthesizer bass Arpeggio. Roland synthesizer bass Octaves. Drums Trap full Drum kit. Salsa with open Hi-Hat. Percussion Cowbell, Timbales, 22" Zildjen Crash Cymbal. Gibson SG Electric Guitar Rhythm. Godin Electric Guitar muted Rhythm. (4) Roland Synthesizer lead tracks, muted Melodie, Dance Hall percussion, Rhythm, Octaves.

Techno

Strolling

Q: Is there such a thing as a 'default daydream'?
My second favourite activity (after music) is moorland walking, where lost in thought as I amble along I often end up in a 12 bar blues reverie. As such, this track sums up such journeys with a striding/plodding country bass line and twittering bird flute backdrop. I've added a 'psych-blues' intro to reflect the mood stimulus.
Hope y'enjoy.

[Image from a painting by Jason Anderson c/o Pinterest].

Reverie Blues

Lyrics:-
Dont stop
You're better thinking over the time
Don't stop
You're better thinking over the time

Timelines
Timelines converging now 
Timelines
Timelines converging now

winkandwoo - 2023

Timelines

TIMELINES

From The Heart

From The Heart - With AnandaTuk

This was a fun one! Jeremy Sole & his Musaics band gave me an 8 channel 14 minute mix from the mixing board of a live concert in LA. I went in, got to work & came up with this tropical mash-up! It's only released on Turntables on the Hudson Vol 8 "Reflecting CIELO" Digital Version right now, so please grab a copy for your dancefloor! 
 
http://wonderwheelrecordings.spinshop.com/details/84128  <--- direct from artists
http://itunes.apple.com/us/album/nickodemus-presents-turntables/id444561204

Written by Jeremy "Sole" Ross: Remix & additional production by Nickodemus: Performed by: Todd Simon - Trumpet / James King - Baritone Saxophone / Tracy Wannomae - Saxophone / Dan "Connie Price" Ubick - Guitar
/ Joey Reina - Bass / Alan Lightner - Steel Drums / Dan Hastie - Organ, Rhodes 

Jeremy Sole's Musaics "Skalypso Vamp" Nickodemus Remix

download the full album @https://tripurayantrarecs.bandcamp.com/album/tunas-energy-2-compiled-by-panchos-studio-darkpsy-forest-psycore-hitech

Fragments Of The Past

My old SC mate Micah played drums to test a friend’s recording set, and sent me some cuts full of improvised breaks and tempos. I love time changes, yet this was really challenging!

I finally chose two of them and jammed with bass until I learnt his story telling.
Then, I clicked on the red button, again and again.

Drums played ad libitum by Micah Gettys https://soundcloud.com/graphicsontelevisions https://soundcloud.com/letterpressmighty 
Drums engineered and mixed by Dean Johnston https://soundcloud.com/forest-of-dean
Other sounding stuff made in Ruizzoidman's bedroom.
Artwork also makeshifted by Micah Gettys, oh, what a dude !!

Floating Point (with Micah Gettys)

NSRDUB011

• Preorders going live on Friday 28th Feb @ 7pm UK Time

• Limited run of 7" dubplates with hand stamped labels

• 60 Copies / No Repress / No Digital

• Release date: 1st April

Available exclusively from www.naturalselectas.com

Produced, recorded, mixed and mastered - Hit & Kill
Lyrics and Vocals - Ranking Sepah
Vocal recording - Ka Dub
Trombone - Siebren Van Mechelen
Trumpet - Jos Trompet
Melodica (on “Political Pressure”) - Hit & Kill
Melodica (on “Melodica Decompression”) - Camille (from Nomadub)
Sax (on “Melodica Decompression”) - Hit & Kill

Hit & Kill ft. Ranking Sepah - Political Pressure / Melodica Decompression (NSRDUB011)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me