Gabriel & Dresden @ Club Quarantine Day 028 2020-04-25

My Soundcloud Playlist - part 2

Digital: https://markdumosch.bandcamp.com/album/bay-25

Mark du Mosch is a Rotterdam based producer and DJ who has earned the highest amount of respect in the Dutch alternative music scene in the past couple of years. The reason is simple: he dares to go beyond the obvious, his raw yet emotional signature sound being distinctive, versatile and stunningly creative. Expect perfectly executed analogue bliss from a craftsman who is slowly yet steadily making his way into the records bags of global house and techno connoisseurs.

The title track is a quirky display of what the multi-talented du Mosch has to offer. Complex but catchy melody lines meet a highly effective get-in-high gear bassline, bridging the gap between analogue roughness and subtle chords. If this bass-inflicted break down doesn’t tear up some early morning dance floors, nothing else will.

Hiccupping kicks, steady groovin’ hi-hats and analogue synth patterns that keep building momentum are the impelling ingredients for 'Living Up'. Cosmic warmth topped by lush, ancient sounding yet timeless drums. Emotive stuff that grabs your attention instantly.

From Russia with love; Moscow based cult producer Gesloten Cirkel kicks it up a notch with his rough-and-ready take on 'Living Up'. Wailing synths, piston hi-hats and an everything but straight-to-the-point bassline make for an epic esoteric house jam.

DKMNTL014 // Mark du Mosch - Bay 25 (w/ Gesloten Cirkel Remix)

the gasman - Imodium

master piece by gesloten cirkel.   Moustache Techno Series 001

Gesloten Cirkel - Yamagic (moustache Techno Series 001) A1

edit: you guys exceeded the download limit. I'm flattered, but it's also unfortunate that there is a limit in the first place. There are probably ways around it. 

The Lyrics:

Above all, Do no harm
in cursive type

Above all, Do no harm
but that's so trite

What you need now is someone who can do the wrong things
I know you've got problems and there is no clean way to solve them

Above all, Do no harm
in cursive type

Above all, Do no harm
but that's so trite

I wanna use my hands and knives to make the world a better place
I know people don't like me because I hurt some families

Above all, Do no harm
in cursive type

Above all, Do no harm
but that's so trite

Hippocratic Oath

Mark Du Mosch - Living Up (Gesloten Cirkel Remix)

Lane 8 ft. Solomon Grey - Diamonds (Original mix)

Summit

Summit (Josh Gabriel Original Mix)

Here we go with Keinemusik's newest release - it is already number 47 and going by the lovely title "Hand In Hand". Speaking of, let us just give you a hand real quick and elaborate on this. The label is actually turning ten years in 2019. That is ten years of quite a few buzz making records within the back catalogue, ten years of priceless memories on the road, in the studio or somewhere in-between and above all, ten years of doing things hand in hand. So therefore the release to celebrate the occasion simply needs to carry this name. The idea is pretty basic: everyone of the label's mainstays is handing in a tune. Rampa is starting things off on the A-side with "For This" - a collaborative effort together with Berlin born and London based singer Chiara Noriko. It is a track rich in contrast, laying down a roughly shaped foundation featuring a swirling bass and shimmering synthnotes, but then suddenly enriched by harmonies and topped off by Chiara's yearning croon. Safe to say, the rather emotively charged frames of a clubnight have been waiting for this. Then there's Reznik - up to this point being in the picture as the DJ only fella - chipping in "Schuhu's Groove". A cut that indeed delivers a good amount of grooving energy. And at the same time, a bright tune that's switching beat patterns and indulges in Neo-Disco- leanings and funked up synth arrangements. &ME is opening side B with "Fairchild" and yet another sophisticatedly laid out floor epiphany, showcasing his ability to shape monolithic yet soulful peaktime masterpieces. Here he introduces staccato synths on top of a stoic groove, that are being shrouded by a pending note and then ultimately enlightened by pads and an instantly infectious piano melody. And finally we find Adam Port on B2, pursuing his knack for lost African treasures. Once again he finds the source material in an old traditional by Quim Manuel O Espirito Santo. Port's edit of "Eme Lelu" seeks to update the original in some of the rhythmic patterns and create a whole new dramaturgic, floor tweaked build up, yet he leaves the original's cheer- and playful nature untouched. Cheers to Analog Africa for providing the original composition