Midnight Foundry

ABOUT THE ARIA
From Masquerade, the third act in a trio of operas called Three Way. Masquerade takes place at a lavish suburban home. It’s a swinglife party, where people from all walks of life pursue their wildest erotic dreams. Couples in masks and robes have paired off in twos and threes. In this aria, the conservative, middle-aged Larry thought he was going to have fun with two ladies, but had performance anxiety. He pours a drink and laments.

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
I’m angry with myself.
Well, just a part of myself—
The part that lies there like a shrunken lump.
I could take that magic pill,
But I’d rather use my will,
Not an artificial bump to end this slump.

Two of them, two of them, what more could you ask?
Two luscious ladies, eager and game.
That makes three of us, three of us, all in our masks,
The lighting is low, the cushions are deep,
It’s my favorite dream but I’m not asleep.
And Little Larry Junior’s not making a peep.
I guess it’s not my night.
Not my night. Not my night.

I’m beating up myself.
I should be nicer to myself.
I want to keep on playing in the game.
But despite my healthy hunger,
The other team is so much younger
And my pitching arm is feeling awful lame.
When did the wild man get so very tame?
Not my night! Not my night.

Three Way

Three Way - Act III. Masquerade: Larry’s Aria: Not My Night (Baritone Aria)

MIGHTY FALL (el altar del dinero)

driving down the mountain, just to watch them crawl
mr. know-it-all, raised on backdoor’d nepotism, but dropped the ball
speeding through the city, just to catch that thrill
of the sucker's kill, he was superman-ambition, with no real skills 

-C H O R U S -

…and the Mighty Fall, 10,000 clowns and all
if you’re blind to your addictions, she’ll be that intervention now
it’s a Mighty Fall, one percent and all
if you need the inspiration, she’s a walking revelation now

-V E R S E-

flashing on the TV, with a smirking grin
mr. Walking Sin, he was tight-rope-contradictions
…and dead within
living in a bubble, is the modern way, oh but so cliché
to have all the education, but zero grace

-C H O R U S -

…and the Mighty Fall, jack-off saints and all
If you’re lacking the conviction, she’ll be a benediction now
and the Mighty Fall, trust fund perks and all
if you’re missing the compassion, she’ll tase your heart to action now

-B R I D G E –

billions and trillions and zillions of dollars, the altar of money, is it worth all the bother?
it owns you and tones you, you soon will be facing, a bottomless hunger that's certainly waiting for you…

-C H O R U S -

…and the Mighty Fall, country clubs and all
if you need a new sensation, she’s a walking revelation now
…and the Mighty Fall, wipe the prints and call
no one cares about distinctions when facing their extinction now

Mighty Fall (el altar del dinero)

Sounds Of The Void

slow rock blues ... for dog-walkers (& -talkers) everywhere!!

rockon2020

walking the dog

Humanité

🎧 Stream / ⬇Download

Ando Moon - "Why Can't This Be Real"

Cradle to the Grave

AcidZone 1

Spotify

Written: 2016
Duration: 5'
Instrumentation: soprano, baritone and piano
Lyrics by Mark Campbell
Commissioned by the Five Boroughs Music Festival for the Five Borough Songbook, Volume II
World Premiere: Five Boroughs Music Festival, DiMenna Center for Classical Music/Baryshnikov Arts Center, Jerome Robbins Theater, New York, NY, Marnie Breckenridge, Soprano, Sidney Outlaw, baritone, Jocelyn Dueck, piano, February 11, 2017.
Publisher: Bill Holab Music

View Score: https://issuu.com/robertpaterson/docs/paterson_crossing_the_hudson__score

Buy Sheet Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2698

For More Information: https://robertpaterson.com/crossing-the-hudson

PROGRAM NOTES
When setting text to music, it is very fulfilling to have an opportunity to work with living writers, and especially a great writer such as Mark Campbell, one of America’s most celebrated librettists. The mission of the Five Borough Songbook project is to have composers and text writers create short pieces that are about New York City, so we decided to create a song entitled Crossing The Hudson about two people who cross each other on different Staten Island Ferries.

Crossing The Hudson was commissioned by the Five Boroughs Music Festival for the Five Borough Songbook, Volume II.

Crossing The Hudson

Tales from the 4th Rock

Lunatic

Lunatic

Legrasse