Jordan has been one of my favorite composers on flat for quite a long time. Ever since he and I did a section together in the Antibattle I realized how great our styles intertwined. This song felt so natural to me, Jordan's melodies inspired my own and together we made a piece I believe we are both extremely proud of. As always, make sure to follow @jhaubrich to hear Jordan's new pieces when he (eventually) posts a new score. We hope you enjoy :D

A Myriad Of Stars   Groovy And Jordan Haubrich

Flat - No Destiny (Piano Solo)

I haven't posted here in awhile. I have to post this here because Flat.io is not powerful enough to run this piece. The rest of this description is copy-pasted from the Flat.io site.

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Obligatory this is VERY LOUD! Settle your volume where comfortable.
Use HQ Headphones for best experience.
We are not responsible for your sudden deletion from existence.
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Help me...

Please...

Its too powerful...

I can't...

Resist any longer...

...

I̸̢̙̳̥̅T̸̼̜̜̎̆́͑ ̶̠̇͜W̷̥̉̚A̸̪̓Ş̸̹̾̋̂ ̴̭̬̺̏N̸̥̑͑̋̈́O̶̞͎̘̿̅T̶̥͗̾͆ ̶͇̊O̸̺̕U̷͇͚͖̾̇R̸̼͆̉̀̅ ̸̹̤͎̣͑̈́͊F̷̜̙́A̷̤͎̭͝Ȕ̶̼̅͊͠ͅL̸̯̽̋T̸̠̐̾͆ ̶̡̪͠Ÿ̵̼̝́̑̚͝Ǒ̸̺͕͍͂͂͝Û̷̝̻̫́̊̀ ̵̰̉̎̕͠A̴̪̮͎̐R̵̺͋̎̓͝E̷͕̗͕̾̀͆ ̵̥̯̭̼̐L̴̼͕̠͊̀̊̕ͅI̶̻̯̼̜̓͝͝S̷̜͔̥̈́̌̽T̶̨͎̬̥̒̓̀E̴̜̖͙͛N̶̪̰͔̓̾͘I̶͕̣̎̀͘͝Ņ̶̖̔̉͋G̷͇͖͕͍͂̒̊͝ ̸̠̦͋͂̐T̶͜͝O̶͎͕͐ ̸̯̻̈́̂̄T̴̡̡̜͆H̶̹̼̳̻̓̽͆̅E̵̡̗͙̍̾͜͝ ̴̞̘̈́̅̀ͅE̷̡̨͖̜͗̇̂N̷͍̦̂͘̕D̷̛̰̙̩̈́̌

...

mmm...

The road to Tier 40... total Infinite Energy... is not one any entity should achieve...

By Tier 15, your travels to other Plane of Existences reduce your effectiveness by two-thirds.

By Tier 20, your resistances to the 4 domains of the Otherworld balance out to nothing.

By Tier 25, your spells are of extreme strength that all will know what you will create and destroy.

By Tier 30, your aura is impossible to control, where all will sense your exact location in the infinite spacetime.

By Tier 35, your body attempts to cease existence due to the nearly infinite power.

But where am I, is the closest to Infinite Energy everyone will witness.

My form is almost completely gone...

I have been nearly fatally struck by the simplest of mortals...

I cannot leave the plane... leave existence...

Was it truly worth achieving Infinite Energy, to end the Infinitely Unlikely Event?

...

Only I will know...

Otherworldian Infinity

Chopin’s Waltz in A-flat major, Op. 42, is no ordinary dance—it’s a waltz supreme, a dance-poem where elegance collides with daring invention. On the surface, it dazzles with Parisian brilliance: swirling gowns, aristocratic pairs, a ballroom sparkling with wit and coquetry. But under the magnifying glass, it reveals Chopin’s genius for bending time itself. The left hand beats the familiar three of the waltz, while the right hand insists on two—duple against triple, particle against wave—creating an auditory illusion as if couples were gliding past each other in different dimensions.

Like a jeweler turning a diamond in shifting light, each return to this piece reveals new colors. Its interwoven themes play like refracted beams in a prism: amusement, drama, intimacy, and that unforgettable sostenuto melody blooming at the heart of the work, a melody Schumann said deserved to be danced only by countesses. Even Chopin’s humor flickers through—the sudden break in the reprise feels less like a mistake than sly stagecraft, as if a dancer had tripped, only for the music to whirl back into an ecstatic frenzy.

From a quantum lens, Op. 42 is superposition in sound: both gallop and glide, both order and abandon. Chopin carried fragments of it for years—echoes of youthful sketches, of tone-portraits of his beloved Maria, of earlier Valses Brillantes—before collapsing them into this final, mature form. The result is music that feels inevitable yet forever unstable, a ballroom spun inside a collider. It is Chopin the improviser and Chopin the architect fused into one: creating a waltz that is not just danced in time, but dances with time itself.

Frédéric Chopin Waltz in A-flat major, Op.42

"For Better or Worse" by Andy Pope. Original material © Andrew Michael Pope. Andy Pope at the Baldwin Grand, June 7, 2025. 

For Better or Worse

Destinesia

This is my attempt at composing/producing a horror game ending theme (Near the ending before credits roll)

For any horror game makers who need a track and would like to use this, feel free to contact me.

Enjoy!

raminiscent.

My first experiment with DAW, specifically Ableton. Made in flat, moved the MIDI to Ableton, did some messing around there, added a few things, and boom here we are. Hope you enjoy :)

Supernova

Joshua Holmberg