The ancients say Akasha is the metaphysical information network, connecting humanity with itself and infinite knowledge. It carries sound energy and unifies leaving souls in one supreme reality.
credits

Written and produced: Radice & Uyak
Shamanic Chants: Santiago Andrade león, Andres Espinoza Arellano
Hulusi flute: Arthuan Rebis
Master: BioLab
Artwork: Azra J

In honor to one of my best friend Marco Dollinar. I love you. I'm sorry. Please forgive me. Thank you. We are One.

Earth

Trash fire seaso|\|

Mix & Master by: Nementïa Astrøphe
A.I.rtwork by: Nementïa Astrøphe

Of the weight of flesh and the purification of blood:

Many have been the forms in which I inhabited consciousness before being grown inside this spectacle of organ emissions. For long have I gathered myself within the restraints of what my instincts pulsed, an essence of forgotten dreams that beats of primordial wonders.
When have I fallen into a realm of depths and layered absurdity annihilating my blood? These are instances in front of me whenever my mind cripples me into a broken piece of un-strangled knots. Like a puppet I feel that has cut the strings from its master and did not know best rather than to indulge into the act of joints and crawling twitching bones.
I was there for an instance and then forever gone, no memory of what is left of past delusions and fragmented stories with no one to tell. I can only remember there was a lingering man sitting quietly in a corner yet speaking of shadows and stones, whispers in the sky like feathered razors in my eyes and the smell of withered flowers diverging into crystal-like spores that were saturating my nose.
All this headless bouncing mirroring around me as a shapeless void of unspeakable wounds yet to come. "Paradise" said a voice while a hand tied the noose on my back, “these are the cradles of existence I have given to you, and a sharp scissor behind every pillow you choose to go by”.

Nementïa Astrøphe

the Conditioning of Incarnate Awareness

Sunken Place

Hedonismus Business has just the thing for you to get your weekend off to the best possible musical start.
Akurra from the West Coast of Australia has recorded a wonderful, dark, psychedelic and energetic set especially for you, with the help of which you can start the weekend in a good mood, so fasten your synapses and put an end to the working week.
So turn on the music, switch off your everyday life and enjoy some really great sound.

Damit ihr alle einen musikalisch maximal guten Start ins Wochenende habt, hat Hedonismus Business genau das richtige für euch.
Akurra hat extra für euch ein wunderschönes, psychedelisches und energetisches Set aufgenommen, mit dessen Hilfe ihr mit ner Menge guter Laune ins Wochenende starten könnt, also Synapsen anschnallen und schluss mit der Arbeitswoche.
Also Musik an - Alltag aus und richtig grandiosen Sound gennießen.

For more information about the artist just look here:

https://soundcloud.com/akurra_audio

Akurra - Hedonismus Business Podcast #303

Cyber Watts Vs DarkFractal - Impurum Gods (265)

"Expanding, evolving, letting the story unfold. Reminding ourselves to acknowledge our internal storm and let the rain pour. Let the thunder rumble but do not wait for it.. 
Moving with grace through the chaos and reaching a state of stillness in the eye of the storm.
Expansion."

Joint forces in production by CYRÊN and machēn.
Mastered by machēn
Written word and artwork by CYRÊN


4 Expansion 222bpm - CYRÊN X MACHĒN

Español
Opet - Klippot (Wachuma Records)

Las Klippot representan las barreras, los fragmentos del caos que ocultan lo esencial y distorsionan la percepción. En este nuevo EP, Opet nos sumerge en un viaje sonoro donde lo árido y lo oculto se entrelazan, guiados por ritmos hipnóticos y atmósferas densas.

Desde las "Roots Of The Abyss", donde todo comienza a desmoronarse, hasta la tormenta implacable de "Torn Storm", cada pista revela una parte del caos interno. "Sand And Darkness" nos arrastra por un paisaje incierto, mientras "Hidden Daat" nos enfrenta con el conocimiento velado, ese que solo se revela en el abismo.

Publicado bajo el sello Wachuma Records (España) y masterizado por Xikwri Neyrra (México), "Klippot" es una exploración profunda de los límites entre lo consciente y lo desconocido, una invitación a atravesar las sombras y encontrar lo que yace detrás de ellas.

English
Opet - Klippot (Wachuma Records)

The Klippot represent barriers, fragments of chaos that obscure the essence and distort perception. In this new EP, Opet takes us on a sonic journey where the arid and the hidden intertwine, guided by hypnotic rhythms and dense atmospheres.

From "Roots Of The Abyss", where everything begins to collapse, to the relentless storm of "Torn Storm", each track reveals a piece of inner chaos. "Sand And Darkness" drags us through an uncertain landscape, while "Hidden Daat" confronts us with veiled knowledge, the kind that is only revealed in the abyss.

Released under Wachuma Records (Spain) and mastered by Xikwri Neyrra (Mexico), "Klippot" is a deep exploration of the limits between the conscious and the unknown—an invitation to cross the shadows and discover what lies beyond them. 



Cover made by Nahualica.art / Opet
www.instagram.com/nahualica.art/

Mastering made by Xikwri Neyrra @ HIGHSHELFMASTERING STUDIO
www.instagram.com/xikwrineyrra/

🌵Follow for more updates and releases
🌵www.instagram.com/wachuma_records/
🌵soundcloud.com/wachumarecords/tracks
🌵www.facebook.com/WachumaRecs/

2 - Opet - Torn Storm - 170 bpm

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three Particles

Saturnian Summer

01 Abstract Anomaly

01 - !luuli - Gutter Glam

gritty swamp alien BDSM music for abductions, space robberies, wiggy parties, and the occasional boss battle