Derek Specs birthed from the 90s Chicago rave scene has contributed to underground dance music for the past 22 years. His current vehicle is Chicago's Primary night club thriving in the Gold coast. Derek selects the top underground talent of the globe making Primary a known force to be reckoned with. 
Owner of Twist & Fader A/V and Techno dogs hot dog stands.

TEKLIFE

http://www.facebook.com/Tripletrain

@DBK_Teklife + @Mel_G_Teklife = Tripletrain

SKYLINESESSIONS.TV [http://www.youtube.com/user/SkylineSessionsNYC/videos]

DJ and production duo out of Brooklyn, NY -- Newest members of the Teklife family

bookings and mixes contact tripletrain@gmail.com

Space Kraft | Ballroom Black | Renesanz
Part of Wienermischung
https://linktr.ee/julianmeinke
All booking enquiries: booking@julianmeinke.com
Vienna, AT
Passion for Techno and Electronic Music. Follow my journey here on Soundcloud.

Tech House, Deep House, House & Techno label.
Submit your demo's through our website.
info@vaingloryrecordings.com

Sin City Recordings was created in 2009 by Hatcha & N-Type, two pioneering Dubstep DJ's from Croydon, the birthplace of the Dubstep sound. Following the successful club night it was decided to create a label to represent the best of Dubstep and underground bass music worldwide. Sin City Recordings has now had releases from artists such as Benga, Skream, Coki, N-Type, Hatcha, Jakes to name a few, plus new up and coming artists. Sin City has now found its home at Fabric in London and has expanded to touring worldwide with the first USA tour in december 2011 featuring Hatcha, N-Type & Mc Crazy D.

Greekboy .  Dj and producer of drum and bass music. Liquid Drops , Odyssey , Flex , Soul Deep , Soul Rebel ,RSR , Amphibius, In Reach ,  Smooth N Groove , Exiled ,Celsius , Sheer Velocity , Rotation UK , Soul Source ,  Funkstuff , Rolling Beat  ,Figment . Sunshine , DNBB ,Stepping Forward ,Liquid Brilliants , Liquid Flavours

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.

josh naster is following